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Author: Alain Michel
Publisher: Brill Archive
ISBN: 9789004042360
Category : History
Languages : en
Pages : 262
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Book Description
Author: Alain Michel
Publisher: Brill Archive
ISBN: 9789004042360
Category : History
Languages : en
Pages : 262
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Classical antiquities
Languages : en
Pages : 492
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Book Description
Vol. 1 is "Roman life and letters." Studies presented to T. J. Haarho ff.
Author: Andy Law
Publisher: Cambridge Scholars Publishing
ISBN: 1527567419
Category : History
Languages : en
Pages : 491
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Book Description
Horace’s book of Sermones (also called Satires) was his first published work. Rather than a collection of satirical sideswipes, as the genre might have dictated, the book is a wiry, tight, muscular, interlaced hexameter artwork of enormous originality and as far removed from the legacy of satirical writing he inherited as one can imagine. It is the work of a 29-year-old grappling with issues of personal and poetic identity during one of the most important and pivotal times in European history. Geographically, socially and genetically an outsider, Horace earned himself a seat at Rome’s top creative table, close to the heart of the political engine that was to change Rome forever. His book details a transformational journey from ‘nobody’ to ‘somebody’, and is a simultaneous invention of poet and reinvention of poetic genre. Horace’s Sermones have floated in and out of fashion ever since they first appeared, regularly eclipsed by his Odes. Today, rehabilitated, they find space in the higher levels of the school curriculum. This book provides unique insights and will be of interest to all classicists, as well as students studying core influences on European literature.
Author: Matthew S. Santirocco
Publisher: UNC Press Books
ISBN: 1469620278
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Horace's first three books of Odes, published together in 23 B.C., are a masterpiece of Augustan literature and the culmination of classical lyric. Matthew Santirocco provides the first new critical approach to them in English in more than two decades. Drawing on recent works on ancient and modern poetry books and using several contemporary critical methodologies, Santirocco reveals the Odes both as individual poems and as components in a larger poetic design. His reading of Horace demonstrates that the ensemble is itself an important context for understanding and appreciating the poetry. Reconstructing the history of the ancient poetry book, both Greek and Roman, Santirocco challenges certain common assumptions about its origin and development. He argues that true parallels for the Odes are not to be found in the other Augustan books, which are relatively homogeneous in content and form, but in the heterogeneous collections of Hellenistic writers. Odes I-III comprise eighty-eight poems in twelve different meters, and in tone and topic they vary widely. Avoiding the two extremes of past scholarship, which either has searched for a single underlying unity or else has denied any meaningful design, Santirocco uncovers a variety of both static and dynamic structures and shows their relevance to the literary interpretation of the poems at all levels. Ultimately, the composition of a poem and the disposition of the group are shown to be analogous activities. Odes I-III do not constitute a medley of discrete poems but, instead, approximate the unity of a single ode.
Author: Kirk Freudenburg
Publisher: Princeton University Press
ISBN: 1400852935
Category : History
Languages : en
Pages : 279
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Book Description
In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Horace
Publisher: Cambridge University Press
ISBN: 1316175367
Category : Literary Collections
Languages : en
Pages : 383
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Book Description
Horace's first book of Satires is his debut work, a document of one man's self-fashioning on the cusp between republic and empire, and a pivotal text in the history of Roman satire. It wrestles with the problem of how to define and assimilate satire and justifies the poet's own position in a suspicious society. The commentary gives full weight to the dense texture of these poems while helping readers interpret their most cryptic aspects and appreciate their technical finesse. The introduction puts Horace in context as late-Republican newcomer and a vital figure in the development of satire, and discusses the structure and meaning of Satires I, literary and philosophical influences, style, metre, transmission and Horace's rich afterlife. Each poem is followed by an essay offering overall interpretation. This work is designed for upper-level students and scholars of classics but contains much of interest to specialists in later European literature.
