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Author: Sara Anderson Immerwahr
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Aegean Painting in the Bronze Age is intended as a handbook for the art historian and archaeologist, with a full catalogue of examples (arranged according to site), critical discussion of the problems of chronology, a comprehensive bibliography, maps, drawings of details, and more than 100 photographic plates, 23 in color. This is the only book to give a synthesis of painting and pictorial art from its beginnings in Prepalatial Crete to the collapse of Bronze Age civilization in the Aegean. Immerwahr traces the development of Aegean painting from its origins in Crete through its spread to the Cycladic islands and to the Greek mainland, where it gave rise to the specific Mycenaean style. She studies primarily wall painting but refers also to painting on pottery and the pictorial art of seal engraving. The question of foreign influence from Egypt and Mesopotamia is discussed in connection with the origins of Minoan painting, and the new frescoes from Akrotiri on Thera are used to supplement the much more fragmentary paintings from Sir Arthur Evan's excavations at Knossos. Immerwahr also explores the interrelationship of the Minoan Cretans, the Cycladic islanders with their Minoanized enclaves on Thera and Melos, and the early Greek Mycenean mainlanders.
Author: Sara Anderson Immerwahr
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 324
Get Book Here
Book Description
Aegean Painting in the Bronze Age is intended as a handbook for the art historian and archaeologist, with a full catalogue of examples (arranged according to site), critical discussion of the problems of chronology, a comprehensive bibliography, maps, drawings of details, and more than 100 photographic plates, 23 in color. This is the only book to give a synthesis of painting and pictorial art from its beginnings in Prepalatial Crete to the collapse of Bronze Age civilization in the Aegean. Immerwahr traces the development of Aegean painting from its origins in Crete through its spread to the Cycladic islands and to the Greek mainland, where it gave rise to the specific Mycenaean style. She studies primarily wall painting but refers also to painting on pottery and the pictorial art of seal engraving. The question of foreign influence from Egypt and Mesopotamia is discussed in connection with the origins of Minoan painting, and the new frescoes from Akrotiri on Thera are used to supplement the much more fragmentary paintings from Sir Arthur Evan's excavations at Knossos. Immerwahr also explores the interrelationship of the Minoan Cretans, the Cycladic islanders with their Minoanized enclaves on Thera and Melos, and the early Greek Mycenean mainlanders.
Author: Diamantis Panagiotopoulos
Publisher: Presses univ. de Louvain
ISBN: 2875881000
Category : Architecture, Minoan
Languages : en
Pages : 189
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Book Description
What is the social role of images and architecture in a pre-modern society? How were they used to create adequate environments for specific profane and ritual activities? In which ways did they interact with each other? These and other crucial issues on the social significance of imagery and built structures in Neopalatial Crete were the subject of a workshop which took place on November 16th, 2009 at the University of Heidelberg. The papers presented in the workshop are collected in the present volume. They provide different approaches to this complex topic and are aimed at a better understanding of the formation, role, and perception of images and architecture in a very dynamic social landscape. The Cretan Neopalatial period saw a rapid increase in the number of palaces and 'villas', characterized by elaborate designs and idiosyncratic architectural patterns which were themselves in turn generated by a pressing desire for a distinctive social and performative environment.
Author: Lyvia Morgan
Publisher: British School at Athens Studi
ISBN:
Category : Design
Languages : en
Pages : 332
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Book Description
Until his premature death in 1984 at the age of 45, Mark Cameron made a unique contribution to the study of Minoan wall painting; his published articles continue to inspire a new generation of Aegean wall painting and have expanded our perception of the Aegean and its relations with the neighboring cultures during the second millennium BC. This volume, dedicated to the memory of Mark Cameron, now brings together leading scholars in a presentation of some of the latest ideas in the field of Aegean painting. Contributors include: M. Bietak, A. Chapin, S. Hood, S. Immerwahr, R. Jones, N. Marinatos, L. Morgan, M. Shaw, C. Palyvou, E. Photos-Jones, I. Tzachili and P. Warren.
Author: Robert B Koehl
Publisher: INSTAP Academic Press
ISBN: 1623034116
Category : History
Languages : en
Pages : 179
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Book Description
The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.
Author: Carl Knappett
Publisher: Cambridge University Press
ISBN: 1108429432
Category : Art
Languages : en
Pages : 265
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Book Description
Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.
Author:
Publisher:
ISBN: 9789609538343
Category :
Languages : en
Pages : 403
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Book Description
Author: Iphiyenia Tournavitou
Publisher: INSTAP Academic Press
ISBN: 1623034140
Category : Art
Languages : en
Pages : 297
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Book Description
The wall paintings from the West House at Mycenae are discussed in relation to their context within the building. Their iconography and stylistic details are explored in relation to other Aegean Bronze Age wall paintings. The fragments are fully cataloged and illustrated with drawings and photos.
Author: Lyvia Morgan
Publisher: INSTAP Academic Press
ISBN: 1623034213
Category : History
Languages : en
Pages : 643
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Book Description
The iconography of Late Bronze Age wall paintings is presented in their social context within the Cycladic island of Kea and the wider Aegean world. Town, land, and seascapes illustrate the community of this harbor. This book is lavishly illustrated with many color drawings, visualizations, and photographs.
Author: Philip P. Betancourt
Publisher: INSTAP Academic Press
ISBN: 1623030846
Category : Art
Languages : en
Pages : 249
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Book Description
This textbook is a compilation of the author's more than 35 years of teaching and excavation experience in the field of Aegean Bronze Age art history and archaeology. It is geared toward an audience of undergraduate and graduate students as an introduction to the Bronze Age art objects and architecture that have been uncovered on Crete, the Greek peninsula, and the Cycladic Islands.
Author: Raffaele D’Amato
Publisher: Bloomsbury Publishing
ISBN: 1780968590
Category : History
Languages : en
Pages : 66
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Book Description
The mainland and islands of Greece were extensively settled by peoples moving from Asia Minor in c.5000 BC, while a further wave in c.5000 BC introduced bronze-working to the region. It is form this point on that it is possible to discern a distinct Cycladic or Aegean civilisation, developing at roughly the same time as the Egyptian and Persian civilisations. Further to the south, the Minoan civilisation based on Crete held sway, and this power – along with the Helladic Achaeans to the north gradually swamped the Cycladic civilisation in between. In common with most Bronze Age societies, the culture of the Aegean world was dominated by warfare, with the inhabitants living in organized settlements and small citadels with fortification walls and bulwarks, towers and gates to provide protection against invaders from the sea or internecine conflicts. Using the latest archaeological evidence, this title recreates the world of these peoples through a detailed examination of their material culture.
