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Author: Sir Sayyid Aḥmad K̲h̲ān̲
Publisher: Primus Books
ISBN: 9380607075
Category : Biography & Autobiography
Languages : en
Pages : 254
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Book Description
The nature of Muslim knowledge concerning the West through travel accounts makes for fascinating reading. The eighteenth-century encounters of Munshi Ihtisamuddin and Mirza Abu Taleb Khan, embedded in their travelogues, however, seem very distant and less urgent. With Syed Ahmed, however, begins an entirely new phase with his interplay between Muslims and the West, on the one hand, and between Islam and Christianity, on the other. Even though his portrait of England is sometimes facile, his account of his travels opens the door to new questions, particularly because this was the period when the relations between Europeans and Indians were at the centre of many debates. Consequently, passages in the Musafiran-i Landan introducing 'Europe' and 'England' are historically important enough to merit attention, since they are not used merely as fulsome descriptions of Western society's advances, but also contain the germ of the justification for an Anglo-Muslim rapprochement. This makes the Musafiran-i Landan an important source for the construction of the history of an era. Its English translation, the first ever to be undertaken in full, makes it accessible to those who have no knowledge of Urdu. Although several accounts of 'India and West' are available, A Voyage to Modernism is of special significance. Set apart from his later endeavours like the Tahzibul Akhlaq and Asar-al Sanadid, it is the Syed's impressions caught in A Voyage to Modernism that mattered to all those who knew anything about his standing in public life and his stature as an enlightened reformer in the last quarter of the nineteenth century. This eminently readable translation is enriched by editorial interventions by translators and editors of the work, and supported by rare archival photographs
Author: Sir Sayyid Aḥmad K̲h̲ān̲
Publisher: Primus Books
ISBN: 9380607075
Category : Biography & Autobiography
Languages : en
Pages : 254
Get Book Here
Book Description
The nature of Muslim knowledge concerning the West through travel accounts makes for fascinating reading. The eighteenth-century encounters of Munshi Ihtisamuddin and Mirza Abu Taleb Khan, embedded in their travelogues, however, seem very distant and less urgent. With Syed Ahmed, however, begins an entirely new phase with his interplay between Muslims and the West, on the one hand, and between Islam and Christianity, on the other. Even though his portrait of England is sometimes facile, his account of his travels opens the door to new questions, particularly because this was the period when the relations between Europeans and Indians were at the centre of many debates. Consequently, passages in the Musafiran-i Landan introducing 'Europe' and 'England' are historically important enough to merit attention, since they are not used merely as fulsome descriptions of Western society's advances, but also contain the germ of the justification for an Anglo-Muslim rapprochement. This makes the Musafiran-i Landan an important source for the construction of the history of an era. Its English translation, the first ever to be undertaken in full, makes it accessible to those who have no knowledge of Urdu. Although several accounts of 'India and West' are available, A Voyage to Modernism is of special significance. Set apart from his later endeavours like the Tahzibul Akhlaq and Asar-al Sanadid, it is the Syed's impressions caught in A Voyage to Modernism that mattered to all those who knew anything about his standing in public life and his stature as an enlightened reformer in the last quarter of the nineteenth century. This eminently readable translation is enriched by editorial interventions by translators and editors of the work, and supported by rare archival photographs
Author: Esther Gabara
Publisher: Duke University Press
ISBN: 0822389398
Category : Photography
Languages : en
Pages : 381
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Book Description
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.
Author: Anna Snaith
Publisher: Cambridge University Press
ISBN: 110778249X
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
London's literary and cultural scene fostered newly configured forms of feminist anticolonialism during the modernist period. Through their writing in and about the imperial metropolis, colonial women authors not only remapped the city, they also renegotiated the position of women within the empire. This book examines the significance of gender to the interwoven nature of empire and modernism. As transgressive figures of modernity, writers such as Jean Rhys, Katherine Mansfield, Una Marson and Sarojini Naidu brought their own versions of modernity to the capital, revealing the complex ways in which colonial identities 'traveled' to London at the turn of the twentieth century. Anna Snaith's original study provides an alternative vantage point on the urban metropolis and its artistic communities for scholars and students of literary modernism, gender and postcolonial studies, and English literature more broadly.
Author: Walter Kalaidjian
Publisher: Cambridge University Press
ISBN: 9780521829953
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.
Author: Allison Pease
Publisher: Cambridge University Press
ISBN: 1107027578
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
Illustrates how boredom formed an important category of critique against the constraints of women's lives in British modernist literature.
Author: Lise Jaillant
Publisher: Edinburgh University Press
ISBN: 1474417264
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
We often think of Mrs Dalloway or A Portrait of the Artist as a Young Man as difficult books, originally published in small print runs for a handful of readers. But from the mid-1920s, these texts and others were available in cheap format across Europe. Uniform series of reprints such as the Travellers' Library, the Phoenix Library, Tauchnitz and Albatross sold modernism to a wide audience - thus transforming a little-read "e;highbrow"e; movement into a popular phenomenon. The expansion of the readership for modernism was not only vertical (from "e;high"e; to "e;low"e;) but also spatial - since publisher's series were distributed within and outside metropolitan centres in Britain, continental Europe and elsewhere. Many non-English native speakers discovered texts by Joyce, Woolf and others in the original language - a fact that has rarely been mentioned in histories of modernism. Drawing on extensive work in neglected archives, Cheap Modernism will be of interest to all those who want to know how the new literature became a global commercial hit.
Author: Mary Ann Caws
Publisher:
ISBN: 9781789140552
Category : Art
Languages : en
Pages : 0
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Book Description
"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf, haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.
Author: Rebecca Colesworthy
Publisher:
ISBN: 0198778589
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
What is a gift? What do gifts mean and do? Drawing on Marcel Mauss's 1925 essay, this volume studies novels, autobiographical texts, aesthetic treatises, and political writings by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. to explore the idea of the gift in Modernist literature.
Author: Peter Fifield
Publisher: Oxford University Press
ISBN: 0192559346
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
Author: Mary Lou Emery
Publisher: Cambridge University Press
ISBN: 0521872138
Category : Literary Criticism
Languages : en
Pages : 16
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Book Description
This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean. Mary Lou Emery analyses works by George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, Jamaica Kincaid and David Dabydeen. This study is an original and important contribution to both transatlantic and postcolonial studies.
