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Author: Chika Okeke-Agulu
Publisher: Duke University Press Books
ISBN: 9780822357322
Category : Art
Languages : en
Pages : 0
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Book Description
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.
Author: Chika Okeke-Agulu
Publisher: Duke University Press Books
ISBN: 9780822357322
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.
Author: Jean Comaroff
Publisher: University of Chicago Press
ISBN: 9780226114392
Category : Family & Relationships
Languages : en
Pages : 278
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Book Description
What role does ritual play in the everyday lives of modern Africans? How are so-called "traditional" cultural forms deployed by people seeking empowerment in a world where "modernity" has failed to deliver on its promises? Some of the essays in Modernity and Its Malcontents address familiar anthropological issues—like witchcraft, myth, and the politics of reproduction—but treat them in fresh ways, situating them amidst the polyphonies of contemporary Africa. Others explore distinctly nontraditional subjects—among them the Nigerian popular press and soul-eating in Niger—in such a way as to confront the conceptual limits of Western social science. Together they demonstrate how ritual may be powerfuly mobilized in the making of history, present, and future. Addressing challenges posed by contemporary African realities, the authors subject such concepts as modernity, ritual, power, and history to renewed critical scrutiny. Writing about a variety of phenomena, they are united by a wish to preserve the diversity and historical specificity of local signs and practices, voices and perspectives. Their work makes a substantial and original contribution toward the historical anthropology of Africa. The contributors, all from the Africanist circle at the University of Chicago, are Adeline Masquelier, Deborah Kaspin, J. Lorand Matory, Ralph A. Austen, Andrew Apter, Misty L. Bastian, Mark Auslander, and Pamela G. Schmoll.
Author: Kwame Gyekye
Publisher: Oxford University Press, USA
ISBN: 0195112253
Category : History
Languages : en
Pages : 359
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Book Description
Gyekye offers a philosophical interpretation and critical analysis of the African cultural experience in modern times, and shows how Western philosophical concepts help in addressing a wide range of specifically African problems.
Author: Samba Camara
Publisher: Cambridge Scholars Publishing
ISBN: 1527559009
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.
Author: Peter Geschiere
Publisher: University of Virginia Press
ISBN: 9780813917030
Category : History
Languages : en
Pages : 332
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Book Description
To many Westerners, the disappearance of African traditions of witchcraft might seem inevitable wuth continued modernization. In The Modernity of Witchcraft, Peter Geschieres uses his own experiences among the Maka and in other parts of eastern and southern Cameroon, as well as other anthropological research, to argue that contemporary ideas and practices of witchcraft are more a response to modern exigencies than a lingering cultural custom. The prevalence of witchcraft, especially in African politics and entrepreneurship, demonstrates the unlikely balance it has achieved with the forces of modernity. Geshiere explores why modern techniques and commodities, usually of Western Provenance, have become central in rumors of the occult.
Author: Tejumola Olaniyan
Publisher: Indiana University Press
ISBN: 025303017X
Category : Social Science
Languages : en
Pages : 334
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Book Description
How has the state impacted culture and cultural production in Africa? How has culture challenged and transformed the state and our understandings of its nature, functions, and legitimacy? Compelled by complex realities on the ground as well as interdisciplinary scholarly debates on the state-culture dynamic, senior scholars and emerging voices examine the intersections of the state, culture, and politics in postcolonial Africa in this lively and wide-ranging volume. The coverage here is continental and topics include literature, politics, philosophy, music, religion, theatre, film, television, sports, child trafficking, journalism, city planning, and architecture. Together, the essays provide an energetic and nuanced portrait of the cultural forms of politics and the political forms of culture in contemporary Africa.
Author: Olakunle George
Publisher: State University of New York Press
ISBN: 0791487768
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
2003 CHOICE Outstanding Academic Title Combining a sustained critical engagement of Anglo-American theory with focused close-readings of major African writers, this book performs a long-overdue cross-fertilization of ideas among poststructuralism, postcolonial theory, and African literature. The author examines several influential figures in current theory such as Habermas, Althusser, Laclau and Mouffe, as well as the theorists of postcolonialism, and offers an extended reading of the Nigerian writers D.O. Fagunwa, Wole Soyinka, Amos Tutuola, and Chinua Achebe. He argues that contrary to what the purism and voluntarism common to postcolonial theory might suggest, one lesson of African letters is that significant agency can result from acts that are blind to their determinations. For George, African letters offer an instance of "agency-in-motion," as opposed to agency in theory.
Author: Manuel Herz
Publisher:
ISBN: 9783038602941
Category :
Languages : en
Pages : 640
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Book Description
A new edition of the most comprehensive survey of modern architecture in Africa to date. When the first edition of African Modernism was published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again in a new edition. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume.
Author: Pal Ahluwalia
Publisher: Routledge
ISBN: 1134559054
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This groundbreaking book makes sense of the complexities and dynamics of post-colonial politics, illustrating how post-colonial theory has marginalised a huge part of its constituency, namely Africa. Politics and Post-Colonial Theory traces how African identity has been constituted and reconstituted by examining issues such as: * negritude * the rise of nationalism * decolonisation. The book also questions how helpful post-colonial analysis can be in understanding the complexities which define institutions including: * the nation-state * civil society * human rights * citizenship. Politics and Post-colonial Theory bravely breaks down disciplinary boundaries. Its radical vision will be essential reading for all those engaged in Politics, post-colonial studies and African studies.
Author: Peter Leman
Publisher: Liverpool University Press
ISBN: 1789625203
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Singing the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa’s “oral jurisprudence” ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.
