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Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 544
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Book Description
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 544
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Book Description
Author: Don Diego Ramirez
Publisher:
ISBN: 9781449551490
Category : Cinematography
Languages : en
Pages : 102
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Book Description
Now in CHEAPER Black / White! You can still Join the Super 8 Renaissance! This RARE guide to Super 8mm filmmaking was recently REVISED in the summer 2010. A SUPER 8 FILMMAKER'S JOURNAL was compliled by critically acclaimed, award winning Super 8 Filmmaker, Don Diego Ramirez. A Super 8 Filmmaker's Journal offers the most comprehensive guide to Super 8 in the digital age AVAILABLE in print!.
Author: Joel Schlemowitz
Publisher: Routledge
ISBN: 0429997035
Category : Art
Languages : en
Pages : 264
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Book Description
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.
Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 1042
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Book Description
Author: Lenny Lipton
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 332
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Book Description
Author: Arnd Schneider
Publisher: Taylor & Francis
ISBN: 085785822X
Category : Social Science
Languages : en
Pages : 222
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Book Description
Experimental Film and Anthropology urges a new dialogue between two seemingly separate fields. The book explores the practical and theoretical challenges arising from experimental film for anthropology, and vice versa, through a number of contact zones: trance, emotions and the senses, materiality and time, non-narrative content and montage. Experimental film and cinema are understood in this book as broad, inclusive categories covering many technical formats and historical traditions, to investigate the potential for new common practices. An international range of renowned anthropologists, film scholars and experimental film-makers engage in vibrant discussion and offer important new insights for all students and scholars involved in producing their own films. This is indispensable reading for students and scholars in a range of disciplines including anthropology, visual anthropology, visual culture and film and media studies.
Author: Society of Motion Picture and Television Engineers
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 724
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Book Description
Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 0520058011
Category : Experimental films
Languages : en
Pages : 421
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Book Description
It is widely understood that writing can discuss writing, but we rarely consider that film can be used as a means of analyzing conventions of the commercial film industry, or of theorizing about cinema in general. Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies. Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. Critical Cinema will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher
Author: Diane Charleson
Publisher: Springer Nature
ISBN: 3030246353
Category : Social Science
Languages : en
Pages : 154
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Book Description
This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to ”revision” memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing.
Author: Masha Salazkina
Publisher: Indiana University Press
ISBN: 0253052041
Category : Performing Arts
Languages : en
Pages : 349
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Book Description
For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing inclusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.
