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Category : China
Languages : en
Pages : 536
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Author: James Leo Cahill
Publisher: Routledge
ISBN: 042989032X
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. This is the first anthology dedicated to analysing cinema’s relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing on insights from science and technology studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes not only cinema’s implication in imperial conquest but also its cutting-edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts and films made in or about peoples in South America, Asia, Africa, Indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau alongside amateur and scientific filmmakers. The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields.
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 536
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Book Description
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Category : Foreign agents
Languages : en
Pages : 332
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Book Description
Author: Jenny Lin
Publisher: Manchester University Press
ISBN: 1526132621
Category : Art
Languages : en
Pages : 229
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Book Description
Shanghai, long known as mainland China’s most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art’s global hype to reveal the socio-political tensions accompanying Shanghai’s transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai’s global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city’s repressed socialist past and its consumerist present.
Author: David Melbye
Publisher: Rowman & Littlefield
ISBN: 1666921211
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
Global Cinema Studies in Landscape Allegory explores the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension – or, in other words, configuring a ‘landscape’ to function beyond its typical role as a backdrop – and the cultural contexts for this aesthetic impulse. Contributors argue that while audiovisual allegory can be understood as inherently avant-garde, certain kinds of stories – and the ways in which they are presented – can be categorized as a ‘landscape allegory.’ Focusing on the idea of a ‘landscape’ in the most concrete and literal form, contributions drawing from a global spectrum of cultural contexts work toward establishing a fuller and more culturally diverse understanding of landscape allegory in cinema.
Author: Kazushi Minami
Publisher: Cornell University Press
ISBN: 1501774174
Category : History
Languages : en
Pages : 158
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Book Description
In People's Diplomacy, Kazushi Minami shows how the American and Chinese people rebuilt US-China relations in the 1970s, a pivotal decade bookended by Richard Nixon's 1972 visit to China and 1979 normalization of diplomatic relations. Top policymakers in Washington and Beijing drew the blueprint for the new bilateral relationship, but the work of building it was left to a host of Americans and Chinese from all walks of life, who engaged in "people-to-people" exchanges. After two decades of estrangement and hostility caused by the Cold War, these people dramatically changed the nature of US-China relations. Americans reimagined China as a country of opportunities, irresistible because of its prodigious potential, while Chinese reinterpreted the United States as an agent of modernization, capable of enriching their country and rejuvenating their lives. Drawing on extensive research at two dozen archives in the United States and China, People's Diplomacy redefines contemporary US-China relations as a creation of the American and Chinese people.
Author: Susan Sontag
Publisher: Macmillan
ISBN: 9780312420093
Category : Art
Languages : en
Pages : 224
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Book Description
A series of essays about the meaning and career of photographs.
Author: Jessica Evans
Publisher: SAGE
ISBN: 9780761962489
Category : Art
Languages : en
Pages : 544
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Book Description
A primary resource of key statements on photographic meaning, representation and visual culture. The editors combine classic and contemporary essays from a range of scholars including Barthes, Sontag, Baudrillard and Mulvey. The reader is divided into three parts, which present the culture of the image and the making of meaning; the history and theory of critical photography and the regulation of meaning; and the way in which differences of race, class, gender and sexuality are culturally constructed and represented. Black and white illustrations feature throughout.
Author: Tony H. Chang
Publisher: Bloomsbury Publishing USA
ISBN: 0313032505
Category : History
Languages : en
Pages : 214
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Book Description
One of the most tumultuous periods in modern Chinese history, the Cultural Revolution affected virtually all Chinese people and all aspects of Chinese life, including art, music and drama, education, factory management, economic planning, and medical care. Studies of the Cultural Revolution, in both Chinese and Western languages, have burgeoned over the past three decades. This comprehensive, easy-to-use bibliography provides a guide to published English-language sources on the Cultural Revolution. With over a thousand entries, it includes books, monographs, dissertations, and audio-visual materials on a broad range of topics from the military, education, religion, and economics to foreign relations, population, art, literature, and drama. Including titles published through the end of 1997 and a few in 1998, the book provides a general overview of the literature on the Chinese Cultural Revolution and its impact on China. Its scope and coverage make it a useful resource for any library whose readers have an interest in modern Chinese history.
Author: Neil Badmington
Publisher: Routledge
ISBN: 135180555X
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
‘I’ve never kept a journal’, Roland Barthes declared in 1979, ‘ – or, rather, I’ve never known if I should keep one’. The form itself, he continued, was inferior and ‘unnecessary’, a ‘minor mania of writing’. Barthes died months making this statement, and the years since then have revealed that he had actually been concealing a fondness for diary-writing. The publication in 1985 of Incidents brought to light an intimate journal entitled ‘Soirées de Paris’, while 2009 saw the appearance of two much longer diaries kept by Barthes following the death of his mother in 1977 and during a trip to China in 1974, respectively. Further journals lie in the archive, unpublished and largely unseen; it is not clear if these will ever enter the public domain. This collection, which brings together some of the most prominent scholars in the field, considers the present implications of Roland Barthes’ journals. How do these diaries invite us to reconsider aspects of Barthes’ work which have become familiar through his reception as one of the twentieth century’s most influential literary and cultural critics? What do they allow us to see for the first time? What is their relation to the works whose appearance Barthes authorised during his lifetime? Where and how do they fit in his oeuvre? How do they relate to each other across moment and mood? Why might they call for deliberations? This book was originally published as a special issue of Textual Practice.
