A Study Guide for "Who's Afraid of Virginia Woolf?" (lit-to-film)

A Study Guide for Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410392732
Category : Literary Criticism
Languages : en
Pages : 23

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Book Description
A Study Guide for "Who's Afraid of Virginia Woolf?" (lit-to-film), excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.

Buried Child

Buried Child PDF Author: Sam Shepard
Publisher: Dramatists Play Service Inc
ISBN: 9780822215110
Category : Drama
Languages : en
Pages : 86

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Book Description
Contains the script for the 1977 play "Buried Child" in which a family is haunted by the knowledge that their grandfather killed and buried his wife's illegitimate child years earlier.

The Zoo Story and Other Plays

The Zoo Story and Other Plays PDF Author: Edward Albee
Publisher:
ISBN: 9780140251135
Category : American drama
Languages : en
Pages : 125

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Book Description
This volume of plays contains Edward Albee's four most famous one-act works. They are Death of Bessie Smith, Zoo Story, American Dream, and Sand Box.

August

August PDF Author: Tracy Letts
Publisher: ReadHowYouWant.com
ISBN: 1458781410
Category : Drama
Languages : en
Pages : 258

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Book Description
One of the most bracing and critically acclaimed plays in recent Broadway history, August; Osage County a portrait of the dysfunctional American family at its finest - and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed.

Edward Albee's Who's Afraid of Virginia Woolf?

Edward Albee's Who's Afraid of Virginia Woolf? PDF Author: Michael Y. Bennett
Publisher: Routledge
ISBN: 1351599526
Category : Drama
Languages : en
Pages : 62

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Book Description
Edward Albee’s Who’s Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object—the nonexistent "son"—that upends the audience’s sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new." As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O’Neill, Wilder, Miller, Williams, and Albee.

Modern British Drama on Screen

Modern British Drama on Screen PDF Author: R. Barton Palmer
Publisher: Cambridge University Press
ISBN: 1107001013
Category : Drama
Languages : en
Pages : 307

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Book Description
The first comprehensive study of British and American films adapted from modern British plays.

Three Tall Women

Three Tall Women PDF Author: Edward Albee
Publisher: Penguin
ISBN: 0452274001
Category : Drama
Languages : en
Pages : 129

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Book Description
WINNER OF THE PULITZER PRIZE FOR DRAMA Recently revived on Broadway in a production directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony winner Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women, created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius. Separate characters on stage in the first act, yet actually the same “everywoman” at different ages in the second act, these “tall women” lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.

The Cambridge Paperback Guide to Literature in English

The Cambridge Paperback Guide to Literature in English PDF Author: Ian Ousby
Publisher: Cambridge University Press
ISBN: 9780521436274
Category : Literary Criticism
Languages : en
Pages : 452

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Book Description
Derived from the parent Guide to Literature in English, this volume offers in concise form over 4,000 entries on literature in English from cultures throughout the world. Writers and major works from the UK and the USA are represented, as are those from Canada, the Caribbean, Australia, India, and Africa. The coverage is broad - from the classics of English literature to the best of modern writing. Additionally, the Guide has a wealth of entries on literary movements, groups or schools in literature and criticism, literary magazines, genres and sub-genres, critical concepts, and rhetorical terms.

You Can't Take it with You

You Can't Take it with You PDF Author: Moss Hart
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822212874
Category : Drama
Languages : en
Pages : 100

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Book Description
Alice Sycamore, a young woman from a happy, but very eccentric family, has second thoughts about her relationship with her wealthy boss's son, Tony, after a meeting between the two families goes terribly wrong.

Mike Nichols

Mike Nichols PDF Author: Mark Harris
Publisher: Penguin
ISBN: 0399562249
Category : Biography & Autobiography
Languages : en
Pages : 720

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Book Description
A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.