A Treatise on the Fundamental Principles of Violin Playing PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Treatise on the Fundamental Principles of Violin Playing PDF full book. Access full book title A Treatise on the Fundamental Principles of Violin Playing by Leopold Mozart. Download full books in PDF and EPUB format.
Author: Leopold Mozart
Publisher: Early Music
ISBN: 9780193185135
Category : Music
Languages : en
Pages : 276
Get Book Here
Book Description
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English and remains scholarly and eminently readable.
Author: Leopold Mozart
Publisher: Early Music
ISBN: 9780193185135
Category : Music
Languages : en
Pages : 276
Get Book Here
Book Description
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English and remains scholarly and eminently readable.
Author: Leopold Mozart
Publisher: London, Oxford U. P, 1951. Oxford University Press
ISBN:
Category : Violin
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
Get Book Here
Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691656843
Category : Music
Languages : en
Pages : 315
Get Book Here
Book Description
This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Gerhard Mantel
Publisher: Indiana University Press
ISBN: 9780253210050
Category : Music
Languages : en
Pages : 260
Get Book Here
Book Description
An analysis of the physics and physiology involved in playing the cello. For performers, teachers, and mature students.
Author: Toby Faber
Publisher: Random House
ISBN: 1588362140
Category : Biography & Autobiography
Languages : en
Pages : 298
Get Book Here
Book Description
“’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.” –George Eliot Antonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being. Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius? In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s. Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.
Author: Leopold Mozart
Publisher: Alfred Music
ISBN: 9781457478642
Category : Music
Languages : en
Pages : 30
Get Book Here
Book Description
A Violin solo with Piano Accompaniment composed by Leopold Mozart.
Author: Emily I. Dolan
Publisher: Cambridge University Press
ISBN: 1107028256
Category : Music
Languages : en
Pages : 305
Get Book Here
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
Author: Carl Flesch
Publisher:
ISBN:
Category : Violin
Languages : en
Pages : 28
Get Book Here
Book Description
Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470
Get Book Here
Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
