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Author: Errol A. Henderson
Publisher: Rowman & Littlefield
ISBN: 1442239514
Category : Political Science
Languages : en
Pages : 317
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Book Description
African Realism explains Africa’s international conflicts of the post-colonial era through international relations theory. It looks at the relationship between Africa’s domestic and international conflicts, as well as the impact of factors such as domestic legitimacy, trade, and regional economic institutions on African wars. Further, it examines the relevance of traditional realist assumptions (e.g. balance of power, the security dilemma) to African international wars and how these factors are modified by the exigencies of Africa’s domestic institutions, such as neopatrimonialism and inverted legitimacy. This study also addresses the inconsistencies and inaccuracies of international relations theory as it engages African international relations, and especially, its military history
Author: Errol A. Henderson
Publisher: Rowman & Littlefield
ISBN: 1442239514
Category : Political Science
Languages : en
Pages : 317
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Book Description
African Realism explains Africa’s international conflicts of the post-colonial era through international relations theory. It looks at the relationship between Africa’s domestic and international conflicts, as well as the impact of factors such as domestic legitimacy, trade, and regional economic institutions on African wars. Further, it examines the relevance of traditional realist assumptions (e.g. balance of power, the security dilemma) to African international wars and how these factors are modified by the exigencies of Africa’s domestic institutions, such as neopatrimonialism and inverted legitimacy. This study also addresses the inconsistencies and inaccuracies of international relations theory as it engages African international relations, and especially, its military history
Author: David Ernest Apter
Publisher: University of Virginia Press
ISBN: 9780813914794
Category : Political Science
Languages : en
Pages : 356
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Book Description
Since the 1950s David Apter and Carl Rosenberg have been among the leading American scholars in African Studies. In this volume they, along with other major specialists in the field, explore the new configurations of African politics. With tentative efforts at a revival of democracy now taking place, it seems appropriate to reasses the theoretical debates ad empirical themes that have characterized postwar Sub-Saharan African politics. Focusing on "new realism" that has emerged among Africanists since the dismantling of colonial rule, the essays are presented as a corrective both to the initial euphoria informing African studies and to the later tendency to place blame for all Africa's political and economic difficulties on the receding specter of colonial oppression.
Author: Stacy I. Morgan
Publisher: University of Georgia Press
ISBN: 9780820325798
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author: Melissa Daniels-Rauterkus
Publisher: LSU Press
ISBN: 080717341X
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Winner of the SAMLA Studies Award Honorable Mention for the MLA William Sanders Scarborough Prize From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro-Realisms and the Romances of Race, Melissa Daniels-Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels-Rauterkus contests the long-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With Afro-Realisms and the Romances of Race, Daniels-Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.
Author: Brenda Cooper
Publisher: Routledge
ISBN: 1134673787
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This study contextualizes magical realism within current debates and theories of postcoloniality and examines the fiction of three of its West African pioneers: Syl Cheney-Coker of Sierra Leone, Ben Okri of Nigeria and Kojo Laing of Ghana. Brenda Cooper explores the distinct elements of the genre in a West African context, and in relation to: * a range of global expressions of magical realism, from the work of Gabriel Garcia Marquez to that of Salman Rushdie * wider contemporary trends in African writing, with particular attention to how the realism of authors such as Chinua Achebe and Wole Soyinka has been connected with nationalist agendas. This is a fascinating and important work for all those working on African literature, magical realism, or postcoloniality.
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 9780691127262
Category : Art
Languages : en
Pages : 294
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Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Author: Deborah Shapple Spillman
Publisher: Springer
ISBN: 0230378013
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
What role do objects play in realist narratives as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? This book explores how the struggle to represent objects in British colonial realism corresponded with historical struggles over the material world and its significance.
Author: K. Dunn
Publisher: Springer
ISBN: 033397753X
Category : Political Science
Languages : en
Pages : 242
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Book Description
Africa has been noticeably absent in international relations theory. This new collection of essays by contemporary Africanists convincingly demonstrates the importance of the continent to every theoretical approach in international relations. This collection breaks new ground in how we think about both international relations and Africa, re-examining such foundational concepts as sovereignty, the state, and power; critically investigating the salience of realism, neo-liberalism, liberalism in Africa, and providing new thinking about regionalism, security and identity.
Author: F. Abiola Irele
Publisher: Cambridge University Press
ISBN: 1139827707
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Africa's strong tradition of storytelling has long been an expression of an oral narrative culture. African writers such as Amos Tutuola, Naguib Mahfouz, Wole Soyinka and J. M. Coetzee have adapted these older forms to develop and enhance the genre of the novel, in a shift from the oral mode to print. Comprehensive in scope, these new essays cover the fiction in the European languages from North Africa and Africa south of the Sahara, as well as in Arabic. They highlight the themes and styles of the African novel through an examination of the works that have either attained canonical status - an entire chapter is devoted to the work of Chinua Achebe - or can be expected to do so. Including a guide to further reading and a chronology, this is the ideal starting-point for students of African and world literatures.
Author: Dirk Göttsche
Publisher: John Benjamins Publishing Company
ISBN: 9027260362
Category : Literary Criticism
Languages : en
Pages : 834
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Book Description
Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary exploration of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this first volume tackles in its five core essays and twenty-five case studies such questions as why realism emerged when it did, why and how it developed such a transformative dynamic across languages, to what extent realist poetics remain central to art and popular culture after 1900, and how generally to reassess realism from a twenty-first-century comparative perspective.
