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Author: Sam Solecki
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773597999
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.
Author: Sam Solecki
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773597999
Category : Performing Arts
Languages : en
Pages : 353
Get Book
Book Description
François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.
Author: Annette Insdorf
Publisher: Plunkett Lake Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
Truffaut’s films beautifully demonstrate the idea that a film can express its director as personally as a novel can reveal its author. Moreover, his development of a gently self-conscious visual style made him more than the entertainer he believed he was: there is genuine artistry in his motion pictures. He affected the course of French cinema — indeed world cinema — by blending auteurist art with accessible cinematic storytelling. Unlike other New Wave directors such as Jean-Luc Godard, Truffaut preferred idiosyncratic characters (like the semi-autobiographical Antoine Doinel) and universal emotions (especially desire and fear) to political tracts or didactic essays. Instead of the elitism or self-indulgence that characterize much of European cinema, Truffaut’s movies were meant to touch people from different countries, times, and classes. And they keep succeeding in this aim. Truffaut’s cinema remains a model of intimate, reasonably budgeted, sophisticated filmmaking that can still speak delightfully and profoundly to an international audience. Long considered the definitive study of Truffaut’s genius, this revised and updated edition of François Truffaut includes fresh insights and an extensive section on the director’s last five films — Love on the Run, The Green Room, The Last Metro, The Woman Next Door, and Confidentially Yours. While not a biography of the director, Insdorf captures in this study the essence and totality of Truffaut’s work. She discusses his contributions to the French New Wave, his relations with his mentors Hitchcock and Renoir, and the dominant themes of his cinema — women, love, children, language. She explores his life in relation to his films, from The 400 Blows to The Man Who Loved Women. “The most sensitive and intelligent book in the English language about my work.” — François Truffaut “Everyone who loves Truffaut will be delighted to welcome this book to their library.” — Miloš Forman, director of One Flew Over the Cuckoo’s Nest and Amadeus “Annette Insdorf’s book on Truffaut is the best I know.” — Charles Champlin, The Los Angeles Times “Relevant, illuminating, clever, moving, sane... intelligible.” — Roger Greenspun, film critic “[A]n astute and insightful examination of the director’s work along thematic and psychological lines... Insdorf carefully weaves a complex matrix of loose chords, individual motifs, and personal obsessions that amount to a strikingly coherent vision... Insdorf’s analysis provides the reader with the best examination yet of Truffaut’s work.” — Dan Yakir, Film Comment “Insdorf... succeeds masterfully in fulfilling the purpose of her study of François Truffaut... [an] engaging and sympathetic study.” — Richard Williamson, The French Review “Francois Truffaut has been blessed with intelligent and perceptive critics throughout his career... Annette Insdorf’s new book fits snugly into this tradition of excellence, and even goes the earlier studies one better by treating the films with the comprehensiveness they deserve... The most striking feature of Insdorf’s study is the intense concentration she brings to her discussion of each film. Her insights come thick and fast, in the best New Critical fashion... This is an especially insightful, highly intelligent study.” — Peter Brunette, Film Quarterly “Each chapter in this well-researched and informative book contains extended comparisons of Truffaut’s films. Each aims at specifying the thematic and stylistic continuities that define Truffaut as an auteur... Insdorf’s mastery of the auteurist approach produces a remarkable synthesis of thematic and stylistic continuities.” — Paul Sandro, The French Review “Insdorf’s forte is comparative exposition and synthetic vision. Her early chapters on Truffaut’s sources, Hitchcock and Renoir, and the latter ones on women, children and Truffaut autobiographical films are replete with gems of comparative analysis, e.g. her instructive comparison of Rules of the Game and Day For Night, and the insightful relating of jazz with Truffaut’s own improvisation in early films.” — Francis I. Kane, Literature/Film Quarterly “Insdorf’s insights regarding the famous films are on the mark, and she makes an eloquent case for those not so well thought of.” — Variety
Author:
Publisher: Indiana University Press
ISBN: 0253026563
Category : Biography & Autobiography
Languages : en
Pages : 409
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Book Description
“The writings reveal a Truffaut who was as incisive and direct in assessing his own work as he was in assessing the work of other directors.” —Choice Between 1959 and 1984, French film director François Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut’s films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the circumstances surrounding the shooting of each film. These texts, originally assembled by Anne Gillain and published in French in 1988, are presented here in a montage arranged chronologically by film. This compilation includes an impressive array of reflections on cinema as an art form. Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the films made by their predecessors and including comments that encompass the entire history of cinema. Truffaut on Cinema provides commentary on contemporary events, a wealth of biographical information, and Truffaut’s own artistic itinerary.
Author: Anne Gillain
Publisher: Indiana University Press
ISBN: 025300845X
Category : Performing Arts
Languages : en
Pages : 375
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Book Description
“Truffaut fans will love this English translation of Gillain’s work drawing on the psychology and cinematography of the acclaimed filmmaker.” —Booklist For François Truffaut, the lost secret of cinematic art is in the ability to generate emotion and reveal repressed fantasies through cinematic representation. Available in English for the first time, Anne Gillain’s François Truffaut: The Lost Secret is considered by many to be the best book on the interpretation of Truffaut’s films. Taking a psycho-biographical approach, Gillain shows how Truffaut’s creative impulse was anchored in his personal experience of a traumatic childhood that left him lonely and emotionally deprived. In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut’s childhood not only furnish a succession of motifs that are repeated from film to film, but also govern every aspect of his mise en scène and cinematic technique. “Brilliant . . . A delicious reexamination . . . that will make us want to sit down and take in all of Truffaut’s wonderful filmography at once.” —PopMatters
Author: François Truffaut
Publisher: Univ. Press of Mississippi
ISBN: 9781934110140
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
Interviews with the film critic and director who was a key figure in the French New Wave
Author: Antoine De Baecque
Publisher: Knopf
ISBN: 0593535693
Category : Biography & Autobiography
Languages : en
Pages : 681
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Book Description
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author: Antoine de Baecque
Publisher:
ISBN: 9783802534171
Category :
Languages : de
Pages : 720
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Book Description
Author: Diana Holmes
Publisher: Manchester University Press
ISBN: 1526141418
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Author: François Truffaut
Publisher: ABRAMS
ISBN:
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
A collection of autobiographical writings by French filmmaker François Truffaut.
Author: François Truffaut
Publisher: Da Capo Press
ISBN: 9780306805998
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
François Truffaut (1932-1984), perhaps the most respected member of the New Wave group of French moviemakers, left a legacy of beloved and influential films that include The 400 Blows, Jules and Jim, Stolen Kisses, Day for Night, and The Story of Adele H. Equally fascinating is the very large body of film criticism Truffaut wrote over many years for Cahiers du Cinema and other leading film journals. Wonderfully varied, personal, and informal, these reviews all communicate unabashed love for and an enormous excitement about the movies. The Films in My Life is Truffaut's own selection of more than one hundred essays that range widely over the history of film and pay tribute to Truffaut's particular heroes, among them Hitchcock, Welles, Chaplin, Renoir, Cocteau, Bergman, and Buñuel.
