Author: Sophie Lévy
Publisher: Univ of California Press
ISBN: 0520242076
Category : Art, American
Languages : en
Pages : 274
Book Description
Catalog of an exhibition held at Musee d'Art Americain Giverny, France, Aug. 31-Nov. 30, 2003; Tacoma Art Museum, Tacoma, Wash., Dec. 18, 2003-Mar. 28, 2004; and Terra Museum of American Art, Chicago, April 17-June 27, 2004.
A Transatlantic Avant-garde
Author: Sophie Lévy
Publisher: Univ of California Press
ISBN: 0520242076
Category : Art, American
Languages : en
Pages : 274
Book Description
Catalog of an exhibition held at Musee d'Art Americain Giverny, France, Aug. 31-Nov. 30, 2003; Tacoma Art Museum, Tacoma, Wash., Dec. 18, 2003-Mar. 28, 2004; and Terra Museum of American Art, Chicago, April 17-June 27, 2004.
Publisher: Univ of California Press
ISBN: 0520242076
Category : Art, American
Languages : en
Pages : 274
Book Description
Catalog of an exhibition held at Musee d'Art Americain Giverny, France, Aug. 31-Nov. 30, 2003; Tacoma Art Museum, Tacoma, Wash., Dec. 18, 2003-Mar. 28, 2004; and Terra Museum of American Art, Chicago, April 17-June 27, 2004.
Surveying the Avant-Garde
Author: Lori Cole
Publisher: Penn State Press
ISBN: 0271081708
Category : Art
Languages : en
Pages : 451
Book Description
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like “American art,” as well as “modernism” and “avant-garde,” were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or “comparison of the arts,” through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists’ and writers’ understanding of themselves and their place in the world. Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole’s original and compellingly crafted work.
Publisher: Penn State Press
ISBN: 0271081708
Category : Art
Languages : en
Pages : 451
Book Description
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like “American art,” as well as “modernism” and “avant-garde,” were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or “comparison of the arts,” through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists’ and writers’ understanding of themselves and their place in the world. Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole’s original and compellingly crafted work.
The Feminist Avant-Garde
Author: Lucy Delap
Publisher: Cambridge University Press
ISBN: 0521876516
Category : History
Languages : en
Pages : 0
Book Description
In the first major study of twentieth-century feminism as an Anglo-American phenomenon, Lucy Delap offers a unique perspective on the politics of gender. By exploring the intellectual history and cultural politics of Anglo-American feminism Delap challenges the reader to re-think the nature of both the 'avant-garde' and 'feminism'.
Publisher: Cambridge University Press
ISBN: 0521876516
Category : History
Languages : en
Pages : 0
Book Description
In the first major study of twentieth-century feminism as an Anglo-American phenomenon, Lucy Delap offers a unique perspective on the politics of gender. By exploring the intellectual history and cultural politics of Anglo-American feminism Delap challenges the reader to re-think the nature of both the 'avant-garde' and 'feminism'.
Children's Stories and "child-time" in the Works of Joseph Cornell and the Transatlantic Avant-garde
Author: Analisa Pauline Leppanen-Guerra
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409401568
Category : Art
Languages : en
Pages : 296
Book Description
Focusing on his evocative and profound references to children and their stories, Children's Stories and 'Child-Time in the Works of Joseph Cornell and the Transatlantic Avant-Garde studies the relationship between the artist's work on childhood and his search for a transfigured concept of time. As it changes the focus from Cornell's boxes to his multimedia works, this study also situates Cornell and his art in the broader context of the transatlantic avant-garde of the 1930s and 40s.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409401568
Category : Art
Languages : en
Pages : 296
Book Description
Focusing on his evocative and profound references to children and their stories, Children's Stories and 'Child-Time in the Works of Joseph Cornell and the Transatlantic Avant-Garde studies the relationship between the artist's work on childhood and his search for a transfigured concept of time. As it changes the focus from Cornell's boxes to his multimedia works, this study also situates Cornell and his art in the broader context of the transatlantic avant-garde of the 1930s and 40s.
Transatlantic Encounters
Author: Michele Greet
Publisher: Yale University Press
ISBN: 0300228422
Category : Art
Languages : en
Pages : 296
Book Description
Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.
Publisher: Yale University Press
ISBN: 0300228422
Category : Art
Languages : en
Pages : 296
Book Description
Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.
Transatlantic Avant-Gardes
Author: Eric B White
Publisher: Edinburgh University Press
ISBN: 0748645225
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.
Publisher: Edinburgh University Press
ISBN: 0748645225
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.
The Spatiality of the Hispanic Avant-Garde
Author: Claudio Palomares-Salas
Publisher: BRILL
ISBN: 9004406778
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
Publisher: BRILL
ISBN: 9004406778
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
The European Avant-Gardes, 1905-1935
Author: Sascha Bru
Publisher: EUP
ISBN: 9780748695904
Category : Art, European
Languages : en
Pages : 272
Book Description
The works of the classic European avant-gardes (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) today still strike many students of modernism as strange or incomprehensible. Is this art? Do we have to take a sound poem seriously? How, at all. are we to read and interpret avant-garde works? And what on earth is the fourth dimension in physics that fascinated so many avant-gardists? This engaging introduction is designed to answer all these questions and more.
Publisher: EUP
ISBN: 9780748695904
Category : Art, European
Languages : en
Pages : 272
Book Description
The works of the classic European avant-gardes (cubism, futurism, expressionism, Dadaism, constructivism and many other -isms) today still strike many students of modernism as strange or incomprehensible. Is this art? Do we have to take a sound poem seriously? How, at all. are we to read and interpret avant-garde works? And what on earth is the fourth dimension in physics that fascinated so many avant-gardists? This engaging introduction is designed to answer all these questions and more.
Camera Works
Author: Michael North
Publisher: Oxford University Press
ISBN: 0195332938
Category : History
Languages : en
Pages : 266
Book Description
Camera Works is about the impact of photography and film on modern art and literature. With examples from the avant-garde of the little magazine and from classic authors like Fitzgerald and Hemingway, it argues that literature and art become modern by responding to these new means of representation.
Publisher: Oxford University Press
ISBN: 0195332938
Category : History
Languages : en
Pages : 266
Book Description
Camera Works is about the impact of photography and film on modern art and literature. With examples from the avant-garde of the little magazine and from classic authors like Fitzgerald and Hemingway, it argues that literature and art become modern by responding to these new means of representation.
A Transatlantic Avant-garde
Author: Sophie Lévy
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 263
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 263
Book Description