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Author: Ellen R. Welch
Publisher: University of Pennsylvania Press
ISBN: 081229386X
Category : History
Languages : en
Pages : 309
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Book Description
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
Author: Ellen R. Welch
Publisher: University of Pennsylvania Press
ISBN: 081229386X
Category : History
Languages : en
Pages : 309
Get Book Here
Book Description
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
Author: Todd H. Hall
Publisher: Cornell University Press
ISBN: 1501701126
Category : Political Science
Languages : en
Pages : 261
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Book Description
Emotional Diplomacy explores the politics of expressed emotion on the international stage, looking at the ways state actors strategically deploy emotional behavior to manipulate the perceptions of others. By examining diverse instances of emotional behavior, Todd H. Hall reveals that official emotional displays play an integral role in the strategies and interactions of state actors. Emotional diplomacy is more than rhetoric; as this book demonstrates, its implications extend to the provision of economic and military aid, great-power cooperation, and the use of armed force. Hall investigates three strands of emotional diplomacy: those rooted in anger, sympathy, and guilt. His research, drawn on sources and interviews in five different languages, provides new insights into the 1995–1996 Taiwan Strait Crisis, the post-9/11 reactions of China and Russia, and relations between West Germany and Israel after World War II. Emotional Diplomacy offers a unique take on the intersection of strategic action and emotional display, a means for understanding why states behave emotionally. Hall provides the theoretical tools necessary for understanding the nature and significance of state-level emotional behavior through new observations of how states seek reconciliation, strategically respond to unforeseen crises, and demonstrate resolve in the face of perceived provocations.
Author: J. T. Rogers
Publisher:
ISBN: 9781848426801
Category :
Languages : en
Pages : 144
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Book Description
A darkly funny political thriller, winner of the 2017 Tony Award for Best Play. In 1993, in front of the world's press, the leaders of Israel and Palestine shook hands on the lawn of the White House. Few watching would have guessed that the negotiations leading up to this iconic moment started secretly in a grand manor house in the middle of a forest outside Oslo. Oslo tells the true story of two maverick Norwegian diplomats who coordinated top-secret talks and inspired seemingly impossible friendships. Their quiet heroics helped lead to the groundbreaking Oslo Accords. The play had a sell-out run in New York in 2016, and received its UK premiere at the National Theatre, London, in September 2017, prior to a West End transfer.
Author: James H. Hutson
Publisher: University Press of Kentucky
ISBN: 081316348X
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
The figure of John Adams looms large in American foreign relations of the Revolutionary and post-Revolutionary years. James H. Hutson captures this elusive personality of this remarkable figure, highlighting the triumphs and the despairs that Adams experienced as he sought—at times, he felt, single-handedly—to establish the new Republic on a solid footing among the nations of the world. Benjamin Franklin, thirty years Adams's senior and already a world-respected figure, was his personal nemesis, seeming always to dog his steps in his diplomatic missions. The diplomacy of the American Revolution as exemplified by John Adams was not radically revolutionary or peculiarly American. Whereas the prevailing progressive interpretation of Revolutionary diplomacy sees it as repudiating the standard European theories and practices, Hutson finds that Adams adhered consistently to a policy that was in fact basically European and conservative. Adams assumed—as did his contemporaries—that power was aggressive and that it should be contained in a balance, so his actions while in diplomatic service were generally directed toward this goal. Adams's basic ideas survived his turbulent diplomatic missions with undiminished coherence. For him the value of the protective system of the balance of power—having been tested in the harsh theater of European diplomacy—was indisputable and could be applied to domestic political arrangements as well as to international relations.
Author: Naima Prevots
Publisher: Wesleyan University Press
ISBN: 0819573361
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
At the height of the Cold War in 1954, President Eisenhower inaugurated a program of cultural exchange that sent American dancers and other artists to political "hot spots" overseas. This peacetime gambit by a warrior hero was a resounding success. Among the artists chosen for international duty were José Limón, who led his company on the first government-sponsored tour of South America; Martha Graham, whose famed ensemble crisscrossed southeast Asia; Alvin Ailey, whose company brought audiences to their feet throughout the South Pacific; and George Balanchine, whose New York City Ballet crowned its triumphant visits to Western Europe and Japan with an epoch-making tour of the Soviet Union in 1962. The success of Eisenhower's program of cultural export led directly to the creation of the National Endowment for the Arts and Washington's Kennedy Center. Naima Prevots draws on an array of previously unexamined sources, including formerly classified State Department documents, congressional committee hearings, and the minutes of the Dance Panel, to reveal the inner workings of "Eisenhower's Program," the complex set of political, fiscal, and artistic interests that shaped it, and the ever-uneasy relationship between government and the arts in the US. CONTRIBUTORS: Eric Foner.
