Author: Angela Lambert
Publisher: A&C Black
ISBN: 1448203430
Category : Fiction
Languages : en
Pages : 347
Book Description
First published in 1992, A Rather English Marriage tells of Roy Southgate and Reginald Conynghame-Jervi, who have nothing in common but their loneliness and their wartime memories. Roy, a retired milkman and Reggie, a former RAF Squadron Leader, are widowed on the same day. To assuage their grief, the vicar arranges for Roy to move in with Reggie as his unpaid manservant. To their surprise, they form a strange alliance, based on obedience, need and the strangeness of single life. Then Reggie meets Liz, a vibrant but near-bankrupt woman of irresistible appeal, while Roy and his son's family grow gradually closer. Marriage, it seems, however far from ideal, can be a great protector against isolation.
A Rather English Marriage
Author: Angela Lambert
Publisher: A&C Black
ISBN: 1448203430
Category : Fiction
Languages : en
Pages : 347
Book Description
First published in 1992, A Rather English Marriage tells of Roy Southgate and Reginald Conynghame-Jervi, who have nothing in common but their loneliness and their wartime memories. Roy, a retired milkman and Reggie, a former RAF Squadron Leader, are widowed on the same day. To assuage their grief, the vicar arranges for Roy to move in with Reggie as his unpaid manservant. To their surprise, they form a strange alliance, based on obedience, need and the strangeness of single life. Then Reggie meets Liz, a vibrant but near-bankrupt woman of irresistible appeal, while Roy and his son's family grow gradually closer. Marriage, it seems, however far from ideal, can be a great protector against isolation.
Publisher: A&C Black
ISBN: 1448203430
Category : Fiction
Languages : en
Pages : 347
Book Description
First published in 1992, A Rather English Marriage tells of Roy Southgate and Reginald Conynghame-Jervi, who have nothing in common but their loneliness and their wartime memories. Roy, a retired milkman and Reggie, a former RAF Squadron Leader, are widowed on the same day. To assuage their grief, the vicar arranges for Roy to move in with Reggie as his unpaid manservant. To their surprise, they form a strange alliance, based on obedience, need and the strangeness of single life. Then Reggie meets Liz, a vibrant but near-bankrupt woman of irresistible appeal, while Roy and his son's family grow gradually closer. Marriage, it seems, however far from ideal, can be a great protector against isolation.
Encyclopedia of Television Film Directors
Author: Jerry Roberts
Publisher: Scarecrow Press
ISBN: 0810863782
Category : Performing Arts
Languages : en
Pages : 863
Book Description
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Publisher: Scarecrow Press
ISBN: 0810863782
Category : Performing Arts
Languages : en
Pages : 863
Book Description
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Andrew Davies
Author: Sarah Cardwell
Publisher: Manchester University Press
ISBN: 9780719064920
Category : Biography & Autobiography
Languages : en
Pages : 246
Book Description
Andrew Davies is the creator of the British TV programs Pride and Prejudice, Othello, and The Way We Live Now. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television.
Publisher: Manchester University Press
ISBN: 9780719064920
Category : Biography & Autobiography
Languages : en
Pages : 246
Book Description
Andrew Davies is the creator of the British TV programs Pride and Prejudice, Othello, and The Way We Live Now. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television.
Albert Finney
Author: Gabriel Hershman
Publisher: The History Press
ISBN: 0750981873
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
'Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.' - Kathryn Hughes, Mail on Sunday He was a Salford-born, homework-hating bookie's son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman's colourful and riveting account of Finney's life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain's greatest actors built a glittering career without sacrificing his integrity.
Publisher: The History Press
ISBN: 0750981873
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
'Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.' - Kathryn Hughes, Mail on Sunday He was a Salford-born, homework-hating bookie's son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman's colourful and riveting account of Finney's life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain's greatest actors built a glittering career without sacrificing his integrity.
