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Author:
Publisher: BRILL
ISBN: 900444937X
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
Author:
Publisher: BRILL
ISBN: 900444937X
Category : Literary Criticism
Languages : en
Pages : 442
Get Book Here
Book Description
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520049128
Category : Fiction
Languages : en
Pages : 672
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Book Description
"Technicians of the Sacred presents 'primitive' and ancient poetries as the incantations they are, loaded with power and very full of the magic that invests all good poetry. The treatment is fascinating...the commentaries are a gold mine of responses to the material by a strong poet (the editor), and his selection of analogous writings from a broad range of contemporary poets."—David P. McAllester
Author: Jackson Mac Low
Publisher: Counterpath
ISBN: 1933996293
Category : Poetry
Languages : en
Pages : 328
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Book Description
The first publication of the complete series of Jackson Mac Low’s “Forties” poems. Written and revised from 1990 to 2001 with a method Mac Low called “gathering,” where he took into the poems words, phrases, and other kinds of word strings, and sometimes sentences, that he saw, heard, or thought of while writing the drafts, the poems include detailed markings of caesural spacing, timing, compound words (many neologistic), and metrical stress. Each of the poems adhere to what Mac Low termed “fuzzy verse form”: 8 stanzas, each comprising 5 lines (hence "forties"): 3 moderately long lines, followed by a very long line, and then a short line.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Weidong Geng
Publisher: Springer Science & Business Media
ISBN: 3642048919
Category : Computers
Languages : en
Pages : 368
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Book Description
"The Algorithms and Principles of Non-photorealistic Graphics: Artistic Rendering and Cartoon Animation" provides a conceptual framework for and comprehensive and up-to-date coverage of research on non-photorealistic computer graphics including methodologies, algorithms and software tools dedicated to generating artistic and meaningful images and animations. This book mainly discusses how to create art from a blank canvas, how to convert the source images into pictures with the desired visual effects, how to generate artistic renditions from 3D models, how to synthesize expressive pictures from textual, graphical and pictorial data, and how to speed up the production of cartoon animation sequences with temporal coherence. It is intended for researchers and graduate students in the fields of computer graphics, digital media arts, and cartoon animation. Dr. Weidong Geng is a professor at the Department of Digital Media Technology and State Key Laboratory of Computer Aided Design and Computer Graphics, Zhejiang University, China.
Author: James K. A. Smith
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802861849
Category : Religion
Languages : en
Pages : 182
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Book Description
The past several decades have seen a renaissance in Christian philosophy, led by the work of Alvin Plantinga, Nicholas Wolterstorff, William Alston, Eleonore Stump, and others. In the spirit of Plantinga s famous manifesto, Advice to Christian Philosophers, James K. A. Smith here offers not only advice to Pentecostal philosophers but also some Pentecostal advice to Christian philosophers. In this inaugural Pentecostal Manifestos volume Smith begins from the conviction that implicit in Pentecostal and charismatic spirituality is a tacit worldview or social imaginary. Thinking in Tongues unpacks and articulates the key elements of this Pentecostal worldview and then explores their implications for philosophical reflection on ontology, epistemology, aesthetics, language, science, and philosophy of religion. In each case, Smith demonstrates how the implicit wisdom of Pentecostal spirituality makes unique contributions to current conversations in Christian philosophy.
Author: Philadelpho Menezes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Author: Charles Bernstein
Publisher: Harvard University Press
ISBN: 9780674678576
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
In a wild variety of topics, polemic, and styles, Bernstein surveys the poetry scene and addresses hot issues of poststructuralist literary theory. What role should poetics play in contemporary culture? Bernstein finds the answer in dissent, in both argument and form--a poetic language that resists being absorbed into the conventions of our culture.
Author: Crag Hill
Publisher: Fantagraphics Books
ISBN: 1606996266
Category : Comics & Graphic Novels
Languages : en
Pages : 337
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Book Description
This book collects experimental “visual poetry.” With The Last Vispo Anthology, Fantagraphics spotlights the intersection of art and language in this innovative new collection ― without peer in English ― that gathers the work of visual poets from around the world into one stunning volume. The alphabet is turned on its head and inside-out and the results culminate in a compilation of daring and surprising verbo-visual gems. The Last Vispo is composed of visual poetry (a portmanteau of the words “visual” and “poetry) from the years 1998 to 2008, during a burst of creative activity fueled by file sharing and e-mail, which made it possible for the vispo community to establish a more heightened and sophisticated dialogue with one another. The collection extends the dialectic between art and literature that began with ancient “shaped text,” medieval pattern poetry, and dada typography, pushing past the concrete poetics of the 1950s and the subsequent mail art movement of the 1980s to its current incarnation. Rather than settle into predictable, unchallenged patterns, this vibrant poetry seizes new tools to expand the body of work that inhabits the borderlands of visual art and poetic language. The Last Vispo features 148 contributors from 23 countries on five continents. It includes 12 essays that illuminate the abundant history and the state of vispo today. The anthology offers a broad amalgam of long-time practitioners and poets new to visual poetry over the last decade, underscoring the longevity and the continued vitality of the art form.
Author: Anne Tardos
Publisher: O Books
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 106
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Book Description
Poetry. Art. Anne Tardos's UXUDO combines extreme sophistication with great warmth. By using the ligusitic, the filmic, the nonlinear, her surface becomes dimensional, what I want to call an acute net, in the sense of crossings. Time and mourning support from the outside. This is exciting and tremendously moving -- Me-mei Berssenbrugge. UXUDO, a gift from technology, illuminsted manuscript. Illuminated not as in illustrated, but luminous (ital), interactive in a sense that Blake would have understood. Or Zukovsky : that language is eyes. Ears, echoes. That, in fact, language itself, in our time certainly, must always be plural: a system of difference, midrashim to an Ur-text that never existed but perpetually surrounds us. Place exists, but entirely as displacement. These marvelous works reveal our time with remarkable precision, generosity and wit. Anne Tardo see (ital), hears, writes, acts (itla), with a clarity that is breathtaking Ron Silliman.