Author: Michael Lambert
Publisher: A&C Black
ISBN: 1472519760
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
The teaching and research of the Classics in South Africa are deeply rooted in the racial, political and educational inequalities which have characterised its turbulent history. In this original study, Michael Lambert opens three windows on to this history, using the creation of identities as his theoretical lens. The foundation of the Classical Association of South Africa in 1956 and the cultural reinforcement of Afrikaner nationalist identity; the deployment of British colonial identity in public discourses about the role of the Classics in apartheid South Africa at an English-speaking university; and the exploration of black African identities in response to the teaching of the Classics at missionary institutions, where 'vocational training' was locked in combat with a classical education, regarded by an educated black elite as the means for upward social mobility in a highly-stratified colonial society. The book will be of interest to students of many subjects, including Classics, Cultural Studies, African Studies and History of Education.
Author: Poul Pedersen
Publisher: Oxbow Books
ISBN: 1789255139
Category : Social Science
Languages : en
Pages : 264
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Book Description
The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.
Author: Richard Evans
Publisher: Pen and Sword
ISBN: 1473829895
Category : History
Languages : en
Pages : 186
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Book Description
Richard Evans revisits the sites of a selection of Greek and Roman battles and sieges to seek new insights. The battle narratives in ancient sources can be a thrilling read and form the basis of our knowledge of these epic events, but they can just as often provide an incomplete or obscure record. Details, especially those related to topographical and geographical issues which can have a fundamental importance to military actions, are left tantalisingly unclear to the modern reader. The evidence from archaeological excavation work can sometimes fill in a gap in our understanding, but such an approach remains uncommon in studying ancient battles. By combining the ancient sources and latest archaeological findings with his personal observations on the ground, Richard Evans brings new perspectives to the dramatic events of the distant past. For example, why did armies miss one another in what we might today consider relatively benign terrain? Just how important was the terrain in determining victory or defeat in these clashes.The author has carefully selected battles and sieges to explore, first of all to identify their locations and see how these fit with the ancient evidence. He then examines the historical episodes themselves, offering new observations from first-hand study of the field of battle along with up-to-date photographs, maps and diagrams. In the process he discusses whether and how the terrain has since been changed by land use, erosion and other factors, and the extent to which what we see today represents a real connection with the dramatic events of the distant past. This first volume considers: 1. The Greek Victory over the Persians at Marathon (490 BC)2. Leonidas and his Three Hundred Spartans at Thermopylae (480 BC)3. The Athenian Siege of Syracuse (414-413 BC)4. The Syracusan Siege of Motya (397 BC)5. Alexander's Defeat of Darius at Issus (333 BC)6. Hannibal's Victory at Cannae (216 BC)7. Titus Quinctius Flamininus and Philip V at Cynoscephalae (197 BC)8. Gaius Marius' Victory over the Teutones at Aquae Sextiae (102 BC)9. Octavian versus Antony and Cleopatra of Egypt: The Battle of Actium (31 BC)10. The First Battle of Bedriacum (April AD 69)
Author: James M. May
Publisher: BRILL
ISBN: 9047400933
Category : Language Arts & Disciplines
Languages : en
Pages : 646
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Book Description
This volume is intended as a companion to the study of Cicero's oratory and rhetoric for both students and experts in the field: for the neophyte, it provides a starting point; for the veteran Ciceronian scholar, a place for renewing the dialogue about issues concerning Ciceronian oratory and rhetoric; for all, a site of engagement at various levels with Ciceronian scholarship and bibliography. The book is arranged along roughly chronological lines and covers most aspects of Cicero's oratory and rhetoric. The particular strength of this companion resides in the individual, often very original approach to sundry topics by an array of impressive contributors, all of whom have spent large portions of their careers concentrating upon the oratorical and rhetorical oeuvre of Cicero. A bibliography of relevant items from the past 25 years, keyed to specific Ciceronian works, completes the volume. Brill's Companion to Cicero will become the standard reference work on Cicero for many years.
