Author: Arthur S. P. Woodhouse
Publisher: Columbia University Press
ISBN: 9780231088800
Category :
Languages : en
Pages : 368
Book Description
A Variorum Commentary on the Poems of John Milton, Part 1
Author: Arthur S. P. Woodhouse
Publisher: Columbia University Press
ISBN: 9780231088800
Category :
Languages : en
Pages : 368
Book Description
Publisher: Columbia University Press
ISBN: 9780231088800
Category :
Languages : en
Pages : 368
Book Description
A Variorum Commentary on the Poems of John Milton: The minor English poems
Author: Douglas Bush
Publisher:
ISBN: 9780231088817
Category : Poetry
Languages : en
Pages : 395
Book Description
Publisher:
ISBN: 9780231088817
Category : Poetry
Languages : en
Pages : 395
Book Description
Variorum Commentary on the Poems of John Milton
Author: Arthur S. P. Woodhouse
Publisher: Columbia University Press
ISBN: 9780231088817
Category :
Languages : en
Pages : 416
Book Description
Publisher: Columbia University Press
ISBN: 9780231088817
Category :
Languages : en
Pages : 416
Book Description
A Variorum Commentary on the Poems of John Milton
Author:
Publisher:
ISBN: 9780231088824
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780231088824
Category :
Languages : en
Pages :
Book Description
A Variorum Commentary on the Poems of John Milton: The minor English poems
Author: Merritt Yerkes Hughes
Publisher:
ISBN: 9780710065131
Category : Poetry
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780710065131
Category : Poetry
Languages : en
Pages : 0
Book Description
A Variorum Commentary on the Poems of John Milton
Author: Douglas Bush
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 368
Book Description
A Variorum Commentary on the Poems of John Milton
Author: Douglas Bush
Publisher:
ISBN: 9780710071514
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780710071514
Category :
Languages : en
Pages : 0
Book Description
A Variorum Commentary on the Poems of John Milton
Author: Merritt Yerkes Hughes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Oxford History of Poetry in English
Author:
Publisher: Oxford University Press
ISBN: 0198930240
Category : Literary Criticism
Languages : en
Pages : 717
Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Publisher: Oxford University Press
ISBN: 0198930240
Category : Literary Criticism
Languages : en
Pages : 717
Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Biblical Tradition in Blake's Early Prophecies
Author: Leslie Tannenbaum
Publisher: Princeton University Press
ISBN: 1400886597
Category : Poetry
Languages : en
Pages : 389
Book Description
In a detailed examination of the ways in which Blake's use of biblical tradition gives form and meaning to his early prophetic books, Leslie Tannenbaum shows what Blake meant when he called the Bible the Great Code of Art." Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400886597
Category : Poetry
Languages : en
Pages : 389
Book Description
In a detailed examination of the ways in which Blake's use of biblical tradition gives form and meaning to his early prophetic books, Leslie Tannenbaum shows what Blake meant when he called the Bible the Great Code of Art." Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.