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Author: Rose N. Rubin
Publisher: Courier Corporation
ISBN: 0486261182
Category : Music
Languages : en
Pages : 113
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Book Description
Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.
Author: Rose N. Rubin
Publisher: Courier Corporation
ISBN: 0486261182
Category : Music
Languages : en
Pages : 113
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Book Description
Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.
Author: Richard D. Sylvester
Publisher: Indiana University Press
ISBN: 0253012597
Category : Music
Languages : en
Pages : 328
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Book Description
Sergei Rachmaninoff—the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries—wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these "romances" primarily as performances and painstakingly annotated the scores, this volume will be especially valuable for students, scholars, and practitioners of voice and piano.
Author: Alfred Julius Swan
Publisher:
ISBN:
Category : Composers, Russian
Languages : en
Pages : 260
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Book Description
Author: David MacFadyen
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773524415
Category : Art
Languages : en
Pages : 388
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Book Description
During this period estrada - which includes comedy, literary readings, and circus arts as well as popular song - saw the birth of tangos, foxtrots, waltzes, and big bands. MacFadyen shows how a nomadic art form survived the pressures of business before the 1917 Revolution and those of politics afterwards.
Author: BIBS EKKEL
Publisher: Mel Bay Publications
ISBN: 1609742613
Category : Music
Languages : en
Pages : 96
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Book Description
Presented here is a rare collection of some of the best Gypsy folk songs popular among the Romanies of Russia and Eastern Europe. All offered in the original Romany tribal dialect, as appropriate to each song, with easy-to-follow pronunciation guide specially formulated for the native English speaker and literal (word-for-word) English translation. the appended short historical and linguistic overview offers a rare insight into the history, traditions, language as well as the music and songs of this unique and mysterious people. Great addition to any pianist's collection!
Author: Ivan Renatovich
Publisher: Xlibris Corporation
ISBN: 9781469126005
Category : Music
Languages : en
Pages : 102
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Book Description
60 (SIXTY) SINGING TRANSLATIONS OF RUSSIAN SONGS IN ENGLISH Just as subtitles (in English) help audiences to understand foreign motion pictures, so do these singing translations help English speaking listeners understand Russian songs that are in this publication. CONTENTS OF THE BOOK Preface Introduction Dedications and Thanks 01 Do Not Scold Me So My Dearest 02 Midst Ball's Noisy Clamour 03 Will I Forget? 04 Oh, Keep Mum 05 To Love You And Embrace 06 Don't You Ask Me 07 Lips Pout 08 Two Farewells 09 Serenade 10 If I Meet You Somewhere 11 Reminder 12 For You Alone 13 Portrait 14 Forgive! Don't Dwell On Days Of Downfall 15 What For Is Love? (Why Love, Why Suffer?) 16 Morning 17 Rendezvous: When Stars Pour Out Sparkling 18 All Alone I Set Out on the Highway 19 No City Sounds Are Heard 20 In Silent, Secret, Night's Calm 21 No, Only One Who Knew 22 As Then, Again I'm Alone 23 Songs And Dances of Death 1 Lullaby 24 Songs And Dances of Death 2 Serenade 25 Songs And Dances of Death 3 Trepak (Russian Folk Dance) 26 Songs And Dances of Death 4 Fieldmarshal 27 The (Young) Pedlar's Song Or Korobushka 28 Elegy: When You, My Heart 29 No, It's Not You I Fervently Adore 30 Night Is Bright 31 O, If I Could Only In Words, Dear 32 Coachman's Song 33 Misty Morning 34 But Nonetheless I Love You Still 35 Troika's Dashing, Troika's Flying 36 In That Fateful Hour 37 I Loved You So 38 Burn Bright, Burn Bright My Star, My Star 39 Why, Oh Why? 40 Twelve Robbers 41 Here Now A Dashing Troika Flies By 42 Song Of The Viking Guest 43 Song Of The Indian Guest 44 Songs Of The Venetian Guest 45 Volkhova's Lullaby 46 Nursery 5 At Bedtime 47 Sunless 1 Within Four Walls 48 Sunless 2 You Didn't Recognise Me 49 Drive, Cabbie 50 Chrysanthemums 51 Just Go Just Go Away! 52 Dear Little Street 53 You Had Watered Your Steed 54 Not Regretting, Calling Back, Or Crying 55 Omens (I Went To You ) 56 Don't Go Away 57 Stern Old Spouse (Gypsie Girl's Song) 58 Night Is Still 59 It's So Good Here 60 I'll Forget All, I'll Foresake All (for female voice) 60 I'll Forget All, I'll Foresake All (for male voice) Discography The aim of this work is to help English speakers discover the richness, beauty and pathos of Russian song through the singing of this " English Echo of Russian Songs". This songbook may also be used in an educational and musical context, as it allows discovery, or rediscovery in some cases, of the Russian language. It is intended that these translations be sung (karaoke style) while playing and listening to the recording of the Russian song and at the same time singing the translated English words from this songbook. Listening to Russian words while singing the English words is the educational interaction referred to in the paragraph above. For teachers and students of both Russian and English languages, singing a Russian song in Russian and straight after in English would help to compare and contrast that song during discussion. A public performance of the same song sung in both Russian and English would help to preserve its original Russian sentiment and also interpret the song. These singing translations are just as essential to audiences, as the English subtitles in Russian motion pictures are to cinema goers. Ivan Renatovich
Author: Stephen Brain
Publisher: Russian and East European Stud
ISBN: 9780822961659
Category : History
Languages : en
Pages : 0
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Book Description
After their rise to power, the Bolsheviks turned their backs on this tradition and adopted German methods, then considered the most advanced in the world, for clear-cutting and replanting of marketable tree types in "artificial forests." Later, when Stalin's Five Year Plan required vast amounts of timber for industrialization, forest radicals proposed "flying management," an exaggerated version of German forestry where large tracts of virgin forest would be clear-cut. Opponents who still upheld Morozov's vision favored a conservative regenerating approach, and ultimately triumphed by establishing the world's largest forest preserve. Another radical turn came with the Great Stalin Plan for the Transformation of Nature, implemented in 1948. Narrow "belts" of new forest planted on the vast Russian steppe would block drying winds, provide cool temperatures, trap moisture, and increase crop production.
Author: Kurt Schindler
Publisher:
ISBN:
Category : Russia
Languages : en
Pages : 140
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Book Description
Author: Vadim Prokhorov
Publisher: Scarecrow Press
ISBN: 1461701821
Category : Music
Languages : en
Pages : 180
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Book Description
"Russian folk songs are a living history of the Russian people, rich, vivid and truthful, revealing their entire life," wrote the great Russian writer Nikolai Gogol. Russian folk songs have always played an essential part in Russian life, culture, and music. They have played an important part in the work of many great Russian composers including Glinka, Rimsky-Korsakov, Borodin, Tchaikovsky, Prokoviev, and Stravinsky. In this new study, Vadim Prokhorov provides a historical survey and a description of the musical and poetic characteristics of Russian folk song. The songs themselves are classified into several categories: calendar songs, lyric songs, work songs, epic songs, historical songs, and the urban songs that emerged in the 18th and 19th centuries. Prokhorov provides a basis for understanding the ethnomusicological principles of Russian folk song. In addition to his discussion of the various categories, he includes a generous selection of songs arranged for voice and piano, together with texts and translations of the song texts. Anyone interested in this rich repertory of folk song, whether as teacher, singer, or music lover, will find this a rewarding collection.
Author: William Jay Risch
Publisher: Lexington Books
ISBN: 0739178237
Category : History
Languages : en
Pages : 320
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Book Description
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.
