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Author: Marc Taylor
Publisher: Aloiv Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
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Book Description
Author: Marc Taylor
Publisher: Aloiv Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
Get Book Here
Book Description
Author: Marc Taylor
Publisher: Aloiv Publishing Company
ISBN:
Category : Music
Languages : en
Pages : 376
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Book Description
Discusses the lives and careers of such soul music acts as Barry White, the Chi-lites, and the Stylistics.
Author: John Clemente
Publisher: Author House
ISBN: 1477281282
Category : Biography & Autobiography
Languages : en
Pages : 643
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Book Description
From the 1950s through the 1980s girl groups were hot and not just because of their looks. These rocking women had a profound impact in our culture, and left us with a lifetimes worth of memorable tunes. Now you can learn about all your favorite female artists, and you can build the ultimate girl-powered record collection for yourself! This all-new book features biographical information on over seventy of the most significant girl groups of rock n roll and rhythm n blues, everyone from The Supremes to The Go-Gos. These profiles contain complete discographies for each of the groups and quotes from members of the many of the featured groups. Also included: A comprehensive listing of all girl group and their labels Pricing for 500 of the most collectible girl group records More than 200 photos This book enables all music lovers to learn how those fabulous voices came together to form the harmonies that captured generations and also find out the most current values of the hottest collectible records.
Author: Laura Flam
Publisher: Hachette Books
ISBN: 0306829797
Category : Music
Languages : en
Pages : 509
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Book Description
Featuring over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.
Author: Reiland Rabaka
Publisher: Taylor & Francis
ISBN: 104017230X
Category : Music
Languages : en
Pages : 216
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Book Description
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Author: Peter Shapiro
Publisher: Macmillan + ORM
ISBN: 1466894121
Category : Music
Languages : en
Pages : 502
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Book Description
A long-overdue paean to the predominant musical form of the 70s and a thoughtful exploration of the culture that spawned it Disco may be the most universally derided musical form to come about in the past forty years. Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In Turn the Beat Around, critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, Turn the Beat Around is the most comprehensive study of the Me Generation to date.
Author: Reiland Rabaka
Publisher: Routledge
ISBN: 1000594319
Category : Music
Languages : en
Pages : 221
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Book Description
Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.
Author: Reiland Rabaka
Publisher: Taylor & Francis
ISBN: 1000966798
Category : Music
Languages : en
Pages : 190
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Book Description
Black Women’s Liberation Movement Music argues that the Black Women’s Liberation Movement of the mid-to-late 1960s and 1970s was a unique combination of Black political feminism, Black literary feminism, and Black musical feminism, among other forms of Black feminism. This book critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political, and cultural movements, such as the Black Power Movement, Women’s Liberation Movement, and Sexual Revolution. The soul, funk, and disco music of the Black Women’s Liberation Movement era is simultaneously interpreted as universalist, feminist (in a general sense), and Black female-focused. This music’s incredible ability to be interpreted in so many different ways speaks to the importance and power of Black women’s music and the fact that it has multiple meanings for a multitude of people. Within the worlds of both Black Popular Movement Studies and Black Popular Music Studies there has been a long-standing tendency to almost exclusively associate Black women’s music of the mid-to-late 1960s and 1970s with the Black male-dominated Black Power Movement or the White female-dominated Women’s Liberation Movement. However, this book reveals that much of the soul, funk, and disco performed by Black women was most often the very popular music of a very unpopular and unsung movement: The Black Women’s Liberation Movement. Black Women’s Liberation Movement Music is an invaluable resource for students, teachers, and researchers of Popular Music Studies, American Studies, African American Studies, Critical Race Studies, Gender Studies, and Sexuality Studies.
Author: Marc Taylor
Publisher: Aloiv Publishing Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Discusses the story of the Marvelettes, describing how they got started, the struggles they faced both personally and professionally, and the eventual breakup of the group.
Author: Nathan Brackett
Publisher: Simon and Schuster
ISBN: 0743201698
Category : POPULAR MUSIC--DISCOGRAPHY.
Languages : en
Pages : 948
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Book Description
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