Author: David Scheffer
Publisher:
ISBN: 0190860634
Category : History
Languages : en
Pages : 361
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Book Description
Machine generated contents note: -- Preface by Roger Cohen -- Cast of Characters -- Entities and Actions -- Chapter I: Shattered Plans, 1993 -- Chapter II: Ethnic Cleansing Wins, 1994 -- Chapter III: To Stay or Not to Stay, January-June 1995 -- Chapter IV: Finally, Diplomacy Backed by Force, July-August 1995 -- Chapter V: Forging Peace, September-December 1995 -- Epilogue -- Index
Author: Costas M. Constantinou
Publisher: U of Minnesota Press
ISBN: 9780816626847
Category : Political Science
Languages : en
Pages : 204
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Book Description
What does theory have to do with the concept - let alone the practice - of diplomacy? More than we might think, a Costas M. Constantinou amply demonstrates in this provocative reconsideration of both the concept of diplomacy and the working of theory.
Author: Trita Parsi
Publisher: Yale University Press
ISBN: 0300183771
Category : Political Science
Languages : en
Pages : 336
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Book Description
Have the diplomatic efforts of the Obama administration toward Iran failed? Was the Bush administration's emphasis on military intervention, refusal to negotiate, and pursuit of regime change a better approach? How can the United States best address the ongoing turmoil in Tehran? This book provides a definitive and comprehensive analysis of the Obama administration's early diplomatic outreach to Iran and discusses the best way to move toward more positive relations between the two discordant states. Trita Parsi, a Middle East foreign policy expert with extensive Capitol Hill and United Nations experience, interviewed 70 high-ranking officials from the U.S., Iran, Europe, Israel, Saudi Arabia, Turkey, and Brazil—including the top American and Iranian negotiators—for this book. Parsi uncovers the previously unknown story of American and Iranian negotiations during Obama's early years as president, the calculations behind the two nations' dealings, and the real reasons for their current stalemate. Contrary to prevailing opinion, Parsi contends that diplomacy has not been fully tried. For various reasons, Obama's diplomacy ended up being a single roll of the dice. It had to work either immediately—or not at all. Persistence and perseverance are keys to any negotiation. Neither Iran nor the U.S. had them in 2009.
Author: Roberta Anderson
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990128353
Category : History
Languages : en
Pages : 499
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Book Description
The book series "Diplomatica" of the Don Juan Archiv Wien researches cultural aspects of diplomacy and diplomatic history up to the nineteenth century. This second volume of the series features the proceedings of the Don Juan Archiv's symposium organized in March 2016 in cooperation with the University of Vienna and Stvdivm fÆsvlancm to discuss the topic of gender from a diplomatic-historical perspective, addressing questions of where women and men were positioned in the diplomacy of the early modern world. Gender might not always be the first topic that comes to mind when discussing international relations, but it has a considerable bearing on diplomatic issues. Scholars have not left this field of research unexplored, with a widening corpus of texts discussing modern diplomacy and gender. Women appear regularly in diplomatic contexts. As for the early modern world, ambassadorial positions were monopolized by men, yet women could and did perform diplomatic roles, both officially and unofficially. This is where the main focus of this volume lies. It features sixteen contributions in the following four "acts": Women as Diplomatic Actors, The Diplomacy of Queens, The Birth of the Ambassadress, and Stages for Male Diplomacy. Contributions are by Wolfram Aichinger | Roberta Anderson | Annalisa Biagianti | Osman Nihat Bişgin | John Condren | Camille Desenclos | Ekaterina Domnina | David García Cueto | María Concepción Gutiérrez Redondo | Armando Fabio Ivaldi | Rocío Martínez López | Laura Mesotten | Laura Oliván Santaliestra | Tracey A. Sowerby | Luis Tercero Casado | Pia Wallnig
Author: Michael L. Krenn
Publisher: Bloomsbury Publishing
ISBN: 1472508785
Category : History
Languages : en
Pages : 217
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Book Description
In the wake of 9/11, the United States government rediscovered the value of culture in international relations, sending cultural ambassadors around the world to promote the American way of life. This is the most recent effort to use American culture as a means to convince others that the United States is a land of freedom, equality, opportunity, and scientific and cultural achievements to match its material wealth and military prowess. In The History of United States Cultural Diplomacy Michael Krenn charts the history of the cultural diplomacy efforts from Benjamin Franklin's service as commissioner to France in the 1770s through to the present day. He explores how these efforts were sometimes inspiring, often disastrous, and nearly always controversial attempts to tell the 'truth' about America. This is the first comprehensive study of America's efforts in the field of cultural diplomacy. It reveals a dynamic conflict between those who view U.S. culture as a means to establish meaningful dialogues with the rest of the world and those who consider American art, music, theater as additional propaganda weapons.
