Author: Xavier Seubert
Publisher: Routledge
ISBN: 1000710866
Category : Art
Languages : en
Pages : 454
Book Description
The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.
Aesthetic Theology in the Franciscan Tradition
Author: Xavier Seubert
Publisher: Routledge
ISBN: 1000710866
Category : Art
Languages : en
Pages : 454
Book Description
The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.
Publisher: Routledge
ISBN: 1000710866
Category : Art
Languages : en
Pages : 454
Book Description
The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.
Rejoicing in the Works of the Lord
Author: Mary Beth Ingham
Publisher: Franciscan Institute
ISBN: 9781576592052
Category : Aesthetics
Languages : en
Pages : 79
Book Description
Publisher: Franciscan Institute
ISBN: 9781576592052
Category : Aesthetics
Languages : en
Pages : 79
Book Description
Seeing Differently
Author: Samuel Double
Publisher: Canterbury Press
ISBN: 1786223023
Category : Religion
Languages : en
Pages : 144
Book Description
This timely book brings together the stories of St Francis – his preaching to birds, rejection of wealth, caring for lepers, befriending animals and living simply, his poetry and hymnody in praise of creation that is still sung today – and the influential writings and examples of inspiring Franciscans who have followed him such as Clare, Bonaventure, Duns Scotus and Angela of Foligno, and draws them into conversation with contemporary concerns for our planet. It gathers 800 years of accumulated wisdom and practical examples of how Franciscans have found ways to live at home and at peace with creation. It explores that long tradition and experience to ask what lessons can be drawn for today to challenge and enable readers to re-visit their own relationship with creation.
Publisher: Canterbury Press
ISBN: 1786223023
Category : Religion
Languages : en
Pages : 144
Book Description
This timely book brings together the stories of St Francis – his preaching to birds, rejection of wealth, caring for lepers, befriending animals and living simply, his poetry and hymnody in praise of creation that is still sung today – and the influential writings and examples of inspiring Franciscans who have followed him such as Clare, Bonaventure, Duns Scotus and Angela of Foligno, and draws them into conversation with contemporary concerns for our planet. It gathers 800 years of accumulated wisdom and practical examples of how Franciscans have found ways to live at home and at peace with creation. It explores that long tradition and experience to ask what lessons can be drawn for today to challenge and enable readers to re-visit their own relationship with creation.
Bonaventure, the Body, and the Aesthetics of Salvation
Author: Rachel Davies
Publisher: Cambridge University Press
ISBN: 1108485375
Category : Biography & Autobiography
Languages : en
Pages : 201
Book Description
Examines the link between Bonaventure's aesthetics and anthropology in light of contemporary anxieties surrounding bodily diminishment.
Publisher: Cambridge University Press
ISBN: 1108485375
Category : Biography & Autobiography
Languages : en
Pages : 201
Book Description
Examines the link between Bonaventure's aesthetics and anthropology in light of contemporary anxieties surrounding bodily diminishment.
Beauty and the Good
Author: Alice M. Ramos
Publisher: Catholic University of America Press
ISBN: 0813233534
Category : Philosophy
Languages : en
Pages : 430
Book Description
In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition. Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.
Publisher: Catholic University of America Press
ISBN: 0813233534
Category : Philosophy
Languages : en
Pages : 430
Book Description
In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition. Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.
