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Author: Monroe C. Beardsley
Publisher: University of Alabama Press
ISBN: 0817366237
Category : Fiction
Languages : en
Pages : 415
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Book Description
Seeks to bring present-day philosophy principles into the history of aesthetics Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
Author: Monroe C. Beardsley
Publisher: University of Alabama Press
ISBN: 0817366237
Category : Fiction
Languages : en
Pages : 415
Get Book Here
Book Description
Seeks to bring present-day philosophy principles into the history of aesthetics Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
Author: David Konstan
Publisher:
ISBN: 019992726X
Category : Art
Languages : en
Pages : 281
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Book Description
What makes something beautiful? In this engaging, elegant study, David Konstan turns to ancient Greece to address the nature of beauty.
Author: James I. Porter
Publisher: Cambridge University Press
ISBN: 9781316630259
Category : Philosophy
Languages : en
Pages : 0
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Book Description
This is the first modern attempt to put aesthetics back on the map in classical studies. James Porter traces the origins of aesthetic thought and inquiry in their broadest manifestations as they evolved from before Homer down to the fourth-century and then into later antiquity, with an emphasis on Greece in its earlier phases. Greek aesthetics, he argues, originated in an attention to the senses and to matter as opposed to the formalism and idealism that were enshrined by Plato and Aristotle and through whose lens most subsequent views of ancient art and aesthetics have typically been filtered. Treating aesthetics in this way can help us reveal the commonly shared basis of the diverse arts of antiquity. Reorienting our view of the ancient vocabularies of art and experience around matter and sensation, this book dramatically changes how we look upon the ancient achievements in these same areas.
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
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Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: Jan N. Bremmer
Publisher: Edinburgh University Press
ISBN: 0748642897
Category : Religion
Languages : en
Pages : 552
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Book Description
This collection offers a fresh look at the nature and development of the Greek gods in the period from Homer until Late Antiquity The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. Bremmer and Erskine bring together a team of international scholars with the aim of remedying this situation and generating new approaches to the nature and development of the Greek gods in the period from Homer until Late Antiquity. The Gods of Ancient Greece looks at individual gods, but also asks to what extent cult, myth and literary genre determine the nature of a divinity and presents a synchronic and diachronic view of the gods as they functioned in Greek culture until the triumph of Christianity.
Author: Oleg V. Bychkov
Publisher: Cambridge University Press
ISBN: 052154792X
Category : History
Languages : en
Pages : 295
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Book Description
An anthology of works commenting on the perception of beauty in art, structure and style in literature, and aesthetic judgement.
Author: Bruce Cole
Publisher: Simon and Schuster
ISBN: 0671747282
Category : Art
Languages : en
Pages : 374
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Book Description
With fresh insight into what the great works meant when they were created and why they appeal to us now, here is a vivid tour of painting, sculpture, and architecture, past and present. "Illuminating . . . a notable accomplishment".--The New York Times. Illustrated.
Author: Joshua Billings
Publisher:
ISBN: 0199670579
Category : History
Languages : en
Pages : 440
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Book Description
The ancient singing and dancing chorus has exerted a powerful influence in the modern world. This is the first book to look systematically at the points of similarity and difference between ancient and modern choruses, across time and place, in their ancient contexts in modern theatre, opera, dance, musical theatre, and in political debate.
Author: George E. McCarthy
Publisher: State University of New York Press
ISBN: 9780791487624
Category : Social Science
Languages : en
Pages : 222
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Book Description
2003 CHOICE Outstanding Academic Title This work relocates the origins of nineteenth-century social theory in classical Greece and focuses on three figures: Karl Marx, Max Weber, and Émile Durkheim, all of whom wrote dissertations on the culture and structure of ancient society. Greek philosophy, art, and politics inspired their ideas, stirred their imaginations, and defined their intellectual horizons. McCarthy rediscovers the forgotten dreams and classical horizons of these European social theorists and uncovers the close connections between sociology and philosophy, offering new insights into the methods, theories, and approaches of modern social science.
Author: Christopher L. C. E. Witcombe
Publisher: Harvey Miller Publishers
ISBN: 9781909400030
Category : Aesthetics, Greek (Modern)
Languages : en
Pages : 0
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Book Description
Eye and Art in Ancient Greece examines the art of ancient Greece through reconstructions of how the Greeks saw and understood the products of their own visual culture. The material is approached using a newly developed methodology of archaeoaesthetics by which past modes of vision and perception are examined in conjunction with prevailing notions of pleasure and judgement with the purpose of identifying the visual and psychological contexts within which the aesthetics of a culture emerge. Through a wide-ranging examination of ideas found in early written sources, the book examines various key aspects of Greek visual culture, such as continuity and change, nudity, identity, lifelikeness, mimesis, personation and enactment, symmetria, dance, harmony, and the modal representation of emotions, with the aim of comprehending how and why choices were made in the conception and making of artifacts. Special attention is given to factors contributing to the formation of taste and the emergence and transmission over time of concepts of art and beauty and the means by which they were identified and judged. The approach facilitates encounters with the material in ways that give rise to new insights into how the ancient Greeks experienced their own visual culture and how Greek art may be understood by us today.
