Author: Cassander L. Smith
Publisher: LSU Press
ISBN: 0807163856
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
As Spain and England vied for dominance of the Atlantic world during the sixteenth and seventeenth centuries, mounting political and religious tensions between the two empires raised a troubling specter for contemporary British writers attempting to justify early English imperial efforts. Specifically, these writers focused on encounters with black Africans throughout the Atlantic world, attempting to use these points of contact to articulate and defend England’s global ambitions. In Black Africans in the British Imagination, Cassander L. Smith investigates how the physical presence of black Africans both enabled and disrupted English literary responses to Spanish imperialism. By examining the extent to which this population helped to shape early English narratives, from political pamphlets to travelogues, Smith offers new perspectives on the literary, social, and political impact of black Africans in the early Atlantic world. With detailed analysis of the earliest English-language accounts from the Atlantic world, including writings by Sir Francis Drake, Sir Walter Ralegh, and Richard Ligon, Smith approaches contact narratives from the perspective of black Africans, recovering figures often relegated to the margins. This interdisciplinary study explores understandings of race and cross-cultural interaction and revises notions of whiteness, blackness, and indigeneity. Smith reveals the extent to which contact with black Africans impeded English efforts to stigmatize the Spanish empire as villainous and to malign Spain’s administration of its colonies. In addition, her study illustrates how black presences influenced the narrative choices of European (and later Euro-American) writers, providing a more nuanced understanding of black Africans’ role in contemporary literary productions of the region.
Africa in the American Imagination
Author: Carol Magee
Publisher: Univ. Press of Mississippi
ISBN: 1617031534
Category : Social Science
Languages : en
Pages : 280
Book Description
In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.
Publisher: Univ. Press of Mississippi
ISBN: 1617031534
Category : Social Science
Languages : en
Pages : 280
Book Description
In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.
Black Africans in the British Imagination
Author: Cassander L. Smith
Publisher: LSU Press
ISBN: 0807163856
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
As Spain and England vied for dominance of the Atlantic world during the sixteenth and seventeenth centuries, mounting political and religious tensions between the two empires raised a troubling specter for contemporary British writers attempting to justify early English imperial efforts. Specifically, these writers focused on encounters with black Africans throughout the Atlantic world, attempting to use these points of contact to articulate and defend England’s global ambitions. In Black Africans in the British Imagination, Cassander L. Smith investigates how the physical presence of black Africans both enabled and disrupted English literary responses to Spanish imperialism. By examining the extent to which this population helped to shape early English narratives, from political pamphlets to travelogues, Smith offers new perspectives on the literary, social, and political impact of black Africans in the early Atlantic world. With detailed analysis of the earliest English-language accounts from the Atlantic world, including writings by Sir Francis Drake, Sir Walter Ralegh, and Richard Ligon, Smith approaches contact narratives from the perspective of black Africans, recovering figures often relegated to the margins. This interdisciplinary study explores understandings of race and cross-cultural interaction and revises notions of whiteness, blackness, and indigeneity. Smith reveals the extent to which contact with black Africans impeded English efforts to stigmatize the Spanish empire as villainous and to malign Spain’s administration of its colonies. In addition, her study illustrates how black presences influenced the narrative choices of European (and later Euro-American) writers, providing a more nuanced understanding of black Africans’ role in contemporary literary productions of the region.
Publisher: LSU Press
ISBN: 0807163856
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
As Spain and England vied for dominance of the Atlantic world during the sixteenth and seventeenth centuries, mounting political and religious tensions between the two empires raised a troubling specter for contemporary British writers attempting to justify early English imperial efforts. Specifically, these writers focused on encounters with black Africans throughout the Atlantic world, attempting to use these points of contact to articulate and defend England’s global ambitions. In Black Africans in the British Imagination, Cassander L. Smith investigates how the physical presence of black Africans both enabled and disrupted English literary responses to Spanish imperialism. By examining the extent to which this population helped to shape early English narratives, from political pamphlets to travelogues, Smith offers new perspectives on the literary, social, and political impact of black Africans in the early Atlantic world. With detailed analysis of the earliest English-language accounts from the Atlantic world, including writings by Sir Francis Drake, Sir Walter Ralegh, and Richard Ligon, Smith approaches contact narratives from the perspective of black Africans, recovering figures often relegated to the margins. This interdisciplinary study explores understandings of race and cross-cultural interaction and revises notions of whiteness, blackness, and indigeneity. Smith reveals the extent to which contact with black Africans impeded English efforts to stigmatize the Spanish empire as villainous and to malign Spain’s administration of its colonies. In addition, her study illustrates how black presences influenced the narrative choices of European (and later Euro-American) writers, providing a more nuanced understanding of black Africans’ role in contemporary literary productions of the region.
