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Author: Jürgen Meyer
Publisher: Springer Science & Business Media
ISBN: 0387095179
Category : Science
Languages : en
Pages : 447
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Book Description
This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Author: Jürgen Meyer
Publisher: Springer Science & Business Media
ISBN: 0387095179
Category : Science
Languages : en
Pages : 447
Get Book Here
Book Description
This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Author: Jürgen Meyer
Publisher: Frankfurt/Main : Verlag Das Musikinstrument
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
Author: David M. Howard
Publisher: Taylor & Francis
ISBN: 1317508300
Category : Technology & Engineering
Languages : en
Pages : 519
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Book Description
The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics, Fifth Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers. With their clear and simple style, Howard and Angus cover both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, the underlying principles of sound processing, and the application of these concepts to music spaces to create professional sound. This new edition is fully revised to reflect new psychoacoustic information related to timbre and temporal perception, including an updated discussion of vocal fold vibration principles, samples of recent acoustic treatments, and a description of variable acoustics in spaces, as well as coverage of the environment’s effect on production listening, sonification, and other topics. Devoted to the teaching of musical understanding, an accompanying website (www.routledge.com/cw/howard) features various audio clips, tutorial sheets, questions and answers, and trainings that will take your perception of sound to the next level. This book will help you: Gain a basic grounding in acoustics and psychoacoustics with respect to music audio technology systems Incorporate knowledge of psychoacoustics in future music technology system designs as appropriate Understand how we hear pitch, loudness, and timbre Learn to influence the acoustics of an enclosed space through designed physical modifications
Author: Antoine Chaigne
Publisher: Springer
ISBN: 1493936794
Category : Science
Languages : en
Pages : 855
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Book Description
This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
Author: J Christopher Jaffe
Publisher: WW Norton
ISBN: 9780393732559
Category : Architecture
Languages : en
Pages : 0
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Book Description
An acclaimed acoustician presents a proven methodology for designing successful venues for concert performance in a variety of building types. Of all the problems posed by the art and science of acoustics, the design of concert halls is the most mysterious. Listeners, from music lovers to musicians, hear performances in halls of comparable dimensions and find differences in the quality of their listening experiences. Why do so many concert halls fail to live up to expectations? In The Acoustics of Performance Halls J. Christopher Jaffe, an acclaimed acoustician known for his innovative design concepts, describes the common misconceptions about what makes a successful classical concert space, explains that sound reflections rather than geometry are the key to developing an outstanding hall, and shows how a series of simple principles related to how humans perceive musical quality can provide the ideal environment for classical music performances. Jaffe presents a proven methodology for designing successful venues for symphonic performance in a variety of building types, including concert halls, music pavilions, multiuse theaters, and amphitheaters, using a fact-based approach that relies on matching subjective values to quantitative measurements, an awareness of a community’s musical memory, and extensive practical experience working with orchestras. Case studies illustrate the acoustic design of facilities designed for the presentation of symphonic music as well as those that were designed for other activities but through necessity or innovation are used for this purpose. An invaluable resource as a large-scale troubleshooting manual, this book should be required reading not only for acousticians but also for concert administrators, concert division directors, and operations managers, as well as theater consultants, architectural firms, and construction companies.
Author: Tim Ziemer
Publisher: Springer
ISBN: 3030230333
Category : Technology & Engineering
Languages : en
Pages : 320
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Book Description
This book provides a broad overview of spaciousness in music theory, from mixing and performance practice, to room acoustics, psychoacoustics and audio engineering, and presents the derivation, implementation and experimental validation of a novel type of spatial audio system. Discussing the physics of musical instruments and the nature of auditory perception, the book enables readers to precisely localize synthesized musical instruments while experiencing their timbral variance and spatial breadth. Offering interdisciplinary insights for novice music enthusiasts and experts in the field of spatial audio, this book is suitable for anyone interested in the study of music and musicology and the application of spatial audio mixing, or those seeking an overview of the state of the art in applied psychoacoustics for spatial audio.
Author: Mark Holden
Publisher: CRC Press
ISBN: 1498745784
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Multi-use performing arts centers are among the most complex of all building types and require excellent and flexible acoustics in order to suit the facility's varied programming needs. This technical and practical book by renowned acoustician Mark Holden delivers a full discussion of the challenges and solutions that arise in the concept, design, construction and commissioning phases. It serves students, architects, engineers, designers and acousticians.
Author: Leo Beranek
Publisher: Springer Science & Business Media
ISBN: 0387216367
Category : Science
Languages : en
Pages : 662
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Book Description
This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music.
Author: Jürgen Meyer
Publisher: Springer
ISBN: 9780387560618
Category : Science
Languages : en
Pages : 446
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Book Description
This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Author: Barry Parker
Publisher: JHU Press
ISBN: 0801897076
Category : Science
Languages : en
Pages : 286
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Book Description
Why does a harpsichord sound different from a piano? For that matter, why does middle C on a piano differ from middle C on a tuning fork, a trombone, or a flute? Good Vibrations explains in clear, friendly language the out-of-sight physics responsible not only for these differences but also for the whole range of noises we call music. The physical properties and history of sound are fascinating to study. Barry Parker's tour of the physics of music details the science of how instruments, the acoustics of rooms, electronics, and humans create and alter the varied sounds we hear. Using physics as a base, Parker discusses the history of music, how sounds are made and perceived, and the various effects of acting on sounds. In the process, he demonstrates what acoustics can teach us about quantum theory and explains the relationship between harmonics and the theory of waves. Peppered throughout with anecdotes and examples illustrating key concepts, this invitingly written book provides a firm grounding in the actual and theoretical physics of music.
