African Sculpture Speaks. 2nd Pr PDF Download
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Author: L. Segy
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: L. Segy
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ladislas Segy
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 410
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Book Description
The first full appraisal of African art published in the United States, African Sculpture Speaks describes and illustrates the sculpted works of more than 150 West African tribes.
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Author: Ladislas Segy
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
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Author: L. SEGY
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Ladislas Segy
Publisher: Pickle Partners Publishing
ISBN: 1789125502
Category : History
Languages : en
Pages : 641
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Book Description
PABLO PICASSO: “...when the form is realized, it is there to live its own life.” HENRY MOORE: “The sculpture which moves me most is full-blooded and self-supporting, fully in the round; giving out something of an energy and power of great mountains, it has a life of its own independent of the object it represents.” African Art Speaks, the first full appraisal of African art published in the United States, describes and illustrates the sculpted works of more than 150 West African tribes. Ladislas Segy approaches African art from several different but interrelated perspectives, considering the sculptures first as products of a distinct African culture, then as high-quality works of art. Seeking to bring the African carver’s work within the scope of the Western observer, Segy stresses the need for appraising African art within in its own context, suspending established procedures for art appreciation and viewing the object as it actually is, not as we think it is or should be. Bringing to bear the disciplines of aesthetics, anthropology, psychology, and phenomenology, Segy shows how the deep-seated magico-religious beliefs of the tribal carver creates such powerful emotional tension in his work that the viewer can recapture this emotion and identify it as part of his own experience. This present edition is the Third Printing, originally published in 1961, and provides a systematic Style Guide, analyzing the characteristic features of the different styles of tribal sculpture. A special chapter for the collector tells how to buy and care for African art. Segy also discusses the styles of the main sculpture-producing tribes in East and South Africa. Included are maps, a bibliography and a list of illustrations. “While much has been written about African sculpture within recent years, Mr. Segy’s book is undoubtedly among the finest published in this country.”—The San Francisco Chronicle
Author: David Brooks
Publisher: Random House
ISBN: 0679645047
Category : Social Science
Languages : en
Pages : 385
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Book Description
#1 NEW YORK TIMES BESTSELLER • Everybody tells you to live for a cause larger than yourself, but how exactly do you do it? The author of The Road to Character explores what it takes to lead a meaningful life in a self-centered world. “Deeply moving, frequently eloquent and extraordinarily incisive.”—The Washington Post Every so often, you meet people who radiate joy—who seem to know why they were put on this earth, who glow with a kind of inner light. Life, for these people, has often followed what we might think of as a two-mountain shape. They get out of school, they start a career, and they begin climbing the mountain they thought they were meant to climb. Their goals on this first mountain are the ones our culture endorses: to be a success, to make your mark, to experience personal happiness. But when they get to the top of that mountain, something happens. They look around and find the view . . . unsatisfying. They realize: This wasn’t my mountain after all. There’s another, bigger mountain out there that is actually my mountain. And so they embark on a new journey. On the second mountain, life moves from self-centered to other-centered. They want the things that are truly worth wanting, not the things other people tell them to want. They embrace a life of interdependence, not independence. They surrender to a life of commitment. In The Second Mountain, David Brooks explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community. Our personal fulfillment depends on how well we choose and execute these commitments. Brooks looks at a range of people who have lived joyous, committed lives, and who have embraced the necessity and beauty of dependence. He gathers their wisdom on how to choose a partner, how to pick a vocation, how to live out a philosophy, and how we can begin to integrate our commitments into one overriding purpose. In short, this book is meant to help us all lead more meaningful lives. But it’s also a provocative social commentary. We live in a society, Brooks argues, that celebrates freedom, that tells us to be true to ourselves, at the expense of surrendering to a cause, rooting ourselves in a neighborhood, binding ourselves to others by social solidarity and love. We have taken individualism to the extreme—and in the process we have torn the social fabric in a thousand different ways. The path to repair is through making deeper commitments. In The Second Mountain, Brooks shows what can happen when we put commitment-making at the center of our lives.
Author: Ladislas Segy
Publisher: Courier Corporation
ISBN: 9780486203966
Category : Art
Languages : en
Pages : 228
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Book Description
Includes a brief analysis and history of African sculpture followed by a pictorial survey of this art grouped according to region
Author: Joe and Emily Lowe Art Gallery (Syracuse University)
Publisher:
ISBN:
Category : Art, Black
Languages : en
Pages : 822
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Author: Sidney Littlefield Kasfir
Publisher: Thames & Hudson
ISBN: 050077515X
Category : Art
Languages : en
Pages : 487
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Book Description
A revised edition of this seminal title, surveying the diverse, ever-evolving field of contemporary African art from the 1950s to today, illustrated in color throughout. Contemporary African art has grown out of the diverse histories and cultural heritage of the African continent and its diaspora. It is not characterized by one particular style, technique, or theme, but by a bricolage-like attitude toward art making, incorporating and building upon the structures from which older, pre- colonial and colonial genres were made. In this revised and updated edition of Contemporary African Art, Sidney Littlefield Kasfir examines the major themes, developments, and accomplishments in African art of the twentieth and twenty-first centuries. Organized thematically, the book includes new chapters on the history of African photography and the growth of the global art market, alongside significant discussions of patronage, mediation, artistic training, and national and diaspora identities. Generously illustrated throughout, including work by artists such as El Anatsui, Yinka Shonibare, William Kentridge, and Ibrahim El-Salahi, the book draws on interviews with many contemporary artists and art world professionals. Contemporary African Art is a fascinating, comprehensive survey of art from the African continent and its global diaspora.
Author: Bennetta Jules-Rosette
Publisher: University of Illinois Press
ISBN: 0252052153
Category : Art
Languages : en
Pages : 374
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Book Description
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
