African American Musicians PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download African American Musicians PDF full book. Access full book title African American Musicians by Eleanora E. Tate. Download full books in PDF and EPUB format.
Author: Eleanora E. Tate
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 70
Get Book Here
Book Description
Presents biographical profiles of African Americans, both legendary and less well-known, who have made significant contributions to music in the United States over the past 200 years.
Author: Eleanora E. Tate
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 70
Get Book Here
Book Description
Presents biographical profiles of African Americans, both legendary and less well-known, who have made significant contributions to music in the United States over the past 200 years.
Author: Victor H. Green
Publisher: Colchis Books
ISBN:
Category : History
Languages : en
Pages : 222
Get Book Here
Book Description
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Author: Sarah Bryan
Publisher: UNC Press Books
ISBN: 1469610795
Category : Music
Languages : en
Pages : 233
Get Book Here
Book Description
Includes CD with "music from artists in Edgecombe, Greene, Jones, Lenoir, Nash, Pitt, Wayne and Wilson Counties."
Author: The Thomas Family
Publisher:
ISBN: 9780578602790
Category : Juvenile Nonfiction
Languages : en
Pages : 42
Get Book Here
Book Description
This is a book about the ABCs of African American Musicians history. So many African American Musicians have paved the way, The Thomas Family just wanted to highlight some of our favorites over time. From Ray Charles, to Stevie Wonder, from Beyonce to Chance the Rapper, this book showcases many talented singers, songwriters, producers and rappers. It is a fun rhyming book teaching young children their ABCs, in addition to the history of music. The Thomas Family values education, having fun and loves listening to music of all genres! ABCs of African American Musicians will be a delight to every child's bookcase!
Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822394979
Category : Music
Languages : en
Pages : 391
Get Book Here
Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Author: Eric Porter
Publisher: Univ of California Press
ISBN: 9780520928404
Category : Music
Languages : en
Pages : 442
Get Book Here
Book Description
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
Get Book Here
Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Author: Michael Carson
Publisher:
ISBN: 9780578995694
Category :
Languages : en
Pages :
Get Book Here
Book Description
Throughout history, African-American musicians and artists have made a profound impact in music, they have given sound and voice through a wide variety of musical genres. Universally they have expressed emotions that is shared through faith, passion, joy, comfort, and injustice through songs that speaks directly to the heart and spirit. Many of these performers have the power to influence, inspire, and affect social change through their musical talent. Their personal stories and experiences have transcended time and encouraged several generations to continue singing, dancing, preaching, and perform with musical instruments. Over the past two centuries these experiences have become part of a cultural identity. The incredible men and woman featured in this book are responsible for creating some of the most iconic songs ever recorded in the history of music. Their trailblazing sounds have been synonymous in the inception of several musical genres such as Gospel, Blues, Jazz, Soul, Rock & Roll, R&B, Disco, and Hip-Hop, to name a few. Their timeless musical treasures continue to enrich and endure our culture, history, spirit, and soul. While recognizing the impact African-American musicians have made worldwide, through inspiring millions to sing, dance, express their faith, and march for justice, the federal government officially declared the month of June as "African-American Music Appreciation Month," which was originally established in June, 1979. In an effort to honor the countless musicians, singers and composers who have played an integral role in crafting America's soundtrack as well as contribute to every musical genre ever conceived, each year during the month of June, the country recognizes and highlights the contributions African-American artists have made throughout history, and the impact their music has made in our society and the world.
Author: W. C. Handy
Publisher: Da Capo Press
ISBN: 9780306804212
Category : Music
Languages : en
Pages : 340
Get Book Here
Book Description
W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first 100 from "Memphis Blues"; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.
Author: William C. Banfield
Publisher: Scarecrow Press
ISBN: 0810877864
Category : Biography & Autobiography
Languages : en
Pages : 313
Get Book Here
Book Description
In this collection of essays, interviews, and profiles, William C. Banfield reflects on his life as a musician and educator, weaving together pieces of cultural criticism and artistry and paying homage to Black music of the last forty years and beyond. The essays and interviews in Representing Black Music Culture: Then, Now, and When Again? are enhanced by seven years of daily diary entries that reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons, including Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Maya Angelou, Patrice Rushen, Billy Taylor, Herbie Hancock, and Quincy Jones. Although many of the individuals Banfield lauds are well known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, is no less deserving of praise and respect for their contributions. In addition, this volume is filled with candid photographs of many artists participating in expressive culture, whether on stage, on tour, in clubs, in rehearsal, or teaching class. This unique book will be of interest to scholars and students, as well as general readers interested in absorbing and appreciating Black culture. Book jacket.
