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Author: Badar Jahan
Publisher: Kaveri Books
ISBN: 9788174790811
Category : Art
Languages : en
Pages : 184
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Book Description
The Presence Of Abstraction In Indian Contemporary Art Has Been Intensely Debated Throughout The Post Independence Era. It Was In Late 1940 S That Bombay Progressive Group, Calcutta Group, Baroda Group And Later Some Individuals Exuded New Ethos Towards Abstraction. There Have Also Been Artists Like V S Gaitonde, Jeram Patel, Nasreen Mohammedi And S H Raza, Who Have Been Totally Devoted To The Non-Representational Art. This Book Provides An Analytical View Of Abstract Art Movement And Its Assimilation In India Contemporary Painting. It Also Highlights Of Both Over Each Other. The Author Identifies The Significance Of Abstraction In Indian Painting, Applied Constantly Throughout The Post Independence Era. She Also Stresses Importance Of Folk And Other Traditional Art, Pointing Towards Its Continuity Echoing In The Contemporary Art Of The Whole World. Major Differences Between Artists And Their Influences Are Discusses With Due Seriousness And Are Seen As An Honest And Intellectual Attempt To Make Indian Contemporary Art A Significant Portal. The Choice Of Illustrations Is Wide And Truly Testifies The Richness And Diversity Of The Subject And A Bibliography Provides Useful Reference Material. Contents Chapter 1: Fifty Five Years Of Post Independence Indian Painting; Chapter 2: The Dialectic Of Abstract Art; Chapter 3: The Story Of Abstract Art Movement; Chapter 4: Tracing Abstraction In Trends And Tendencies; Chapter 5: Abstraction Through Indigenous Sources; Abstraction And Folk And Tribal Art, Abstraction And Tantra Art, Abstraction And Symbols & Scripts; Chapter 6: An Insight On Contemporary Indian Artists By Jamini Roy, K C S Panikar, S H Raza, Nasreen Mohammedi And Jeram Patel.
Author: Badar Jahan
Publisher: Kaveri Books
ISBN: 9788174790811
Category : Art
Languages : en
Pages : 184
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Book Description
The Presence Of Abstraction In Indian Contemporary Art Has Been Intensely Debated Throughout The Post Independence Era. It Was In Late 1940 S That Bombay Progressive Group, Calcutta Group, Baroda Group And Later Some Individuals Exuded New Ethos Towards Abstraction. There Have Also Been Artists Like V S Gaitonde, Jeram Patel, Nasreen Mohammedi And S H Raza, Who Have Been Totally Devoted To The Non-Representational Art. This Book Provides An Analytical View Of Abstract Art Movement And Its Assimilation In India Contemporary Painting. It Also Highlights Of Both Over Each Other. The Author Identifies The Significance Of Abstraction In Indian Painting, Applied Constantly Throughout The Post Independence Era. She Also Stresses Importance Of Folk And Other Traditional Art, Pointing Towards Its Continuity Echoing In The Contemporary Art Of The Whole World. Major Differences Between Artists And Their Influences Are Discusses With Due Seriousness And Are Seen As An Honest And Intellectual Attempt To Make Indian Contemporary Art A Significant Portal. The Choice Of Illustrations Is Wide And Truly Testifies The Richness And Diversity Of The Subject And A Bibliography Provides Useful Reference Material. Contents Chapter 1: Fifty Five Years Of Post Independence Indian Painting; Chapter 2: The Dialectic Of Abstract Art; Chapter 3: The Story Of Abstract Art Movement; Chapter 4: Tracing Abstraction In Trends And Tendencies; Chapter 5: Abstraction Through Indigenous Sources; Abstraction And Folk And Tribal Art, Abstraction And Tantra Art, Abstraction And Symbols & Scripts; Chapter 6: An Insight On Contemporary Indian Artists By Jamini Roy, K C S Panikar, S H Raza, Nasreen Mohammedi And Jeram Patel.
