Author: Stanley Burnshaw
Publisher: University of Georgia Press
ISBN: 0820337749
Category : Literary Collections
Languages : en
Pages : 306
Book Description
A Stanley Burnshaw Reader brings together selections from the major works of poetry and prose that have distinguished Burnshaw as one of the most important voices in twentieth-century letters. Included are essays from Burnshaw's two pioneering critical works: The Seamless Web, praised by the New York Times Book Review as “a defense of poetry that removes it from the realm of man's spiritual luxuries and places it preeminently among his instruments of survival”, and The Poem Itself, a book that deals with forty-five poets of the last century in an entirely novel way which, as Lionel Trilling observed, “allows the Englishspeaking reader an unprecedented intimacy with poems in the original tongues.” Along with a generous excerpt from Robert Frost Himself, this volume offers a representative selection of Burnshaw's poetry and his translations of other poets' work. A Stanley Burnshaw Reader affords those unfamiliar with Burnshaw an ideal introduction to his work. At the same time, readers who know his writings will discover new insights into his long and distinguished career.
A Stanley Burnshaw Reader
Author: Stanley Burnshaw
Publisher: University of Georgia Press
ISBN: 0820337749
Category : Literary Collections
Languages : en
Pages : 306
Book Description
A Stanley Burnshaw Reader brings together selections from the major works of poetry and prose that have distinguished Burnshaw as one of the most important voices in twentieth-century letters. Included are essays from Burnshaw's two pioneering critical works: The Seamless Web, praised by the New York Times Book Review as “a defense of poetry that removes it from the realm of man's spiritual luxuries and places it preeminently among his instruments of survival”, and The Poem Itself, a book that deals with forty-five poets of the last century in an entirely novel way which, as Lionel Trilling observed, “allows the Englishspeaking reader an unprecedented intimacy with poems in the original tongues.” Along with a generous excerpt from Robert Frost Himself, this volume offers a representative selection of Burnshaw's poetry and his translations of other poets' work. A Stanley Burnshaw Reader affords those unfamiliar with Burnshaw an ideal introduction to his work. At the same time, readers who know his writings will discover new insights into his long and distinguished career.
Publisher: University of Georgia Press
ISBN: 0820337749
Category : Literary Collections
Languages : en
Pages : 306
Book Description
A Stanley Burnshaw Reader brings together selections from the major works of poetry and prose that have distinguished Burnshaw as one of the most important voices in twentieth-century letters. Included are essays from Burnshaw's two pioneering critical works: The Seamless Web, praised by the New York Times Book Review as “a defense of poetry that removes it from the realm of man's spiritual luxuries and places it preeminently among his instruments of survival”, and The Poem Itself, a book that deals with forty-five poets of the last century in an entirely novel way which, as Lionel Trilling observed, “allows the Englishspeaking reader an unprecedented intimacy with poems in the original tongues.” Along with a generous excerpt from Robert Frost Himself, this volume offers a representative selection of Burnshaw's poetry and his translations of other poets' work. A Stanley Burnshaw Reader affords those unfamiliar with Burnshaw an ideal introduction to his work. At the same time, readers who know his writings will discover new insights into his long and distinguished career.
The Seamless Web
Author: Stanley Burnshaw
Publisher: George Braziller
ISBN:
Category : Fiction
Languages : en
Pages : 352
Book Description
Publisher: George Braziller
ISBN:
Category : Fiction
Languages : en
Pages : 352
Book Description
The Modern Hebrew Poem Itself
Author: Stanley Burnshaw
Publisher: Wayne State University Press
ISBN: 9780814324851
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. In this new and expanded edition of a classic volume first printed in 1965, The Modern Hebrew Poem Itself adds the dynamic voices of a new generation of Hebrew poets. Each poem appears in both its original Hebrew and an English phonetic transcription, along with extensive commentary and a literal English translation. This offers readers who know little or no Hebrew a way to experience the poem in a multi-faceted way--they are able to speak and hear the lines as well as grasp the poem's meaning. Recognizing that poems have a unique order that may be missed by a reader who doesn't speak the poet's language, the editors provide the reader with an understanding of not only what the poet is saying, but how the idea is communicated. Also included in the volume is a valuable introduction to and historical overview of Hebrew poetry from 1880-1990. The Modern Hebrew Poem Itself is a must-have for lovers of poetry and Jewish literature.
Publisher: Wayne State University Press
ISBN: 9780814324851
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. In this new and expanded edition of a classic volume first printed in 1965, The Modern Hebrew Poem Itself adds the dynamic voices of a new generation of Hebrew poets. Each poem appears in both its original Hebrew and an English phonetic transcription, along with extensive commentary and a literal English translation. This offers readers who know little or no Hebrew a way to experience the poem in a multi-faceted way--they are able to speak and hear the lines as well as grasp the poem's meaning. Recognizing that poems have a unique order that may be missed by a reader who doesn't speak the poet's language, the editors provide the reader with an understanding of not only what the poet is saying, but how the idea is communicated. Also included in the volume is a valuable introduction to and historical overview of Hebrew poetry from 1880-1990. The Modern Hebrew Poem Itself is a must-have for lovers of poetry and Jewish literature.
