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Author: George Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: George Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author:
Publisher:
ISBN:
Category : Folk songs, Scots
Languages : en
Pages : 136
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Book Description
Author: Clayton Carlyle Tarr
Publisher: Univ of South Carolina Press
ISBN: 9781570038297
Category : Language Arts & Disciplines
Languages : en
Pages : 498
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Book Description
"The G. Ross Roy Collection of Robert Burns includes fourteen color and fifty-eight black-and-white illustrations as well as an introduction by G. Ross Roy on the history of the collection. In text and images, the catalogue documents a monumental research collection that serves as an open invitation for further investigations into the life, works, and legacy of Scotland's bard."--BOOK JACKET.
Author: John Glen
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 308
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Book Description
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 604
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Book Description
Author: Una Hunt
Publisher: Taylor & Francis
ISBN: 131544299X
Category : Art
Languages : en
Pages : 217
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Book Description
Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources.
Author: Robert Burns
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 360
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Book Description
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351544535
Category : Music
Languages : en
Pages : 453
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Book Description
How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 386
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Book Description
Author: John Neubauer
Publisher: BRILL
ISBN: 9004343369
Category : History
Languages : en
Pages : 304
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Book Description
This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.
