A Handbook of the African Collections of the Commercial Museum, Philadelphia PDF Download
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Author: Commercial Museum (Philadelphia, Pa.)
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 94
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Book Description
Author: Commercial Museum (Philadelphia, Pa.)
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 94
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Book Description
Author: Northwestern University (Evanston, Ill.). Library
Publisher: Boston : G. K. Hall
ISBN:
Category : Africa
Languages : en
Pages : 716
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Book Description
Author: Khalil B. Kinsey ($e writer of added commentary)
Publisher:
ISBN: 9780982622537
Category : African American art
Languages : en
Pages : 198
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Book Description
Author: Philadelphia Museums
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Zoe Cormack
Publisher:
ISBN: 9789464260137
Category :
Languages : en
Pages : 212
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Book Description
South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.
Author: Smithsonian Institution. Libraries. National Museum of African Art Branch
Publisher: G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 848
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Book Description
Author: Monica Blackmun Visonà
Publisher: Routledge
ISBN: 1351571125
Category : Art
Languages : en
Pages : 216
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Book Description
Constructing African Art Histories for the Lagoons of C?d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern C?d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in C?d'Ivoire, Monica Blackmun Vison?rovides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
Author: H. D. Gunn
Publisher:
ISBN:
Category : Art objects, African
Languages : en
Pages : 106
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Book Description
Author: Amy J. Staples
Publisher: Weidenfeld & Nicolson
ISBN: 9781907804991
Category : HISTORY
Languages : en
Pages : 0
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Book Description
Fragile Legacies showcases the extraordinary photographs of Chief Solomon Osagie Alonge (1911-1994), one of Nigeria's premier photographers and the first official photographer to the royal court of the Benin kingdom. Alonge's photographs document a half-century of the Benin palace and the rituals, pageantry, and regalia of the obas (kings), and provide rare insight into the early histories and practices of studio photography in West Africa. His insider status provides an important perspective for examining the transformations of Benin City during the early to mid-twentieth century. --Front flap.
Author: JoAnn McGregor
Publisher: Indiana University Press
ISBN: 0253060133
Category : Art
Languages : en
Pages : 303
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Book Description
Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fashion studies, and global cultural history. The editors of this volume seek to answer questions such as: How can researchers use museum collections to reveal traces of past self-fashioning that are obscured by racialized forms of knowledge and institutional practice? How can archival, visual, oral, ethnographic, and online sources be deployed to capture the diversity of African sartorial pasts? How can scholars and curators decolonize the Eurocentric frames of thinking encapsulated in historic collections and current curricula? Can new collections of African fashion decolonize museum practice? From Moroccan fashion bloggers to upmarket Lagos designers, the voices in this ground-breaking collection reveal fascinating histories and geographies of circulation within and beyond the continent and its diasporic communities.
