A Selected List of Books on Music and Musicians in the Troy Public Library, 1928 PDF Download
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Author: Troy Public Library (N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 36
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Book Description
Author: Troy Public Library (N.Y.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 36
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Book Description
Author: Los Angeles County Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1364
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Book Description
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 866
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 840
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Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 852
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Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1080
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 590
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Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1552
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Book Description
Vols. 1897-1916 published in 1920, which included obituaries of those who died up to Sept. 15, 1915, was reissued in 1929 with title-page 1897-1915 and included addenda giving details of additional death 1897 to the end of 1915 which had no previously come to the attention of the editor.
Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822351633
Category : Music
Languages : en
Pages : 391
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Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
