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Author: Mark A. Cheetham
Publisher: Cambridge University Press
ISBN: 9780521842068
Category : Art
Languages : en
Pages : 192
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Book Description
In Abstract Art Against Autonomy, Mark Cheetham provides a revolutionary account of abstraction in the visual arts since the decline of the formalist paradigms in the 1960s. He claims that abstract work remains a vital contributor to contemporary visual culture, but that it performs in a way that is different from its predecessors of the early and mid-twentieth century and cannot adequately be assessed without new models of understanding. Cheetham posits that abstraction has reacted to paradigms of purity with practices of impurity. By examining abstract art since the 1960s within a narrative of infection, resistance, and cure, Cheetham provides an opportunity to rethink paradigmatic genres - the monochrome and the mirror - and to link in new ways the work of artists whose work extends and complicates the tradition of abstract art, including Yves Klein, Robert Rauschenberg, James Turrell, Gerhard Richter, Peter Halley. General Idea, and Taras Polataiko.
Author: Mark A. Cheetham
Publisher: Cambridge University Press
ISBN: 9780521842068
Category : Art
Languages : en
Pages : 192
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Book Description
In Abstract Art Against Autonomy, Mark Cheetham provides a revolutionary account of abstraction in the visual arts since the decline of the formalist paradigms in the 1960s. He claims that abstract work remains a vital contributor to contemporary visual culture, but that it performs in a way that is different from its predecessors of the early and mid-twentieth century and cannot adequately be assessed without new models of understanding. Cheetham posits that abstraction has reacted to paradigms of purity with practices of impurity. By examining abstract art since the 1960s within a narrative of infection, resistance, and cure, Cheetham provides an opportunity to rethink paradigmatic genres - the monochrome and the mirror - and to link in new ways the work of artists whose work extends and complicates the tradition of abstract art, including Yves Klein, Robert Rauschenberg, James Turrell, Gerhard Richter, Peter Halley. General Idea, and Taras Polataiko.
Author: Tjeu Van den Berk
Publisher: Routledge
ISBN: 0415610273
Category : Art
Languages : en
Pages : 178
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Book Description
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Linsley
Publisher:
ISBN: 9781780236322
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
Art today may be global, Robert Linsley argues in this book, but it is the same everywhere you go: full of intentional meaning, statements, and even branded images that insist on a particular message. That is to say, art everywhere is conceptual. In this first critique of global conceptual art, Linsley looks back at an older genre, abstract art, to reclaim some of its lost value--not as an empty commodity to be traded by the wealthy but as a way for us to find perspective amid chaos. Linsley shows how abstraction is a response to the world we live in, one that deliberately avoids moralizing, explanation, or overt polemic. He champions the work of lesser-known but important artists from India, China, and Latin and Central America, such as Vasudeo S. Gaitonde, Ding Yi and Gunther Gerzso as well as the more familiar names from history, such as Lucio Fontana, Frank Stella and Gerhard Richter, treating their work with equal seriousness. He also looks toward abstract art's future, showing that it still has plenty of life and purpose as a genre that helps us find a clear space to make sense of the times we live in. Ultimately, Linsley demonstrates the unique, rich, and full experience that abstract art can give us. Richly illustrated, this book is a must-read for art historians and art lovers.
Author: Gregor Stemmrich
Publisher: Hatje Cantz Verlag
ISBN: 3775755039
Category : Art
Languages : en
Pages : 1028
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Book Description
Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.
Author: Nadir Lahiji
Publisher: Routledge
ISBN: 131770231X
Category : Architecture
Languages : en
Pages : 253
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Book Description
Written by a team of renowned contributors and carefully edited to address the themes laid out by the editors in their introduction, the book includes theoretical issues concerning the questions of aesthetics and politics and addresses city and urban strategies within the general critique of the "post-political". By focusing on specific case studies from Warsaw, Barcelona, Dubai, Tokyo and many more the book consolidates the contributions of a diverse group of academics, architects and critics from Europe, the Middle East and America. This collection fills the gap in the existing literature on the relation between politics and aesthetics, and its implications for the theoretical discourse of architecture today. In summary, this book provides a response to the predominant de-politicization in academic discourse and is an attempt to re-claim the abandoned critical project in architecture.
Author: J. M. Bernstein
Publisher: Stanford University Press
ISBN: 9780804748957
Category : Philosophy
Languages : en
Pages : 420
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Book Description
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Author: Stephen Moonie
Publisher: Routledge
ISBN: 1000554317
Category : Art
Languages : en
Pages : 205
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Book Description
This study is an analysis of 'high' and 'late' modernist criticism in New York during the 1960s and early 1970s. Through a close reading of a selection of key critics of the period—which will expand the remit beyond the canonical texts—the book examines the ways that modernist criticism’s discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debates of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the ‘contemporary.’ Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies.
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
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Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
Author: Craig Staff
Publisher: Bloomsbury Publishing
ISBN: 085773315X
Category : Art
Languages : en
Pages : 292
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Book Description
Painting has often been declared dead since the 1960s and yet it refuses to die. Even the status and continued legitimacy of the medium has been repeatedly placed in question. As such, painting has had to continually redefine its own parameters and re-negotiate for itself a critical position within a broader, more discursive set of discourses. Taking the American Clement Greenberg's 'Modernist Painting' as a point of departure, After Modernist Painting will be both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 50 years. Presenting the first critical account of painting, rather than art generally, this book provides a timely exploration of what has remained a persistent and protean medium. Craig Staff focuses on certain developments including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of paintings alleged death, its response to Installation Art's foregrounding of site, how it was able to interpret ideas around appropriation, simulation and hybridity and how today painting can be understood as both imaging and imagining the digital. After Modernist Painting is an invaluable resource for those seeking to understand the themes and issues that have pertained to painting within the context of postmodernism and contemporary artistic practice.
Author: Mark Arthur Cheetham
Publisher: University of Toronto Press
ISBN: 0802092489
Category : Social Science
Languages : en
Pages : 273
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Book Description
Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory.