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
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Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author: Robert Linsley
Publisher:
ISBN: 9781780236322
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is conceptual. In this first critique of global conceptual art, Linsley looks back at an older genre, abstract art, to reclaim some of its lost value--not as an empty commodity to be traded by the wealthy but as a way for us to find perspective amid chaos. Linsley shows how abstraction is a response to the world we live in, one that deliberately avoids moralizing, explanation, or overt polemic. He champions the work of lesser-known but important artists from India, China, and Latin and Central America, such as Vasudeo S. Gaitonde, Ding Yi and Gunther Gerzso as well as the more familiar names from history, such as Lucio Fontana, Frank Stella and Gerhard Richter, treating their work with equal seriousness. He also looks toward abstract art's future, showing that it still has plenty of life and purpose as a genre that helps us find a clear space to make sense of the times we live in. Ultimately, Linsley demonstrates the unique, rich, and full experience that abstract art can give us. Richly illustrated, this book is a must-read for art historians and art lovers.
Author: Gayatri Sinha
Publisher: books catalog
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
Indian Art: An Overview is a seminal study on Indian art's entry through modernism into post-modernism. Through fifteen essays, leading tendencies in Indian art are traced from the period of the 1850s onwards. Leading critics and art historians analyze th
Author: Elizabeth Hutchinson
Publisher: Duke University Press
ISBN: 0822392097
Category : Art
Languages : en
Pages : 304
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Book Description
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Author: Philip J. Deloria
Publisher: University of Washington Press
ISBN: 029574524X
Category : Art
Languages : en
Pages : 338
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Book Description
"The moment to savor [Mary Sully]. . . has arrived." —New York Times Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs, a series of “personality prints” of American public figures like Amelia Earhart, Babe Ruth, and Gertrude Stein. Sully’s position on the margins of the art world meant that her work was exhibited only a handful of times during her life. In Becoming Mary Sully, Philip J. Deloria reclaims that work from obscurity, exploring her stunning portfolio through the lenses of modernism, industrial design, Dakota women’s aesthetics, mental health, ethnography and anthropology, primitivism, and the American Indian politics of the 1930s. Working in a complex territory oscillating between representation, symbolism, and abstraction, Sully evoked multiple and simultaneous perspectives of time and space. With an intimate yet sweeping style, Deloria recovers in Sully’s work a move toward an anti-colonial aesthetic that claimed a critical role for Indigenous women in American Indian futures—within and distinct from American modernity and modernism.
Author: Lucinda Barnes
Publisher: University of California Press
ISBN: 0520294475
Category : Art
Languages : en
Pages : 184
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Book Description
Hans Hofmann: The Nature of Abstraction offers a fresh and revealing assessment of the artist’s prolific and innovative painterly career. The comprehensive exhibition and accompanying catalogue will feature approximately seventy paintings and works on paper by Hofmann from 1930 through the end of his life in 1966, including works from public and private collections across North America and Europe. Curator Lucinda Barnes builds on new scholarship published over the past ten years and the 2014 catalogue raisonné to present Hofmann as a unique synthesis of student, artist, teacher, and mentor who transcended generations and continents. His singular artistic achievement drew on artistic influences and innovations that spanned two world wars and transatlantic avant-gardes. Over the last fifty years Hofmann has come to be understood primarily from the vantage of his late color-plane abstractions. Hans Hofmann: The Nature of Abstraction expands our understanding and reinvigorates our appreciation of Hofmann through an inclusive presentation of his artistic arc, showing the vibrant interconnectedness and continuity in his work of European and American influences from the early twentieth century through the advent of abstract expressionism. Exhibition dates: Berkeley Museum of Art Pacific Film Archive (BAMPFA): February 27–July 21, 2019 The Peabody Essex Museum, Salem, MA: September 21, 2019–January 6, 2020
Author: Pepe Karmel
Publisher: National Geographic Books
ISBN: 0500239584
Category : Art
Languages : en
Pages : 0
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Book Description
A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.
Author: St. Louis Art Museum
Publisher:
ISBN: 9780891780045
Category : African American art
Languages : en
Pages :
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Book Description
Author: Andrea Meyertholen
Publisher: Boydell & Brewer
ISBN: 1640141049
Category : Art, Abstract, in literature
Languages : en
Pages : 311
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Book Description
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
