Author: John Adams Dix
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 398
Book Description
A Winter in Madeira: and a Summer in Spain and Florence
Author: John Adams Dix
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 398
Book Description
A Winter in Madeira, and a Summer in Spain and Florence ... Second edition
Author: John Adams DIX (the Elder.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
Book Description
A Winter in Madeira
Author: John Adams Dix
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 402
Book Description
A Winter in Madeira and a Summer in Spain and Florence
Author: John Adams Dix
Publisher: New York : W. Holdredge
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 408
Book Description
Publisher: New York : W. Holdredge
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 408
Book Description
A Winter in Madeira
Author: John A. Dix
Publisher: Forgotten Books
ISBN: 9781330217573
Category : Travel
Languages : en
Pages : 393
Book Description
Excerpt from A Winter in Madeira: And a Summer in Spain and Florence The following pages were the fruit, not so much of deliberate design as of a long-settled habit, on the part of the writer, of devoting a portion of every day to some steady employment. During his absence from his native country, for want of his usual occupations of business, he found the continuance of this practice in some degree essential to his comfort. In attempting to delineate the objects by which lie was surrounded, and the scenes into which he was thrown, many an hour, which would otherwise have hung heavily on his hands, was beguiled, and, at least, rendered agreeable to himself. If the sketches he has drawn, or the opinions he has advanced, shall prove in any degree interesting or useful to others, he will enjoy a still higher gratification than that which the occupation afforded him. In the lighter portions of the work he has written down every thing he saw precisely as it presented itself; in the graver, his sole aim has been to state facts with accuracy, and in a plain and intelligible shape. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781330217573
Category : Travel
Languages : en
Pages : 393
Book Description
Excerpt from A Winter in Madeira: And a Summer in Spain and Florence The following pages were the fruit, not so much of deliberate design as of a long-settled habit, on the part of the writer, of devoting a portion of every day to some steady employment. During his absence from his native country, for want of his usual occupations of business, he found the continuance of this practice in some degree essential to his comfort. In attempting to delineate the objects by which lie was surrounded, and the scenes into which he was thrown, many an hour, which would otherwise have hung heavily on his hands, was beguiled, and, at least, rendered agreeable to himself. If the sketches he has drawn, or the opinions he has advanced, shall prove in any degree interesting or useful to others, he will enjoy a still higher gratification than that which the occupation afforded him. In the lighter portions of the work he has written down every thing he saw precisely as it presented itself; in the graver, his sole aim has been to state facts with accuracy, and in a plain and intelligible shape. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Winter in Madeira
Author: John A. (John Adams) Dix
Publisher:
ISBN: 9781418131104
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781418131104
Category :
Languages : en
Pages :
Book Description
Catalogue of Books in the Lower Hall of the Boston Public Library in the Classes of History, Biography, Geography, and Travel
Author: Boston Public Library
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 438
Book Description
A Companion to Hemingway's Death in the Afternoon
Author: Miriam B. Mandel
Publisher: Camden House
ISBN: 9781571134097
Category : Literary Collections
Languages : en
Pages : 364
Book Description
New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.
Publisher: Camden House
ISBN: 9781571134097
Category : Literary Collections
Languages : en
Pages : 364
Book Description
New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.
Portugal E Os Estrangeiros ...
Author: Manoel Bernardes Branco
Publisher:
ISBN:
Category : Portugal
Languages : en
Pages : 1256
Book Description
Publisher:
ISBN:
Category : Portugal
Languages : en
Pages : 1256
Book Description
The ‘Ukulele
Author: Jim Tranquada
Publisher: University of Hawaii Press
ISBN: 0824865871
Category : History
Languages : en
Pages : 298
Book Description
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.
Publisher: University of Hawaii Press
ISBN: 0824865871
Category : History
Languages : en
Pages : 298
Book Description
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.