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Author: Marcos de Menezes
Publisher:
ISBN: 9781521118887
Category :
Languages : en
Pages : 139
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Book Description
A Symphony with stylistic references from Beethoven, Schubert and Bruckner. Called "A Symphony of Resistance" because it is a work of aesthetic resistance to the dogma of the emancipation of the dissonance, launched by Arnold Schoenberg.
Author: Marcos de Menezes
Publisher:
ISBN: 9781521118887
Category :
Languages : en
Pages : 139
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Book Description
A Symphony with stylistic references from Beethoven, Schubert and Bruckner. Called "A Symphony of Resistance" because it is a work of aesthetic resistance to the dogma of the emancipation of the dissonance, launched by Arnold Schoenberg.
Author: Sonia Pauline Beker
Publisher:
ISBN: 9780974885759
Category : Holocaust, Jewish (1939-1945)
Languages : en
Pages : 219
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Book Description
Author: Jeffrey Langford
Publisher: Routledge
ISBN: 1351125222
Category : Music
Languages : en
Pages : 326
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Book Description
A History of the Symphony: The Grand Genre identifies the underlying cultural factors that have shaped the symphony over the past three hundred years, presenting a unified view of the entire history of the genre. The text goes beyond discussions of individual composers and the stylistic evolution of the genre to address what constitutes a symphony within each historical period, describing how such works fit into the lives of composers and audiences of the time, recognizing that they do not exist in a vacuum but rather as the products of numerous external forces spurring their creation. In three parts, the text proceeds chronologically, drawing connections between musical examples across regions and eras: The Classical Symphony The Romantic Symphony The Symphony in the Modern Era Within this broad chronology—from the earliest Italian symphonies of the 18th century to the most experimental works of the 20th century—discussion of the development of the genre often breaks down along national lines that outline divergent but parallel paths of stylistic growth. In consideration of what is and is not a symphony, musical developments in other genres are presented as they relate to the symphony, genres such as the serenade, the tone poem, and the concert overture. Suitable for a one-semester course as well as a full-year syllabus, and with illustrative musical examples throughout, A History of the Symphony places composers and works in sociological and musical contexts while confronting the fundamental question: What is a symphony?
Author: Andrew Flory
Publisher: University of Michigan Press
ISBN: 0472036866
Category : Music
Languages : en
Pages : 345
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Book Description
Investigates how the music of Motown Records functioned as the center of the company's creative and economic impact worldwide
Author: Abdellatif Laâbi
Publisher:
ISBN: 9781962082167
Category : Poetry
Languages : en
Pages : 0
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Book Description
Abdellatif Laâbi is an internationally renowned poet and activist famous for his support of Arab liberation and unity. He has received numerous prestigious accolades, and his work has been translated into Arabic, Spanish, German, Italian, Dutch, Turkish, and English. His poetry has been central to post-colonial Moroccan literature and important to the development of Arabic literature generally. In the 1970s Laâbi served an eight-year prison sentence in Morocco for "crimes of opinion" against the Moroccan state after he helped found Souffles-Anfas (Breaths), a central journal in the growing movement of post-colonial Arab literature during the 1960s. Since the 1980s Laâbi has lived in France in forced exile. Laâbi's poems in The Symphony of Resistance address themes of human rights, the history of oppression in colonized countries, globalization, freedom, love, the Arab world after liberation, and the role of the poet. Given events pertaining to and resulting from the Arab Spring, this collection will appeal to readers interested in contemporary poetry, both in academia (students and scholars of North African literature, Middle East Studies, Francophone Studies, etc.) and beyond. The timely questions also have special resonance in the current American context, especially as concerns diversity and social justice.
Author: Michael Custodis
Publisher:
ISBN: 9783830942894
Category :
Languages : en
Pages : 440
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Book Description
Author: Eero Tarasti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 150150116X
Category : Language Arts & Disciplines
Languages : en
Pages : 777
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Book Description
Existential semiotics is a new paradigm in the studies of signs, signification and communication. This book develops its theory further starting from the continental philosophy (Kant, Hegel, Jaspers, Heidegger, Arendt, Sartre) on one hand, yet remaining also faithful to the tradition of the European semiotics, particularly the Paris school. From the notions of being, doing and appearing the study applies them to crucial social problems of the contemporary world, and moreover to various so-called 'lesser arts' like performance and gastronomy. It also introduces some precursors of the approach. The book represents what can be called neosemiotics, the search for new theories and fields of the discipline.
Author: Jim Samson
Publisher: BRILL
ISBN: 9004250387
Category : Music
Languages : en
Pages : 749
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Book Description
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Author: Lily E. Hirsch
Publisher: University of Michigan Press
ISBN: 0472025406
Category : History
Languages : en
Pages : 258
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Book Description
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
Author: John Mauceri
Publisher: Yale University Press
ISBN: 0300233701
Category : History
Languages : en
Pages : 249
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Book Description
A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century"[Mauceri's] writing is more exhilarating than any helicopter ride we have been on."--Air Mail "Fluently written and often cogent."--Barton Swaim, Wall Street Journal This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music--what he calls "the institutional avant-garde"--as the lingua franca of classical music in the West during the Cold War.