African Americans and Africa
Author: Nemata Amelia Ibitayo Blyden
Publisher: Yale University Press
ISBN: 0300244916
Category : Social Science
Languages : en
Pages : 281
Book Description
An introduction to the complex relationship between African Americans and the African continent What is an “African American” and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States’ first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.
Publisher: Yale University Press
ISBN: 0300244916
Category : Social Science
Languages : en
Pages : 281
Book Description
An introduction to the complex relationship between African Americans and the African continent What is an “African American” and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States’ first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.
Travels with Tooy
Author: Richard Price
Publisher: University of Chicago Press
ISBN: 0226680576
Category : Social Science
Languages : en
Pages : 448
Book Description
Thirty-five years into his research among the descendants of rebel slaves living in the South American rain forest, anthropologist Richard Price encountered Tooy, a priest, philosopher, and healer living in a rough shantytown on the outskirts of Cayenne, French Guiana. Tooy is a time traveler who crosses boundaries between centuries, continents, the worlds of the living and the dead, and the visible and invisible. With an innovative blend of storytelling and scholarship, Travels with Tooy recounts the mutually enlightening and mind-expanding journeys of these two intellectuals. Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world’s money supply. This enchanting book draws on Price’s long-term ethnographic and archival research, but above all on Tooy’s teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.
Publisher: University of Chicago Press
ISBN: 0226680576
Category : Social Science
Languages : en
Pages : 448
Book Description
Thirty-five years into his research among the descendants of rebel slaves living in the South American rain forest, anthropologist Richard Price encountered Tooy, a priest, philosopher, and healer living in a rough shantytown on the outskirts of Cayenne, French Guiana. Tooy is a time traveler who crosses boundaries between centuries, continents, the worlds of the living and the dead, and the visible and invisible. With an innovative blend of storytelling and scholarship, Travels with Tooy recounts the mutually enlightening and mind-expanding journeys of these two intellectuals. Included on the itinerary for this hallucinatory expedition: forays into the eighteenth century to talk with slaves newly arrived from Africa; leaps into the midst of battles against colonial armies; close encounters with double agents and femme fatale forest spirits; and trips underwater to speak to the comely sea gods who control the world’s money supply. This enchanting book draws on Price’s long-term ethnographic and archival research, but above all on Tooy’s teachings, songs, stories, and secret languages to explore how Africans in the Americas have created marvelous new worlds of the imagination.
The African Imagination
Author: Abiola Irele
Publisher: Oxford University Press, USA
ISBN: 9780195086195
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
This collection of essays from eminent scholar F. Abiola Irele provides a comprehensive formulation of what he calls an "African imagination" manifested in the oral traditions and modern literature of Africa and the Black Diaspora. The African Imagination includes Irele's probing critical readings of the works of Chinua Achebe, Edward Kamau Brathwaite, Amadou Hampat B , and Ahmadou Kourouma, among others, as well as examinations of the growing presence of African writing in the global literary marketplace and the relationship between African intellectuals and the West. Taken as a whole, this volume makes a superb introduction to African literature and to the work of one of its leading interpreters.
