Abrégé de la vie des peintres. The art of painting, and the lives of the painters ... Done from the French of Monsieur de Piles by John Savage . To which is added, An essay towards an English-School by Bainbrigg Buckeridge , etc PDF Download
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Author: Roger de Piles
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Book Description
Author: Roger de Piles
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Book Description
Author: Frédéric Ogée
Publisher: Bucknell University Press
ISBN: 9780838755976
Category : History
Languages : en
Pages : 302
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Book Description
This book discusses the way ideas and forms traveled between Britain and France during the eighteenth century, and the extent to which the circulation of ideas between the two countries could be difficult. The volume shows that this difficulty, because it was acknowledged and often thematized, contributed to an increased awareness of what was really at stake in the very concept of Enlightenment. The examination of points of contact between the two cultures-contacts that became very much the fashion in the course of the eighteenth century-helps us understand how apparently common concepts and concerns fared differently from one country to the next, while being enriched by those contacts. The conversation of aesthetic theories and artistic forms of expression between the two countries sheds interesting light on the overall confrontation of conflicting theories of power and control that expressed themselves throughout the period of complete political redistribution. The ways myths and stories, forms and theories, traveled and changed currency gives us a clearer political grasp on the whole history of exchanges, as writers and artists, encouraged or irritated by the new myth of Progress, kept putting forward nothing else but models and strategies of public and private political economy. Frederic Ogee is Professor of English Literature at the University of Paris 7-Denis Diderot.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 946
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Book Description
Author: William Aglionby
Publisher:
ISBN: 9780915346509
Category :
Languages : en
Pages : 418
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Book Description
Aglionby, William. Painting llustrated in Three Dialogues. London, 1685. 418 pp. $60.00. ISBN 0-915346-50-8. Includes the first English translation of Giorgio Vasari's writings on the lives of eminent artists. (Wing, STC 764).
Author: Charles-Alphonse Dufresnoy
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 430
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Book Description
Author: William Salmon
Publisher:
ISBN: 9783337346058
Category :
Languages : en
Pages : 474
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Book Description
Polygraphice is an unchanged, high-quality reprint of the original edition of 1681. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Author: Mary Beal
Publisher: Dissertations-G
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
Author: Mansfield Kirby Talley
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 552
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Book Description
Author: Charles-Alphonse Dufresnoy
Publisher: Librairie Droz
ISBN: 9782600009034
Category : Art
Languages : fr
Pages : 566
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Book Description
Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.
Author: Mark Hallett
Publisher: Studies in British Art
ISBN: 9780300214802
Category : ART
Languages : en
Pages : 544
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Book Description
The late 17th and early 18th centuries saw profound changes in Britain and in its visual arts. This volume provides fresh perspectives on the art of the late Stuart and early Georgian periods, focusing on the concepts, spaces, and audiences of court, country, and city as reflected in an array of objects, materials, and places. The essays discuss the revolutionary political and economic circumstances of the period, which not only forged a new nation-state but also provided a structural setting for artistic production and reception. Contributions from nineteen authors and the three editors cover such diverse topics as tapestry in the age of Charles II and painting in the court of Queen Anne; male friendship portraits; mezzotint and the exchange between painting and print; the interpretation of genres such as still life and marine painting; the concept of remembered places; courtly fashion and furnishing; the codification of rules for painting; and the development of aesthetic theory.
