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Author: John Gustavus Lemaistre
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 348
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Book Description
Author: John Gustavus Lemaistre
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 348
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Book Description
Author: H. Hahn
Publisher: Springer
ISBN: 0230101933
Category : History
Languages : en
Pages : 293
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Book Description
Integrating the history of Paris with the history of consumption, the press, publicity, advertising and spectacle, this book traces the evolution of the urban core districts of consumption and explores elements of consumer culture such as the print media, publishing, retail techniques, tourism, city marketing, fashion, illustrated posters and Montmartre culture in the nineteenth century. Hahn emphasizes the tension between art and industry and between culture and commerce, a dynamic that significantly marked urban commercial modernity that spread new imaginary about consumption. She argues that Parisian consumer culture arose earlier than generally thought, and explores the intense commercialization Paris underwent.
Author:
Publisher:
ISBN:
Category : British periodicals
Languages : en
Pages : 734
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Book Description
Author: Philip Mansel
Publisher: Yale University Press
ISBN: 9780300106978
Category : History
Languages : en
Pages : 272
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Book Description
Throughout history rulers have used clothes as a form of legitimization and propaganda. While palaces, pictures, and jewels might reflect the choice of a monarch’s predecessors or advisers, clothes reflected the preferences of the monarch himself. Being both personal and visible, the right costume at the right time could transform and define a monarch’s reputation. Many royal leaders have known this, from Louis XIV to Catherine the Great and from Napoleon I to Princess Diana. This intriguing book explores how rulers have sought to control their image through their appearance. Mansel shows how individual styles of dress throw light on the personalities of particular monarchs, on their court system, and on their ambitions. The book looks also at the economics of the costume industry, at patronage, at the etiquette involved in mourning dress, and at the act of dressing itself. Fascinating glimpses into the lives of European monarchs and contemporary potentates reveal the intimate connection between power and the way it is packaged.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Book Description
Author: Michael Lynn
Publisher: Manchester University Press
ISBN: 1526130459
Category : History
Languages : en
Pages : 188
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Book Description
In this book, Michael R. Lynn analyses the popularisation of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularisers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier’s Musée de Monsieur which provided locations for people interested in science. Phenomena such as divining rods, used to find water and ores as well as to solve crimes; and balloons, the most spectacular of all types of popular science, demonstrate how people made use of their new knowledge. Lynn’s study provides a clearer understanding of the role played by science in the Republic of Letters and the participation of the general population in the formation of public opinion on scientific matters.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 994
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 718
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Book Description
Author: Harriet Kramer Linkin
Publisher: Rowman & Littlefield
ISBN: 1611462479
Category : Literary Collections
Languages : en
Pages : 543
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Book Description
This annotated edition provides a revelatory glimpse into the life and mind of Ireland’s premier Romantic-era woman poet, Mary Blachford Tighe (1772-1810), author of Psyche, Verses, and Selena. Although Tighe’s family burned most of her personal papers, 166 letters by and to her survived the flames, and are printed here for the first time. They offer rich insights into her thoughts and feelings about her writing, marriage, friendships, family, anxieties, aspirations, spirituality, politics, travels, and day-to-day activities, with beauty, poignance and wit. The letters written between 1786 and 1801 reveal stunning details about her complex relationship with her voyeuristic husband, about the years she spent in England developing her craft as a writer and acquiring her reputation as a much-admired beauty, and about the lived realities that ground the proto-feminist aesthetics of Psyche, the lyrics in Verses, and the narratives in Selena. The letters from 1802 through 1809 contain exceptional information about her reading habits and scholarly studies, resistance to publication, and friendships with other writers. The Collected Letters of Mary Blachford Tighe presents a rich archive of material that open up significant avenues for scholarship on Tighe: they document how actively she participated in her culture, shed autobiographical light on some of the least-known periods in her life, and illuminate her development as a poet and novelist.
Author: Temma Balducci
Publisher: Routledge
ISBN: 1351536583
Category : Art
Languages : en
Pages : 385
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Book Description
Focusing on images of or produced by well-to-do nineteenth-century European women, this volume explores genteel femininity as resistant to easy codification vis-?is the public. Attending to various iterations of the public as space, sphere and discourse, sixteen essays challenge the false binary construct that has held the public as the sole preserve of prosperous men. By contrast, the essays collected in Women, Femininity and Public Space in European Visual Culture, 1789-1914 demonstrate that definitions of both femininity and the public were mutually defining and constantly shifting. In examining the relationship between affluent women, femininity and the public, the essays gathered here consider works by an array of artists that includes canonical ones such as Mary Cassatt and Fran?s G?rd as well as understudied women artists including Louise Abb? and Broncia Koller. The essays also consider works in a range of media from fashion prints and paintings to private journals and architectural designs, facilitating an analysis of femininity in public across the cultural production of the period. Various European centers, including Madrid, Florence, Paris, Brittany, Berlin and London, emerge as crucial sites of production for genteel femininity, providing a long-overdue rethinking of modern femininity in the public sphere.
