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Author: Kamil Zeidler
Publisher: Springer Nature
ISBN: 303155521X
Category :
Languages : en
Pages : 430
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Book Description
Author: Oren Ben-Dor
Publisher: Routledge
ISBN: 113671975X
Category : Art
Languages : en
Pages : 322
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Book Description
The contributions to Law and Art address the interaction between law, justice, the ethical and the aesthetic.
Author: Costas Douzinas
Publisher: University of Chicago Press
ISBN: 9780226569536
Category : Art
Languages : en
Pages : 294
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Book Description
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
Author: Adam Gearey
Publisher: Hart Publishing
ISBN: 1841132438
Category : Law
Languages : en
Pages : 152
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Book Description
This book takes as its starting point Shelley's assertion that poets are legislators and then tracks this aesthetic.
Author: Edward M. Morgan
Publisher: University of Toronto Press
ISBN: 0802092519
Category : Law
Languages : en
Pages : 289
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Book Description
In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts.
Author: Benjamin J Richardson
Publisher: Bloomsbury Publishing
ISBN: 1509924620
Category : Law
Languages : en
Pages : 363
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Book Description
Environmental law has aesthetic dimensions. Aesthetic values have shaped the making of environmental law, and in turn such law governs many of our nature-based sensory experiences. Aesthetics is also integral to understanding the very fabric of environmental law, in its institutions, procedures and discourses. The Art of Environmental Law, the first book of its kind, brings new insights into the importance of aesthetic issues in a variety of domains of environmental governance around the world, from climate change to biodiversity conservation. It also argues for aesthetics, and relatedly the arts, to be taken more seriously in the practice of environmental law so as to improve our emotional and ethical capacities to address the upheavals of the Anthropocene.
Author: Peter J. Hutchings
Publisher: Routledge
ISBN: 1317797515
Category : Social Science
Languages : en
Pages : 234
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Book Description
This book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.
Author: Christopher J. Duerksen
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 166
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Book Description
Today's planners use myriad tools and techniques to identify and protect what is special about their communities: historic preservation ordinances, improved sign controls, computerized viewshed protection regulations, tree-planting and landscaping requirements, cell tower controls, and more. As the level of preservation activity has increased dramatically, so has the number of court cases challenging aesthetic-based regulation.
Author: Kamil Zeidler
Publisher: Springer Nature
ISBN: 303155521X
Category :
Languages : en
Pages : 430
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Book Description
Author: Roberta Kevelson
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 488
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Book Description
Author: Costas Douzinas
Publisher: University of Chicago Press
ISBN: 9780226569543
Category : Art
Languages : en
Pages : 292
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Book Description
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
