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Author: Maria Pramaggiore
Publisher: SUNY Press
ISBN: 9780791470961
Category : Social Science
Languages : en
Pages : 260
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Book Description
How these two cinemas portray complex and changing notions of national and racial identity.
Author: Piotr Szczypa
Publisher: BRILL
ISBN: 9004467971
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.
Author: Neil Jordan
Publisher: Simon and Schuster
ISBN: 1639364544
Category : Fiction
Languages : en
Pages : 333
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Book Description
From Academy Award-winning film director Neil Jordan comes an artful reimagining of an extraordinary friendship spanning the revolutionary tumult of the eighteenth century. South Carolina, 1781: the American Revolution. An enslaved man escaping to his freedom saves the life of Lord Edward Fitzgerald, a British army officer and the younger son of one of Ireland's grandest families. The tale that unfolds is narrated by Tony Small, the formerly enslaved man who becomes Fitzgerald's companion—and best friend. While details of Lord Edward's life are well documented, little is known of Tony Small, who is at the heart of this moving novel. In this gripping narrative, his character considers the ironies of empire, captivity, and freedom, mapping Lord Edward's journey from being a loyal subject of the British Empire to becoming a leader of the disastrous Irish rebellion of 1798. This powerful new work of fiction brings Neil Jordan's inimitable storytelling ability to the revolutions that shaped the eighteenth century—in America, France, and, finally, in Ireland.
Author: Maria Pramaggiore
Publisher: SUNY Press
ISBN: 9780791470961
Category : Social Science
Languages : en
Pages : 260
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Book Description
How these two cinemas portray complex and changing notions of national and racial identity.
Author: Sharon Block
Publisher: University of Pennsylvania Press
ISBN: 0812250060
Category : Business & Economics
Languages : en
Pages : 232
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Book Description
How did descriptions of individuals' appearance reinforce emergent categories of race? In Colonial Complexions, more than 4000 advertisements for runaway slaves and servants reveal how colonists transformed seemingly observable characteristics into racist reality.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Marisol Morales Ladrón
Publisher: Netbiblo
ISBN: 9780972989268
Category : English literature
Languages : en
Pages : 276
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Book Description
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
Author: Hazel V. Carby
Publisher: Verso Books
ISBN: 1788735110
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.
Author: Sandra Ponzanesi
Publisher: Routledge
ISBN: 1136592040
Category : Language Arts & Disciplines
Languages : en
Pages : 365
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Book Description
This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology. Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neocolonial histories. Contributors deeply engage the tense asymmetries bequeathed to the contemporary world by the multiple,diverse, and overlapping histories of European, Soviet, U.S., and multi-national imperial ventures. With interdisciplinary expertise, they discover and explore the conceptual temporalities and spatialities of postcoloniality, with an emphasis on the politics of form, the ‘postcolonial aesthetics’ through which filmmakers challenge themselves and their viewers to move beyond national and imperial imaginaries. Contributors include: Jude G. Akudinobi, Kanika Batra, Ruth Ben-Ghiat, Shohini Chaudhuri, Julie F. Codell, Sabine Doran, Hamish Ford, Claudia Hoffmann, Anikó Imre, Priya Jaikumar, Mariam B. Lam, Paulo de Medeiros, Sandra Ponzanesi, Richard Rice, Mireille Rosello and Marguerite Waller.
Author: Jon Cowans
Publisher: JHU Press
ISBN: 1421416425
Category : Political Science
Languages : en
Pages : 448
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Book Description
The first transnational history of cinema’s role in decolonization. Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 1946–1959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe. Examining more than one hundred British, French, and American films from the post–World War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous “liberal colonialist” productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged “internal decolonization” for people of color in Britain, France, and the United States. Combining new archival research on the films’ production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and “internal colonialism” that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinema’s role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.
Author:
Publisher: BRILL
ISBN: 1848880529
Category : Social Science
Languages : en
Pages : 265
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Book Description
This e-book presents the findings of the 2nd global, interdisciplinary conference on Villains and Villainy, which was held at Oriel College, Oxford in September 2010 as part of the research network Inter-Disciplinary.Net.
