Author: Yasmil Raymond
Publisher: Dia Art Foundation, New York
ISBN: 9780300191714
Category : Art
Languages : en
Pages : 398
Book Description
A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.
Carl Andre
Author: Yasmil Raymond
Publisher: Dia Art Foundation, New York
ISBN: 9780300191714
Category : Art
Languages : en
Pages : 398
Book Description
A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.
Publisher: Dia Art Foundation, New York
ISBN: 9780300191714
Category : Art
Languages : en
Pages : 398
Book Description
A major retrospective catalogue on the career of minimalist sculptor and poet Carl Andre Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art.
Cuts
Author: Carl Andre
Publisher: MIT Press
ISBN: 0262543974
Category : Art
Languages : en
Pages : 341
Book Description
Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters—public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre's writing and its materiality—its stress on the visual and tactile qualities of language—takes its place beside his sculpture and its materiality, its revelation of "matter as matter rather than matter as symbol." Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. "I am not an idealist as an artist," says Andre. "I try to discover my visions in the conditions of the world. It's the conditions which are important."
Publisher: MIT Press
ISBN: 0262543974
Category : Art
Languages : en
Pages : 341
Book Description
Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters—public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre's writing and its materiality—its stress on the visual and tactile qualities of language—takes its place beside his sculpture and its materiality, its revelation of "matter as matter rather than matter as symbol." Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. "I am not an idealist as an artist," says Andre. "I try to discover my visions in the conditions of the world. It's the conditions which are important."
Carl Andre
Author: Alistair Rider
Publisher: Phaidon Press
ISBN: 9780714849225
Category : Art
Languages : en
Pages : 0
Book Description
A thorough and well-illustrated account of the leading Minimalist artist, Carl Andre.
Publisher: Phaidon Press
ISBN: 9780714849225
Category : Art
Languages : en
Pages : 0
Book Description
A thorough and well-illustrated account of the leading Minimalist artist, Carl Andre.
About Carl Andre
Author: Paula Feldman
Publisher:
ISBN: 9781905464005
Category : Minimal sculpture
Languages : en
Pages : 387
Book Description
Carl Andre is one of the most significant and influential artists of his generation. Alongside contemporaries such as Robert Morris and Donald Judd, his radically minimalist sculpture and poetry has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his art. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics: Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose and Roberta Smith. Some essays appear here in English for the first time. This volume is an indispensable anthology on one of the central figures of Minimalism.
Publisher:
ISBN: 9781905464005
Category : Minimal sculpture
Languages : en
Pages : 387
Book Description
Carl Andre is one of the most significant and influential artists of his generation. Alongside contemporaries such as Robert Morris and Donald Judd, his radically minimalist sculpture and poetry has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his art. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics: Clement Greenberg, Donald Kuspit, Lucy R. Lippard, Robert C. Morgan, Barbara Rose and Roberta Smith. Some essays appear here in English for the first time. This volume is an indispensable anthology on one of the central figures of Minimalism.
Quincy Book
Author: Carl Andre
Publisher:
ISBN: 9780985136468
Category : Art
Languages : en
Pages : 0
Book Description
Tiré du site Internet de Primary Information: "Quincy is an artist book that provides immediate insight into Carl Andre's development as a sculptor. In lieu of creating an exhibition catalog for his 1973 solo show at the Addison Gallery, Andre hired a commercial photographer to document landscapes from his hometown, Quincy, Massachusetts. These stark black and white photographs depict scenes and raw materials that were the inspiration for much of his work."
Publisher:
ISBN: 9780985136468
Category : Art
Languages : en
Pages : 0
Book Description
Tiré du site Internet de Primary Information: "Quincy is an artist book that provides immediate insight into Carl Andre's development as a sculptor. In lieu of creating an exhibition catalog for his 1973 solo show at the Addison Gallery, Andre hired a commercial photographer to document landscapes from his hometown, Quincy, Massachusetts. These stark black and white photographs depict scenes and raw materials that were the inspiration for much of his work."
Moffie
Author: André Carl van der Merwe
Publisher: Europa Editions
ISBN: 1609459083
Category : Fiction
Languages : en
Pages : 328
Book Description
A gay South African endures military conscription during the Angola Bush War in this autobiographical novel of persecution and hope— An “electrifying debut” (Shelf Awareness). Nicholas van der Swart always knew he was different, but to avoid the violent punishments that come with being gay in Apartheid South Africa, he has carefully kept his true self a secret. By the standards of his brutal father and the machismo culture of Afrikaners, “moffies” like him deserve nothing but scorn. Then, at nineteen years old, Nicholas is drafted into the South African army. He soon finds himself caught in a world entirely at odds with his identity, forced to fight for a cause he doesn’t believe in. Here, he will face the hatred and violence of his tormenters, but will also experience his first glimmers of love, and finally find the strength to survive. A long overdue account of Apartheid South Africa’s criminalization of homosexuality, André Carl van der Merwe’s acclaimed debut novel is the basis for the critically acclaimed film Moffie, directed by Oliver Hermanus.
Publisher: Europa Editions
ISBN: 1609459083
Category : Fiction
Languages : en
Pages : 328
Book Description
A gay South African endures military conscription during the Angola Bush War in this autobiographical novel of persecution and hope— An “electrifying debut” (Shelf Awareness). Nicholas van der Swart always knew he was different, but to avoid the violent punishments that come with being gay in Apartheid South Africa, he has carefully kept his true self a secret. By the standards of his brutal father and the machismo culture of Afrikaners, “moffies” like him deserve nothing but scorn. Then, at nineteen years old, Nicholas is drafted into the South African army. He soon finds himself caught in a world entirely at odds with his identity, forced to fight for a cause he doesn’t believe in. Here, he will face the hatred and violence of his tormenters, but will also experience his first glimmers of love, and finally find the strength to survive. A long overdue account of Apartheid South Africa’s criminalization of homosexuality, André Carl van der Merwe’s acclaimed debut novel is the basis for the critically acclaimed film Moffie, directed by Oliver Hermanus.
Art Workers
Author: Julia Bryan-Wilson
Publisher: Univ of California Press
ISBN: 0520269756
Category : Art
Languages : en
Pages : 302
Book Description
From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.
Publisher: Univ of California Press
ISBN: 0520269756
Category : Art
Languages : en
Pages : 302
Book Description
From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.
ArtCurious
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Lee Lozano
Author: Sarah Lehrer-Graiwer
Publisher: MIT Press
ISBN: 1846381363
Category : Art
Languages : en
Pages : 110
Book Description
An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Publisher: MIT Press
ISBN: 1846381363
Category : Art
Languages : en
Pages : 110
Book Description
An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Minimal Art
Author: Daniel Marzona
Publisher: Taschen
ISBN: 9783822830604
Category : Art
Languages : en
Pages : 104
Book Description
The bare minimum Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it. Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken, Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Frank Stella, Robert Smithson, Anne Truitt About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions
Publisher: Taschen
ISBN: 9783822830604
Category : Art
Languages : en
Pages : 104
Book Description
The bare minimum Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it. Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken, Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Frank Stella, Robert Smithson, Anne Truitt About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions