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Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 9780520038448
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 9780520038448
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Robert Farris Thompson
Publisher:
ISBN: 9780520027039
Category : Art
Languages : en
Pages : 275
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Book Description
Author: Pamela McClusky
Publisher: Princeton University Press
ISBN: 9780691092751
Category : Art
Languages : en
Pages : 302
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Book Description
"The authors draw on personal memories, interviews, and oral narratives to present twelve "case histories" of objects--or clusters of objects-- in the Seatle Art Museum's renowned collection of African art."
Author: Robert Farris Thompson
Publisher: Periscope
ISBN: 9781934772959
Category : Aesthetics, Black
Languages : en
Pages : 0
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Book Description
Essays on the African heritage in the art and music of the Americas.
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 0520324633
Category : Art
Languages : en
Pages : 902
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: Robert Farris Thompson
Publisher: Univ of California Press
ISBN: 9780520038448
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 0870999338
Category : Art, Black
Languages : en
Pages : 82
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Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Bennetta Jules-Rosette
Publisher: University of Illinois Press
ISBN: 0252074122
Category : African American entertainers
Languages : en
Pages : 396
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Book Description
Beyond biography: a legendary performer's legacy of symbolism
Author: Robert Farris Thompson
Publisher: Vintage
ISBN: 0307874338
Category : Art
Languages : en
Pages : 337
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Book Description
This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Author: Samantha A. Noël
Publisher: Duke University Press
ISBN: 1478012897
Category : Art
Languages : en
Pages : 202
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Book Description
In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.
