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Author: Adel Abdessemed
Publisher: Drago (Roma)
ISBN: 9788888493541
Category : Art
Languages : en
Pages : 0
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Book Description
I Mutanti serves as the exhibition catalog to the French Academy in Rome - Villa Medici exhibition of the same title. The catalog is made up of five volumes that correspond to the five artists participating in the show. The work of Adel Abdessemed, Stephen Dean, Ellen Gallagher, Adrian Paci, Djamel Tatah makes it clear from the outset that they come from complex historical backgrounds. The unifying concept between these artists lies in their approach to expressing how individual cultural identities develop as a result of migration, colonization, and post-colonial sentiments in the Western world. The artists themselves are multinational, multi-ethnic, or multicultural, and at times all three; however with such infinite reference and concourse, they neither obliterate each other in the name of some idealized community nor efface distinct histories and pasts into the melting pot of the ever more globalized world. Above all, their creations are the concrete result of the process of hybridization. Their works are products of mixed media and various developments, which produce multi-faceted pieces upon which the concepts of identity and multiculturalism can be reflected and interpreted on an infinite number of levels. The Villa Medici offers I Mutanti a home that looks significantly toward the future while maintaining a close tie to the past in a city whose history has been built on influences of hybridization through continuous contact with different civilizations, Rome.
Author: Adel Abdessemed
Publisher: Drago (Roma)
ISBN: 9788888493541
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
I Mutanti serves as the exhibition catalog to the French Academy in Rome - Villa Medici exhibition of the same title. The catalog is made up of five volumes that correspond to the five artists participating in the show. The work of Adel Abdessemed, Stephen Dean, Ellen Gallagher, Adrian Paci, Djamel Tatah makes it clear from the outset that they come from complex historical backgrounds. The unifying concept between these artists lies in their approach to expressing how individual cultural identities develop as a result of migration, colonization, and post-colonial sentiments in the Western world. The artists themselves are multinational, multi-ethnic, or multicultural, and at times all three; however with such infinite reference and concourse, they neither obliterate each other in the name of some idealized community nor efface distinct histories and pasts into the melting pot of the ever more globalized world. Above all, their creations are the concrete result of the process of hybridization. Their works are products of mixed media and various developments, which produce multi-faceted pieces upon which the concepts of identity and multiculturalism can be reflected and interpreted on an infinite number of levels. The Villa Medici offers I Mutanti a home that looks significantly toward the future while maintaining a close tie to the past in a city whose history has been built on influences of hybridization through continuous contact with different civilizations, Rome.
Author: Adel Abdessemed
Publisher:
ISBN: 9783865609212
Category : Art, Modern
Languages : en
Pages : 96
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Book Description
Published alongside an exhibition at Parasol unit foundation for contemporary art (22 September - 21 November 2010), the first solo exhibition in London that is dedicated to the work of Adel Abdessemed. Working across a wide range of different media, including sculpture, installation, video, photography and drawings, Abdessemed passionately tackles difficult subject matter and taboos within society and presents them as naked truth. Yet beyond their often challenging and provocative appearance, his works embody the fragility of life and are deeply imbued with beauty and poetry. Abdessemed's exhibition at Parasol unit highlights precisely the vulnerability and aesthetic sensitivity in the work of this important twenty-first-century artist. The exhibition is organised around two of his major works; Habibi, 2003, a 17 metre human skeleton made of fibreglass; and silent warrior, which includes numerous colourful masks made from found and empty tin cans from Africa, which once contained either food or toxic material. Abdessemed was born in Algeria in 1971 and now lives and works in Paris.
Author: Adel Abdessemed
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 132
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Book Description
Since the mid-1990s, Algerian-born, New York-based Adel Abdessemed has unerringly located and triggered the religious, sexual and racial taboos of our culture. This volume takes a broad look at Abdessemed's activities, from his "street acts" to more recent works.
Author: Pierluigi Tazzi
Publisher: Silvana Editoriale
ISBN: 9788836627202
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
L'Age D'Or is the new work of Algerian artist Adel Abdessemed (born 1971). This gold-cloth-covered box set contains three volumes: one volume of drawings, a photography volume and an essays volume with four texts in English and Arabic.
Author: Hannah Barry
Publisher:
ISBN: 9780995663909
Category : Pigeons in art
Languages : en
Pages : 205
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Book Description
Author: Aaron Rosen
Publisher: Wipf and Stock Publishers
ISBN: 1532649312
Category : Art
Languages : en
Pages : 230
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Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen—a leading scholar, art critic, and curator—takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen’s essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe—from Algeria to India to the United States—Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
Author: Jean-Philippe Toussaint
Publisher: Dalkey Archive Press
ISBN: 156478567X
Category : Belgian fiction (French)
Languages : en
Pages : 162
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Book Description
"An unnamed man travels to Shanghai, ostensibly on vacation, but finds himself increasingly unmoored from his life and identity. Caught in a jet-lag reality, he stumbles from adventure to adventure, allowing himself to be led not by sense or instinct but by the onrush of experience, until a call from home jars him back into his life, with all of its own confusions." "In Running Away, the Chaplinesque slapstick of Jean-Philippe Toussaint's acclaimed early works The Bathroom and Camera is replaced by an ever-unfolding fabric of coincidences and misapprehensions, both particularly modern and utterly real. The mature Toussaint shows himself to be no less ingenious an inventor of existential dilemmas, but with a new, surprising tenderness, and a deepened concern for the inexpressible immediacy and sensuality of human experience." --Book Jacket.
Author: Larys Frogier
Publisher: Jrp Ringier
ISBN: 9783037641088
Category : Conceptual art
Languages : en
Pages : 0
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Book Description
Organised around an extensive essay by Larys Frogier, this monograph offers an overview of the work of Adel Abdessemed.
Author: Adel Abdessemed
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Janet Marstine
Publisher: Routledge
ISBN: 0429631588
Category : Political Science
Languages : en
Pages : 410
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Book Description
Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators’ political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating Under Pressure is a highly original and intellectually ambitious volume and as such will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art and arts administration. The book will also be an essential tool for museum practitioners.