The Irreducibility of the Human Person
Author: Mark K. Spencer
Publisher: CUA Press
ISBN: 0813235200
Category : Philosophy
Languages : en
Pages : 473
Book Description
"This book presents a philosophical portrait of human persons that depicts each way in which we are irreducible, with the goal of guiding the reader to perceive, wonder at, and love all the unique features of human persons. It builds this portrait by showing how claims from many strands of the Catholic tradition can be synthesized. These strands include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, and Greek and Russian thought. The book focuses on how these traditions' claims are grounded in experience and on how they help us to perceive irreducible features of persons. This book also explores irreducible features of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, and activities"--
Publisher: CUA Press
ISBN: 0813235200
Category : Philosophy
Languages : en
Pages : 473
Book Description
"This book presents a philosophical portrait of human persons that depicts each way in which we are irreducible, with the goal of guiding the reader to perceive, wonder at, and love all the unique features of human persons. It builds this portrait by showing how claims from many strands of the Catholic tradition can be synthesized. These strands include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, and Greek and Russian thought. The book focuses on how these traditions' claims are grounded in experience and on how they help us to perceive irreducible features of persons. This book also explores irreducible features of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, and activities"--
The Legacy of Early Franciscan Thought
Author: Lydia Schumacher
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110684888
Category : Literary Criticism
Languages : de
Pages : 560
Book Description
The legacy of late medieval Franciscan thought is uncontested: for generations, the influence of late-13th and 14th century Franciscans on the development of modern thought has been celebrated by some and loathed by others. However, the legacy of early Franciscan thought, as it developed in the first generation of Franciscan thinkers who worked at the recently-founded University of Paris in the first half of the 13th century, is a virtually foreign concept in the relevant scholarship. The reason for this is that early Franciscans are widely regarded as mere codifiers and perpetrators of the earlier medieval, largely Augustinian, tradition, from which later Franciscans supposedly departed. In this study, leading scholars of both periods in the Franciscan intellectual tradition join forces to highlight the continuity between early and late Franciscan thinkers which is often overlooked by those who emphasize their discrepancies in terms of methodology and sources. At the same time, the contributors seek to paint a more nuanced picture of the tradition’s legacy to Western thought, highlighting aspects of it that were passed down for generations to follow as well as the extremely different contexts and ends for which originally Franciscan ideas came to be employed in later medieval and modern thought.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110684888
Category : Literary Criticism
Languages : de
Pages : 560
Book Description
The legacy of late medieval Franciscan thought is uncontested: for generations, the influence of late-13th and 14th century Franciscans on the development of modern thought has been celebrated by some and loathed by others. However, the legacy of early Franciscan thought, as it developed in the first generation of Franciscan thinkers who worked at the recently-founded University of Paris in the first half of the 13th century, is a virtually foreign concept in the relevant scholarship. The reason for this is that early Franciscans are widely regarded as mere codifiers and perpetrators of the earlier medieval, largely Augustinian, tradition, from which later Franciscans supposedly departed. In this study, leading scholars of both periods in the Franciscan intellectual tradition join forces to highlight the continuity between early and late Franciscan thinkers which is often overlooked by those who emphasize their discrepancies in terms of methodology and sources. At the same time, the contributors seek to paint a more nuanced picture of the tradition’s legacy to Western thought, highlighting aspects of it that were passed down for generations to follow as well as the extremely different contexts and ends for which originally Franciscan ideas came to be employed in later medieval and modern thought.
Religious Aesthetics
Author: Frank Burch Brown
Publisher: Princeton University Press
ISBN: 0691024723
Category : Philosophy
Languages : en
Pages : 247
Book Description
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
Publisher: Princeton University Press
ISBN: 0691024723
Category : Philosophy
Languages : en
Pages : 247
Book Description
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
The Beauty of the Cross
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199884900
Category : Religion
Languages : en
Pages : 322
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Publisher: Oxford University Press
ISBN: 0199884900
Category : Religion
Languages : en
Pages : 322
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
St. Francis of Assisi and Nature
Author: Roger D. Sorrell
Publisher: Oxford University Press
ISBN: 0199878897
Category : Religion
Languages : en
Pages : 217
Book Description
One of the best-loved saints of all time, Francis of Assisi is often depicted today as a kind of proto-hippie or early environmentalist. This book, the most comprehensive study in English of Francis's view of nature in the context of medieval tradition, debunks modern anachronistic interpretations, arguing convincingly that Francis's ideas can only be understood in their 13th-century context. Through close analysis of Francis's writings, particularly the Canticle of the Sun, Sorrell shows that many of Francis's beliefs concerning the proper relation of humanity to the natural world have their antecedents in scripture and the medieval monastic orders, while other ideas and practices--his nature mysticism, his concept of familial relationships with created things, and his extension of chivalric conceptions to interactions with creatures--are entirely his own. Sorrell insists, however, that only by seeing Francis in terms of the Western traditions from which he arose can we appreciate the true originality of this extraordinary figure and the relevance of his thought to modern religious and environmental concerns.
Publisher: Oxford University Press
ISBN: 0199878897
Category : Religion
Languages : en
Pages : 217
Book Description
One of the best-loved saints of all time, Francis of Assisi is often depicted today as a kind of proto-hippie or early environmentalist. This book, the most comprehensive study in English of Francis's view of nature in the context of medieval tradition, debunks modern anachronistic interpretations, arguing convincingly that Francis's ideas can only be understood in their 13th-century context. Through close analysis of Francis's writings, particularly the Canticle of the Sun, Sorrell shows that many of Francis's beliefs concerning the proper relation of humanity to the natural world have their antecedents in scripture and the medieval monastic orders, while other ideas and practices--his nature mysticism, his concept of familial relationships with created things, and his extension of chivalric conceptions to interactions with creatures--are entirely his own. Sorrell insists, however, that only by seeing Francis in terms of the Western traditions from which he arose can we appreciate the true originality of this extraordinary figure and the relevance of his thought to modern religious and environmental concerns.