African Rock Art PDF Download
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Author: David Coulson
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author: David Coulson
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author: Jean-Loïc Le Quellec
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
The only book of its kind to examine cave art throughout Africa. The paintings and engravings discovered in African caves are amazing works of art that hold clues to understanding the history of humankind.
Author: Burchard Brentjes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
A unique and fascinating record of the arts of the Bushman, Bantu, Berber, Hamite, Hottentot, and others, over ten thousand years.
Author: J.D. Lewis-Williams
Publisher: Ohio University Press
ISBN: 0821444581
Category : Art
Languages : en
Pages : 159
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Book Description
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author: J. David Lewis-Williams
Publisher: CUP Archive
ISBN: 9780521244602
Category : Social Science
Languages : en
Pages : 136
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Book Description
Author: Renaud Ego
Publisher: NYU Press
ISBN: 1776142330
Category : Social Science
Languages : en
Pages : 371
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Book Description
An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. Renaud Ego posits that the artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and,ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers. Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary,who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.
Author: Neville Agnew
Publisher:
ISBN:
Category : Cultural property
Languages : en
Pages : 62
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Book Description
Author: Iain Davidson
Publisher: Berghahn Books
ISBN: 1789209218
Category : Social Science
Languages : en
Pages : 359
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Book Description
Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?
Author: Geoffrey Blundell
Publisher: Routledge
ISBN: 1315420317
Category : Social Science
Languages : en
Pages : 632
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Book Description
The purpose of Seeing and Knowing is to demonstrate the depth and wide geographical impact of David Lewis-Williams’ contribution to rock art research by emphasizing theory and methodology drawn from ethnography. Contributors explore what it means to understand and learn from rock art, and a contrast is drawn between those sites where it is possible to provide a modern, ethnographic context, and those sites where it is not. This is the definitive guide to the interplay between ethnography and rock art interpretation, and is an ideal resource for students and researchers alike.
Author: David J. Lewis-Williams
Publisher: Rowman Altamira
ISBN: 0759116717
Category : Religion
Languages : en
Pages : 327
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Book Description
J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