Publisher: Oxford University Press, USA
ISBN: 9780195086195
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
This collection of essays from eminent scholar F. Abiola Irele provides a comprehensive formulation of what he calls an "African imagination" manifested in the oral traditions and modern literature of Africa and the Black Diaspora. The African Imagination includes Irele's probing critical readings of the works of Chinua Achebe, Edward Kamau Brathwaite, Amadou Hampat B , and Ahmadou Kourouma, among others, as well as examinations of the growing presence of African writing in the global literary marketplace and the relationship between African intellectuals and the West. Taken as a whole, this volume makes a superb introduction to African literature and to the work of one of its leading interpreters.
Middle Passages
Author: James T. Campbell
Publisher: Penguin
ISBN: 1440649413
Category : History
Languages : en
Pages : 577
Book Description
Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr. Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.
Publisher: Penguin
ISBN: 1440649413
Category : History
Languages : en
Pages : 577
Book Description
Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr. Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.
Black Imagination and the Middle Passage
Author: Maria Diedrich
Publisher: Oxford University Press
ISBN: 0195352130
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
This volume of essays examines the forced dispossession caused by the Middle Passage. The book analyzes the texts, religious rites, economic exchanges, dance, and music it elicited, both on the transatlantic journey and on the American continent. The totality of this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the beginning of the Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myths, and arts, these contributions conceptualize the meaning of the Middle Passage for African American and American history, literature, and life.
Publisher: Oxford University Press
ISBN: 0195352130
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
This volume of essays examines the forced dispossession caused by the Middle Passage. The book analyzes the texts, religious rites, economic exchanges, dance, and music it elicited, both on the transatlantic journey and on the American continent. The totality of this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the beginning of the Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myths, and arts, these contributions conceptualize the meaning of the Middle Passage for African American and American history, literature, and life.
Music, Modernity, and the Global Imagination
Author: Veit Erlmann
Publisher:
ISBN: 0195123670
Category : African influences
Languages : en
Pages : 321
Book Description
How do Western images of Africa and African representations of the West mirror each other? This study focuses on the tours of two black South African choirs in England and America in the 1890s, and the popularity of Ladysmith Black Mambazo since 1986.
Publisher:
ISBN: 0195123670
Category : African influences
Languages : en
Pages : 321
Book Description
How do Western images of Africa and African representations of the West mirror each other? This study focuses on the tours of two black South African choirs in England and America in the 1890s, and the popularity of Ladysmith Black Mambazo since 1986.
The East Is Black
Author: Robeson Taj Frazier
Publisher: Duke University Press
ISBN: 0822376091
Category : Social Science
Languages : en
Pages : 364
Book Description
During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy, Marxist feminist Vicki Garvin, and freedom fighters Mabel and Robert Williams—traveled and lived in China. There, they used a variety of media to express their solidarity with Chinese communism and to redefine the relationship between Asian struggles against imperialism and black American movements against social, racial, and economic injustice. In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad. He analyzes their diverse cultural output (newsletters, print journalism, radio broadcasts, political cartoons, lectures, and documentaries) to document how they imagined communist China’s role within a broader vision of a worldwide anticapitalist coalition against racism and imperialism.
Publisher: Duke University Press
ISBN: 0822376091
Category : Social Science
Languages : en
Pages : 364
Book Description
During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy, Marxist feminist Vicki Garvin, and freedom fighters Mabel and Robert Williams—traveled and lived in China. There, they used a variety of media to express their solidarity with Chinese communism and to redefine the relationship between Asian struggles against imperialism and black American movements against social, racial, and economic injustice. In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad. He analyzes their diverse cultural output (newsletters, print journalism, radio broadcasts, political cartoons, lectures, and documentaries) to document how they imagined communist China’s role within a broader vision of a worldwide anticapitalist coalition against racism and imperialism.
Posthuman Blackness and the Black Female Imagination
Author: Kristen Lillvis
Publisher: University of Georgia Press
ISBN: 0820351237
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monáe. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term “posthuman blackness” to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory—an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality—in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones’s Corregidora and Morrison’s Beloved. Reading neo–slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred.
Publisher: University of Georgia Press
ISBN: 0820351237
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monáe. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term “posthuman blackness” to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory—an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality—in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones’s Corregidora and Morrison’s Beloved. Reading neo–slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred.