A Study of Sordello PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Study of Sordello PDF full book. Access full book title A Study of Sordello by Tamotsu Sone. Download full books in PDF and EPUB format.
Author: Tamotsu Sone
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Get Book Here
Book Description
Author: Tamotsu Sone
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Get Book Here
Book Description
Author: Robert Browning
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Get Book Here
Book Description
Author: David Duff
Publisher: Read Books Ltd
ISBN: 1473382998
Category : Literary Criticism
Languages : en
Pages : 283
Get Book Here
Book Description
Sordello is perhaps the most famous of the Italian troubadours, minstrels who wandered the country singing songs and telling stories of chivalric knights, courtly love and great battles.
Author: Annie Russell Wall
Publisher:
ISBN:
Category : Troubadours
Languages : en
Pages : 162
Get Book Here
Book Description
Author: James Fotheringham
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Get Book Here
Book Description
Author: Edward Berdoe
Publisher: Atlantic Publishers & Distri
ISBN:
Category :
Languages : en
Pages : 612
Get Book Here
Book Description
Author: George Willis Cooke
Publisher: Boston : Houghton, Mifflin
ISBN:
Category : English drama
Languages : en
Pages : 478
Get Book Here
Book Description
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
Get Book Here
Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: Robert A Taylor
Publisher: Medieval Institute Publications
ISBN: 1580442080
Category : Literary Criticism
Languages : en
Pages : 594
Get Book Here
Book Description
Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related topics such as practical approaches to the language of the troubadours and the musicology of select troubadour songs, as well as articles situated within sociology, religious history, critical methodology, and psychoanalytical analysis. Each listing offers descriptive comments on the scholarly contribution of each source to Occitan literature, with remarks on striking or controversial content, and numerous cross-references that identify complementary studies and differing opinions. Taylor's painstaking attention to detail and broad knowledge of the field ensure that this guide will become the essential source for Occitan literary studies worldwide.
Author: Herbert F. Tucker Jr.
Publisher: U of Minnesota Press
ISBN: 081665882X
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Browning's Beginnings was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Browning's Beginnings offers a fresh approach to the poet who, among major Victorians, has proved at once the most congenial and most inscrutable to modern readers. Drawing on recent developments in literary theory and in the criticism of romantic poetry, Herbert F. Tucker, Jr., argues that Browning's stylistic "obscurity" is the result of a principled poetics of evasion. This art of disclosure, in deferring formal and semantic finalities, constitutes an aesthetic counterpart to his open-ended moral philosophy of"incompleteness," Browning's poems, like his enormously productive career, find their motivation and sustenance in his optimistic love of the future—a love that is indistinguishable from his lifelong fear that there will be nothing left to say. The opening chapters trace the workings of Browning's art of disclosure with extensive and original interpretations of the unduly neglected early poems, Pauline, Paracelsus, and Sordello, and place special emphasis on Browning's attitudes toward poetic tradition and language. A chapter on Browning's attitudes toward poetic tradition and language. A chapter on Browning's plays identifies dynamics of representation in Pippa Passes, Strafford,and King Victor and King Charles. Tucker discusses the pervasive analogy between Browning's ideas about poetic representation and about representation in its erotic and religious aspects, and shows how the early poems and plays illustrate correlative developments in poetics and in the exploration and dramatic rendering of human psychology. The remaining chapters follow the poetic psychology of Browning to its culmination in the great poems of his middle years; exemplary readings of selected dramatic lyrics and monologues suggest that the ways of meaning in Browning's mature work variously bear out the sense of endlessness or perpetual initiation that is central to his poetic beginnings. Tucker thus contends that the "romantic" and the "Victorian" Browning have more in common than is generally supposed, and his book should appeal to students of both periods. Its discussion of general literary issues - poetic influence, closure, representation, and meaning - in application to particular texts should further recommend Browning's Beginnings to the nonspecialist reader interested in poetry and poetic theory.
