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Author: Abbott Handerson Thayer
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 88
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Book Description
Author: Abbott Handerson Thayer
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 88
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Book Description
Author: Roy R. Behrens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
An encyclopedic sourcebook for camouflage enthusiasts in all research areas who want to explore the history and development of camouflage (artistic, biological and military) since the 19th century. Richly illustrated with historic photographs, diagrams and drawings. Includes subject timeline, bibliography and index.
Author: Gerald Handerson Thayer
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 482
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Book Description
Author: Roy R. Behrens
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 112
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Book Description
Author: Ross Anderson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Author: Stephen Jay Gould
Publisher: W. W. Norton & Company
ISBN: 0393340821
Category : Science
Languages : en
Pages : 548
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Book Description
"Provocative and delightfully discursive essays on natural history. . . . Gould is the Stan Musial of essay writing. He can work himself into a corkscrew of ideas and improbable allusions paragraph after paragraph and then, uncoiling, hit it with such power that his fans know they are experiencing the game of essay writing at its best."--John Noble Wilford, New York Times Book Review
Author: Carnegie Institute. Department of Fine Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 54
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Book Description
Author: Kristin Schwain
Publisher: Cornell University Press
ISBN: 9780801445774
Category : Art
Languages : en
Pages : 202
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Book Description
Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork depicted religious figures and encouraged the beholders' communion with them.Describing how these artists drew on their religious beliefs and practices, as well as how beholders looked to art to provide a transcendent experience, Schwain explores how a modern conception of faith as an individual relationship with the divine facilitated this sanctified relationship between art and viewer. This stress on the interior and subjective experience of religion accentuated the artist's efforts to engage beholders personally with works of art; how better to fix the viewer's attention than to hold out the promise of salvation? Schwain shows that while these new visual practices emphasized individual encounters with art objects, they also carried profound social implications. By negotiating changes in religious belief--by aestheticizing faith in a new, particularly American manner--these practices contributed to evolving debates about art, ethnicity, sexuality, and gender.
Author: National Museum of American Art (U.S.)
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114
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Book Description
This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and
Author: Abbott Handerson Thayer
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
