African Cinema, Neoliberal Narratives and the Right of Necessity PDF Download
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Author: Olivier J. Tchouaffe
Publisher: Cambridge Scholars Publishing
ISBN: 152757931X
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
Author: Olivier J. Tchouaffe
Publisher: Cambridge Scholars Publishing
ISBN: 152757931X
Category : Performing Arts
Languages : en
Pages : 205
Get Book Here
Book Description
African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
Author: Mette Hjort
Publisher: Indiana University Press
ISBN: 0253039444
Category : Political Science
Languages : en
Pages : 321
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Book Description
Essays and case studies exploring how filmmaking can play a role in promoting social and economic justice. Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities Legitimating, and consequently solidifying, an expanded scope for human rights Promoting the realization of social and economic right Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners’ self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film’s ideal role within the context of our ever-continuing struggle towards a more just global society.
Author: Chérie Rivers Ndaliko
Publisher: Oxford University Press
ISBN: 0190499583
Category : Art
Languages : en
Pages : 313
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Book Description
Written by a scholar and activist in the center of the current public policy debate in the Democratic Republic of the Congo, Necessary Noise presents a compelling view on the uneasy balance of accomplishing change through art against the unsteady background of war.
Author: Olivier-Jean Tchouaffe
Publisher: Lexington Books
ISBN: 1498539823
Category : Art
Languages : en
Pages : 163
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Book Description
The Poetics of Radical Hope: The Abderrhamane Sissako Experience communicates pieces of evidence that Sissako is the most talented and the most sophisticated filmmaker of his generation. This imaginative excellence emanates from new aspirations to fashion an original African cinematic aesthetic for a politic of radical hope and creative adaptation. Sissako’s contribution extends to all aspects of the indigenous motion pictures industry to help rebuild the continent’s cultural infrastructures and create intellectual and cultural spaces to mobilize narrative strategies to contribute in the making of potent African collectives. Far from being abstract, Sissako's logic of contribution resists facile reading and demands a direct and profound engagement with the text. Sissako is one of the best filmmakers working today because his cinema constitutes a generative contribution to the contemporary production of African intelligibility. This logic of contribution helps to better articulate the historical logics and practices of a continent in constant throes of situational emergencies. The cinemas confront African colonial legacies to contemporary globalization discourses that grip the contemporary global condition, notably: political instability, poverty, illiteracy, digital divide, global warming and food shortages, diseases and the so-called "clash of civilization."
Author: Hilaria Loyo
Publisher: Bloomsbury Publishing USA
ISBN: 1501388142
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
The financial collapse of 2008 extended and deepened a prolonged, multilayered crisis that has transformed, often in unexpected ways, how we think about all aspects of social life. Amid these turbulent times, film studies scholars have begun to ask new questions and create fresh strategies in order to integrate intellectual and political work in ways that directly address our current predicament. This timely volume reconsiders the relationships between cinema and society at a time when neoliberal policies threaten not only civic culture but also nearly every aspect of human life. Screening the Crisis brings together established authors as well as brilliant young scholars in the field of film studies to explore the ways in which new tendencies in US cinema enhance awareness of the complexity of the problems facing contemporary society. The issues addressed include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. These questions are explored through in-depth studies and contextualized analyses of a wide variety of recent films, genres, and filmmakers. With its ample range of topics and perspectives, this collection provides an essential reference work for those who want to research how US cinema has responded to the manifold interconnected crises that characterize our current times.
Author: Isabel González-Díaz
Publisher: Taylor & Francis
ISBN: 1000998207
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed’s rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness—whatever that means.
Author: Jennifer Pierce
Publisher: Stanford University Press
ISBN: 0804783195
Category : Social Science
Languages : en
Pages : 248
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Book Description
How is it that recipients of white privilege deny the role they play in reproducing racial inequality? Racing for Innocence addresses this question by examining the backlash against affirmative action in the late 1980s and early 1990s—just as courts, universities, and other institutions began to end affirmative action programs. This book recounts the stories of elite legal professionals at a large corporation with a federally mandated affirmative action program, as well as the cultural narratives about race, gender, and power in the news media and Hollywood films. Though most white men denied accountability for any racism in the workplace, they recounted ways in which they resisted—whether wittingly or not— incorporating people of color or white women into their workplace lives. Drawing on three different approaches—ethnography, narrative analysis, and fiction—to conceptualize the complexities and ambiguities of race and gender in contemporary America, this book makes an innovative pedagogical tool.
Author: Kay Fuller
Publisher: Frontiers Media SA
ISBN: 2889719448
Category : Science
Languages : en
Pages : 247
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Book Description
Author: Austin Thomas Austin
Publisher: Edinburgh University Press
ISBN: 1474448534
Category : Performing Arts
Languages : en
Pages : 414
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Book Description
Now more than ever, the idea of Europe as grounded in a shared cultural heritage cannot be taken for granted. For all its diversity, complexity and internal tensions, Europe remains a powerful economic and political superstate. But it is one in crisis, where the postwar social democratic consensus has collapsed, the failings of neoliberalism have led to widespread austerity, and extremism, xenophobia and racism are on the rise. This collection of original essays considers filmmakers' engagements with pressing issues of the moment. Taking a long view of the crisis and considering geopolitical changes that took place towards the end of the 20th century, this book examines European cinema's response to the economic, political and social crises that afflict Europe in the present.
Author: Keyan Tomaselli
Publisher: Routledge
ISBN: 1317928393
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.
