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Author: Angela B. Moorjani
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
Volume 219 in the North Carolina Studies in the Romance Languages and Literatures series.
Author: Angela B. Moorjani
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
Volume 219 in the North Carolina Studies in the Romance Languages and Literatures series.
Author: Angela B. Moorjani
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Volume 219 in the North Carolina Studies in the Romance Languages and Literatures series.
Author: David Pattie
Publisher: Psychology Press
ISBN: 0415202531
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
This book is the first introduction to unite accessible accounts not only of Beckett's life and work, but of the key literary and theoretical concepts used in the study of his writing.
Author: Daniela Caselli
Publisher: Manchester University Press
ISBN: 1847796303
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Beckett's Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett's fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett's work, and also participates in Beckett's texts' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various 'Dantes' produce 'Mr Beckett' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon.
Author: Mary Bryden
Publisher: Cambridge University Press
ISBN: 1107019605
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
This is the first full-length study to explore the significance of animals in Samuel Beckett's prose, drama, and poetry. Bringing together an international array of Beckett specialists, the collection theorizes a broad spectrum of animal manifestations while focusing on the roles that distinct animal forms play within Beckett's work.
Author: Linda Ben-Zvi
Publisher: University of Illinois Press
ISBN: 9780252062568
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Twelve actresses from seven countries are interviewed about their experience of performing in plays by Samuel Beckett, including their physical and psychological preparation. An additional 19 essays explore critical themes relating to the plays as fiction, as fiction becoming drama, and as drama on stage, radio, and television. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Linda Ben-Zvi
Publisher: Oxford University Press
ISBN: 0190296038
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Travel Diaries, presented by Beckett biographer James Knowlson, with permission from the Beckett estate. Renowned director and theatre theoretician Herbert Blau follows with his personal Beckett "thinking through." Others in Part I explore Beckett and philosophy (Abbott), the influences of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays in Part II recontextualize Beckett's works in relation to iconography (Moorjani), film theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary field (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and performance issues (Rodríguez-Gago). Part III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). Finally, Beckett himself becomes a character in other playwrights' works (Zeifman). Taken together these essays make a clear case for the challenges and rewards of thinking through Beckett in his second century.
Author: Andrea Oppo
Publisher: Peter Lang
ISBN: 9783039118243
Category : Drama
Languages : en
Pages : 272
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Book Description
This book examines the role of Samuel Beckett in contemporary philosophical aesthetics, primarily through analysis of both his own essays and the various interpretations that philosophers (especially Adorno, Blanchot, Deleuze, and Badiou) have given to his works. The study centres around the fundamental question of the relationship between art and truth, where art, as a negative truth, comes to its complete exhaustion (as Deleuze terms it) by means of a series of 'endgames' that progressively involve philosophy, writing, language and every individual and minimal form of expression. The major thesis of the book is that, at the heart of Beckett's philosophical project, this 'aesthetics of truth' turns out to be nothing other than the real subject itself, within a contradictory and tragic relationship that ties the Self/Voice to the Object/Body. Yet a number of questions remain open. 'What' or 'who' lies behind this process? What is left of the endgame of art and subjectivity? Finally, what sustains and renders possible Beckett's paradoxical axiom of the 'impossibility to express' alongside the 'obligation to express'? By means of a thorough overview of the most recent criticism of Beckett, this book will try to answer these questions.
Author:
Publisher: BRILL
ISBN: 9004468382
Category : Drama
Languages : en
Pages : 361
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Book Description
Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.
Author: Angela Moorjani
Publisher: Rodopi
ISBN: 9401208441
Category : History
Languages : en
Pages : 372
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Book Description
Table of Contents/Table des matières Early Modern Beckett/Beckett et le début de l¿ère moderne Introduction/Avant-propos I. In Dialogue with Dramatists and Writers/En dialogue avec des auteurs dramatiques et des écrivains Carla Taban: Le Molière de Beckett Angela Moorjani: Beckett¿s Racinian Fictions: ¿Racine and the Modern Novel¿ Revisited Danièle de Ruyter: Fascination de la tragédie Racinienne: résonances dans Oh les beaux jours Arka Chattopadhyay: ¿Worst In Need Of Worse¿: King Lear, Worstward Ho and the Trajectory of Worsening Julie Campbell: Allegories of Clarity and Obscurity: Bunyan¿s The Pilgrim¿s Progress and Beckett¿s Molloy Seán Kennedy: Edmund Spenser, Famine Memory and the Discontents of Humanism in Endgame Melanie Foehn: A Rhetoric of Discontinuity: On Stylistic Parallels between Pascal¿s Pensées and Samuel Beckett¿s L¿Innommable II. In Dialogue with Philosophers and Artists/En dialogue avec des philosophes et des artistes Yoshiyuki Inoue: Cartesian Mechanics in Beckett¿s Fin de Partie Layla M. Roesler: En compagnie d¿une métaphysique parodique: Beckett lecteur de Descartes redux Everett C. Frost: Beckett and Geulincx¿s Ethics: ¿¿my Geulincx could only be a literary fantasia¿ Naoya Mori: Beckett¿s Faint Cries: Leibniz¿s petites perceptions in First Love and Malone Dies Claire Lozier: Présence de la sculpture funéraire des débuts de l¿époque moderne dans l¿¿uvre narrative de Samuel Beckett: du motif artistique religieux à sa laïcisation scripturale Joanne Shaw: Light and Darkness in Elsheimer, Caravaggio, Rembrandt and Beckett Beckett Between/Beckett entre deux Introduction Dúnlaith Bird: Light, Landscape and Beckett James Williams: Beckett between the Words: Punctuation and the Body in the English Prose Alys Moody: The Non-Lieu of Hunger: Post-war Beckett and the Genealogies of Starvation Dirk Van Hulle: The Extended Mind and Multiple Drafts: Beckett¿s Models of the Mind and the Postcognitivist Paradigm Everett C. Frost: Beckett and Geulincx¿s Metaphysics: ¿Without knowing why exactly¿ John Wall: ¿L¿au-delà du dehors-dedans¿: Paradox, Space and Movement in Beckett Lea Sinoimeri: ¿Ill-Told Ill-Heard¿: Aurality and Reading in Comment c¿est/How It Is Karine Germoni and Pascale Sardin: Tensions of the In-Between: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame Iain Baily: Beckett, Bilingualism and the Bible Garin Dowd: The Proxemics of ¿Neither¿ Contributors/Auteurs
