Author: William Dean Howells
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 264
Book Description
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells's commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America's entertainment before World War I. Howells's essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O'Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells's theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.
A Realist in the American Theatre
Author: William Dean Howells
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 264
Book Description
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells's commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America's entertainment before World War I. Howells's essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O'Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells's theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 264
Book Description
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells's commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America's entertainment before World War I. Howells's essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O'Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells's theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.
Beyond Naturalism
Author: William W. Demastes
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Demastes draws a distinction between the genus realism and its central species, naturalism. He studies, from an historical perspective, the growth of realism into the foremost aesthetic form in 20th century theater, and focuses on American playwrights who have used realism to challenge outdated and essentially naturalist thought, thereby infusing realism with fresh and contemporary perspectives of the world around them. Demastes analyzes the unique contributions of David Rabe, David Mamet, Sam Shepard, Charles Fuller, Beth Henley, and Marsha Norman, and assesses their overall critical reception. ISBN 0-313-26320-5: $35.95.
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Demastes draws a distinction between the genus realism and its central species, naturalism. He studies, from an historical perspective, the growth of realism into the foremost aesthetic form in 20th century theater, and focuses on American playwrights who have used realism to challenge outdated and essentially naturalist thought, thereby infusing realism with fresh and contemporary perspectives of the world around them. Demastes analyzes the unique contributions of David Rabe, David Mamet, Sam Shepard, Charles Fuller, Beth Henley, and Marsha Norman, and assesses their overall critical reception. ISBN 0-313-26320-5: $35.95.
Realism and the American Dramatic Tradition
Author: William W. Demastes
Publisher: University of Alabama Press
ISBN: 0817308377
Category : Drama
Languages : en
Pages : 311
Book Description
This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon.
Publisher: University of Alabama Press
ISBN: 0817308377
Category : Drama
Languages : en
Pages : 311
Book Description
This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon.
American Realism and American Drama, 1880-1940
Author: Brenda Murphy
Publisher: Cambridge University Press
ISBN: 9780521327114
Category : Drama
Languages : en
Pages : 252
Book Description
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
Publisher: Cambridge University Press
ISBN: 9780521327114
Category : Drama
Languages : en
Pages : 252
Book Description
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
A Realist in the American Theatre
Author: William Dean Howells
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 264
Book Description
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells's commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America's entertainment before World War I. Howells's essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O'Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells's theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 264
Book Description
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre. The essays have been generously annotated and provide production and publication information on the plays Howells reviewed and biographical notes on the playwrights and actors whose work he described. Howells's commentary, the most literate treatment of American theatre of the time, defines and defends his theory of the evolutionary development of realism in modern drama. Because he reviewed more than on hundred fifty productions, which represent the full range of theatre that was available to him, his insights are based on invaluable first-hand knowledge of both self-consciously literary drama and the popular forms of performance that were central to America's entertainment before World War I. Howells's essays had a powerful influence on the serious playwrights and theatre practitioners who came of age at the turn of the century, and whose work in turn enabled playwrights like Eugene O'Neill and Susan Glaspell to develop a new realism during the teens. The essays in this volume are the core of Howells's theory of dramatic realism and will be interesting to scholars, students, and teachers of theatre history and literary criticism.
The Oxford Handbook of American Literary Realism
Author: Keith Newlin
Publisher:
ISBN: 0190642890
Category : Literary Criticism
Languages : en
Pages : 733
Book Description
The Oxford Handbook of American Literary Realism offers fresh interpretations of the artistic and political challenges of representing life accurately. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work.
Publisher:
ISBN: 0190642890
Category : Literary Criticism
Languages : en
Pages : 733
Book Description
The Oxford Handbook of American Literary Realism offers fresh interpretations of the artistic and political challenges of representing life accurately. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work.
Art, Vision, and Nineteenth-Century Realist Drama
Author: Amy Holzapfel
Publisher: Routledge
ISBN: 1136768432
Category : Performing Arts
Languages : en
Pages : 275
Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
Publisher: Routledge
ISBN: 1136768432
Category : Performing Arts
Languages : en
Pages : 275
Book Description
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
Long Day's Journey Into Night
Author: O'Neill, Eugene
Publisher: Yale University Press
ISBN: 0300214324
Category : Drama
Languages : en
Pages : 608
Book Description
The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.
Publisher: Yale University Press
ISBN: 0300214324
Category : Drama
Languages : en
Pages : 608
Book Description
The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.
Hir
Author: Taylor Mac
Publisher: Northwestern University Press
ISBN: 0810133598
Category : Drama
Languages : en
Pages : 98
Book Description
Finalist, 2015 Lambda Literary Award for LGBT Drama Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.
Publisher: Northwestern University Press
ISBN: 0810133598
Category : Drama
Languages : en
Pages : 98
Book Description
Finalist, 2015 Lambda Literary Award for LGBT Drama Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.
The Oxford Handbook of American Drama
Author: Jeffrey H. Richards
Publisher: Oxford University Press
ISBN: 0199731497
Category : Drama
Languages : en
Pages : 593
Book Description
This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.
Publisher: Oxford University Press
ISBN: 0199731497
Category : Drama
Languages : en
Pages : 593
Book Description
This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.