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Author: Gay McAuley
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
How real and imagined theatrical spaces and the relationships between them evoke meaning
Author: Kenneth Crawford
Publisher:
ISBN:
Category :
Languages : en
Pages : 121
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Book Description
Perhaps the most important conclusion we might draw from Jung is that Christ's work of redemption is not complete because it only reached consciousness. The coming of Christ meant that evil was repressed to the unconscious psyche from where it erupts in periodic bouts of conflict such as we saw in the last century. The archetypes of the collective unconscious that provide the framework of reality have no morality and it remains for the individual to fill the archetypes with their own meaning and moral direction or else they will have none, just alternating patterns of light and dark, Antichrist and redeemer, war and peace. How could one ever hope to approach such a task? Such is the subject of Jung's most important work. Jung deconstructed Christianity and alchemy, taking both back to its most psychologically important symbolic material, before putting the pieces back together again in an 'individuation process' that seeks to integrate the core archetypes, ultimately leading to the realisation of a transcendent Self. This brings a renewal of the Christ symbol in an individual symbol of the Self that integrates the unconscious psyche. The challenge for the reader is that Jung was writing in exploratory fashion and so individuation is not addressed in one place but rather dealt with piecemeal through the Collected Works, a large and intimidating body of work. Even so it is the definitive source where the reader must ultimately go to get the most from individuation. There is however a place for a bridging work that helps orientate the reader and set the scene. Such is the goal of this book. Having taken so much from Jung in my own life, it is my humble attempt to give something back. I use the concept of the theatre to take us into Jung because it has certain features that aid in understanding the structure of the psyche, and also a structure that can provide a more grounded and familiar context for the rest of Jung's work.The book includes a Foreword by Jacquie Flecknoe-Brown, a Jungian analyst and author of The Dreamer's Odyssey.
Author: Eli Rozik
Publisher: Liverpool University Press
ISBN: 178284726X
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.
Author: Gay McAuley
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
How real and imagined theatrical spaces and the relationships between them evoke meaning
Author: Bree Hadley
Publisher: Springer
ISBN: 3319548824
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
Author: Patrice Pavis
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Author: Nadja Masura
Publisher: Springer Nature
ISBN: 303055628X
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.
Author: Eli Rozik
Publisher: Liverpool University Press
ISBN: 1802071326
Category : Performing Arts
Languages : en
Pages : 399
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Book Description
Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.
Author: Anthony Jackson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Art or Instrument? studies theatre's educational role during the 20th and 21st centuries. It examines the ways theatre's educational potential has been harnessed, the claims made for its value, and the tension between theatre as education and theatre as "art." Following key theoretical approaches to aesthetics, the study is organized into two chronological periods: early developments in European and American theatre up to the end of world war two and participatory theatre and education since world war two. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-pop, and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.
Author: Cedric J. Robinson
Publisher: ReadHowYouWant.com
ISBN: 1459612310
Category : Social Science
Languages : en
Pages : 814
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Book Description
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
Author: Jane Collins
Publisher: Routledge
ISBN: 1136344535
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.