The Poem Itself
Author: Stanley Burnshaw
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 362
Book Description
A Stanley Burnshaw Reader
Author: Stanley Burnshaw
Publisher:
ISBN: 9780820311951
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Publisher:
ISBN: 9780820311951
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
The Poem Itself
Author: Stanley Burnshaw
Publisher: University of Arkansas Press
ISBN: 9781610753081
Category : Poetry
Languages : en
Pages : 390
Book Description
Available again for a new generation, this classic work contains over 150 of the greatest modern French, Spanish, German, Italian, Portuguese, and Russian poems presented in the original languages and brilliantly illuminated by English commentaries.
Publisher: University of Arkansas Press
ISBN: 9781610753081
Category : Poetry
Languages : en
Pages : 390
Book Description
Available again for a new generation, this classic work contains over 150 of the greatest modern French, Spanish, German, Italian, Portuguese, and Russian poems presented in the original languages and brilliantly illuminated by English commentaries.
The Collected Poems and Selected Prose
Author: Stanley Burnshaw
Publisher: University of Texas Press
ISBN: 0292783450
Category : Literary Collections
Languages : en
Pages : 512
Book Description
Stanley Burnshaw began to publish poems in the 1920s and founded his own verse journal in 1925. After serving as coeditor and drama critic of the New Masses weekly (1934-1936), he entered book publishing, directing the Dryden Press until 1958, when he joined Henry Holt. The first of his nineteen earlier works, André Spire and His Poetry, appeared in 1934 and the last in 1990, A Stanley Burnshaw Reader, with an introduction by Denis Donoghue. The present volume—the definitive Burnshaw collection—offers all the poems he wishes to preserve and a full representation of his prose, including My Friend, My Father in its entirety. The Collected Poems and Selected Prose is vital reading for anyone wishing to be fully acquainted with the man whom Karl Shapiro called "one of the best-respected men of letters of our time."
Publisher: University of Texas Press
ISBN: 0292783450
Category : Literary Collections
Languages : en
Pages : 512
Book Description
Stanley Burnshaw began to publish poems in the 1920s and founded his own verse journal in 1925. After serving as coeditor and drama critic of the New Masses weekly (1934-1936), he entered book publishing, directing the Dryden Press until 1958, when he joined Henry Holt. The first of his nineteen earlier works, André Spire and His Poetry, appeared in 1934 and the last in 1990, A Stanley Burnshaw Reader, with an introduction by Denis Donoghue. The present volume—the definitive Burnshaw collection—offers all the poems he wishes to preserve and a full representation of his prose, including My Friend, My Father in its entirety. The Collected Poems and Selected Prose is vital reading for anyone wishing to be fully acquainted with the man whom Karl Shapiro called "one of the best-respected men of letters of our time."
Exiles from a Future Time
Author: Alan M. Wald
Publisher: UNC Press Books
ISBN: 1469608677
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.
Publisher: UNC Press Books
ISBN: 1469608677
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.
A Lillian Smith Reader
Author: Lillian Eugenia Smith
Publisher: University of Georgia Press
ISBN: 0820349984
Category : Literary Collections
Languages : en
Pages : 345
Book Description
Bringing together short stories, lectures, essays, op-ed pieces, interviews, andexcerpts from her longer fiction and nonfiction, A Lillian Smith Reader offers thefirst comprehensive collection of her work.
Publisher: University of Georgia Press
ISBN: 0820349984
Category : Literary Collections
Languages : en
Pages : 345
Book Description
Bringing together short stories, lectures, essays, op-ed pieces, interviews, andexcerpts from her longer fiction and nonfiction, A Lillian Smith Reader offers thefirst comprehensive collection of her work.
A DuBose Heyward Reader
Author: DuBose Heyward
Publisher: University of Georgia Press
ISBN: 9780820324685
Category : Literary Collections
Languages : en
Pages : 348
Book Description
DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson's introduction relates aspects of Heyward's life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward's poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward's fiction includes the stories "The Brute" and The Half Pint Flask and excerpts from the novels Porgy, Mamba's Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses.
Publisher: University of Georgia Press
ISBN: 9780820324685
Category : Literary Collections
Languages : en
Pages : 348
Book Description
DuBose Heyward (1885-1940) was a central figure in both the Charleston and the Southern Renaissance. His influence extended to the Harlem Renaissance as well. However, Heyward is often remembered simply as the author of Porgy, the 1925 novel about the poorest black residents of Charleston, South Carolina. Porgy--the novel and its stage versions--has probably done more to shape views worldwide of African American life in the South than any twentieth-century work besides Gone with the Wind. This volume acquaints readers with writings by Heyward that have been overshadowed by Porgy, and it also plumbs the complex sensibilities of the man behind that popular and enduring creation. James M. Hutchisson's introduction relates aspects of Heyward's life to his creative growth and his gradual shift from staunch social conservatism to a liberal (though never revolutionary) advocacy of black rights. The reader collects ten essays by Heyward on topics ranging from an aesthetics of African American art to the history of Charleston. Heyward's poetry is represented by eighteen pieces from the collections Carolina Chansons, Skylines and Horizons, and Jasbo Brown and Selected Poems. Also included are three song lyrics Heyward wrote for the opera Porgy and Bess. The sampling of Heyward's fiction includes the stories "The Brute" and The Half Pint Flask and excerpts from the novels Porgy, Mamba's Daughters, and Peter Ashley. Here is an ideal introduction to a figure whose inner conflicts were closely tied to those of his beloved South: struggles between privilege and poverty, black and white, and art for the few versus art for the masses.