Absolutely
Author: Joanna Lumley
Publisher: Weidenfeld & Nicolson
ISBN: 0297865005
Category : Biography & Autobiography
Languages : en
Pages : 279
Book Description
'Mischievous and measured, Joanna Lumley gives us a remarkable portrait of a groovy life' The Times 'Captures perfectly the mixture of poshness and larkiness that has captivated Joanna Lumley's audiences... thoughtful and amusing' Daily Mail 'An actress with an extraordinarily varied life... [a] gloriously illustrated, entertaining memoir' Woman & Home 'Immensely fun' Evening Standard Joanna Lumley is one of Britain's undisputed national treasures, who has lived many lives: a single mum; a voiceover artist; a TV presenter; an author; a former model and Bond girl; a human rights activist for Survival International and the Gurkha Justice Campaign; and as an iconic, award-winning actor, best known for her roles in timeless shows like Absolutely Fabulous and The New Avengers. In Absolutely, Joanna tells her story, from the very beginning up until the present day, in her own glamorous, wickedly funny style. 'Lumley has done it all, from sex kitten and TV star to activist for the Gurkhas. Read about it here.' Independent 'Joanna Lumley is, for many, something of a national treasure' Daily Express 'She writes beautifully' Daily Telegraph 'She's the glamorous age-defying star of stage and screen, who is famous as Patsy from Ab Fab yet a passionate human rights campaigner. But as her autobiography reveals, Joana's life has seen her fight through poverty and being a single mum' Best
Publisher: Weidenfeld & Nicolson
ISBN: 0297865005
Category : Biography & Autobiography
Languages : en
Pages : 279
Book Description
'Mischievous and measured, Joanna Lumley gives us a remarkable portrait of a groovy life' The Times 'Captures perfectly the mixture of poshness and larkiness that has captivated Joanna Lumley's audiences... thoughtful and amusing' Daily Mail 'An actress with an extraordinarily varied life... [a] gloriously illustrated, entertaining memoir' Woman & Home 'Immensely fun' Evening Standard Joanna Lumley is one of Britain's undisputed national treasures, who has lived many lives: a single mum; a voiceover artist; a TV presenter; an author; a former model and Bond girl; a human rights activist for Survival International and the Gurkha Justice Campaign; and as an iconic, award-winning actor, best known for her roles in timeless shows like Absolutely Fabulous and The New Avengers. In Absolutely, Joanna tells her story, from the very beginning up until the present day, in her own glamorous, wickedly funny style. 'Lumley has done it all, from sex kitten and TV star to activist for the Gurkhas. Read about it here.' Independent 'Joanna Lumley is, for many, something of a national treasure' Daily Express 'She writes beautifully' Daily Telegraph 'She's the glamorous age-defying star of stage and screen, who is famous as Patsy from Ab Fab yet a passionate human rights campaigner. But as her autobiography reveals, Joana's life has seen her fight through poverty and being a single mum' Best
Fine Cuts: Interviews on the Practice of European Film Editing
Author: Roger Crittenden
Publisher: Taylor & Francis
ISBN: 1315475111
Category : Performing Arts
Languages : en
Pages : 454
Book Description
In the expanded second edition of Fine Cuts, Roger Crittenden reveals the experiences of the greatest European film editors through his warm and perceptive interviews. This new edition builds on the foundations laid out in 2005, including interviews with the editors of films such as Day for Night, The Sacrifice, The Kid with a Bike, and Fanny and Alexander; new interviews with editors of such films as Tyrannosaur and The Other Side of Hope; and editors from a wider range of countries, including Austria, Belgium, Finland, Portugal, and Russia. The book now embraces all aspects of post-production, with insights into sound editing from Larry Sider, originator of the renowned School of Sound, and music composition from Oscar winner Dario Marianelli (Atonement). Editors relate their experiences with directors including: Claire Atherton [Chantal Akerman] Mick Audsley [Terry Gilliam, Stephen Frears] Yann Dedet [François Truffaut, Claire Denis, Maurice Pialat] Marie-Hélène Dozo [Dardenne Brothers] François Gédigier [Patrice Chéreau, Lars von Trier] Samu Heikkilä [Aki Kaurismäki] Sylvia Ingemarsdotter [Ingmar Bergman] Tony Lawson [Nicolas Roeg, Stanley Kubrick, Neil Jordan] Michal Leszczylowski [Andrei Tarkovsky, Lukas Moodysson] Roberto Perpignani [Orson Welles, Bernardo Bertolucci, Tavianni Brothers] Mary Stephen [Éric Rohmer] Each interview also includes a list of cited and notable films for further study. An online eResource contains additional interviews with editors Sabine Mamou, Agnès Guillemot, and Nino Baragli.
Publisher: Taylor & Francis
ISBN: 1315475111
Category : Performing Arts
Languages : en
Pages : 454
Book Description
In the expanded second edition of Fine Cuts, Roger Crittenden reveals the experiences of the greatest European film editors through his warm and perceptive interviews. This new edition builds on the foundations laid out in 2005, including interviews with the editors of films such as Day for Night, The Sacrifice, The Kid with a Bike, and Fanny and Alexander; new interviews with editors of such films as Tyrannosaur and The Other Side of Hope; and editors from a wider range of countries, including Austria, Belgium, Finland, Portugal, and Russia. The book now embraces all aspects of post-production, with insights into sound editing from Larry Sider, originator of the renowned School of Sound, and music composition from Oscar winner Dario Marianelli (Atonement). Editors relate their experiences with directors including: Claire Atherton [Chantal Akerman] Mick Audsley [Terry Gilliam, Stephen Frears] Yann Dedet [François Truffaut, Claire Denis, Maurice Pialat] Marie-Hélène Dozo [Dardenne Brothers] François Gédigier [Patrice Chéreau, Lars von Trier] Samu Heikkilä [Aki Kaurismäki] Sylvia Ingemarsdotter [Ingmar Bergman] Tony Lawson [Nicolas Roeg, Stanley Kubrick, Neil Jordan] Michal Leszczylowski [Andrei Tarkovsky, Lukas Moodysson] Roberto Perpignani [Orson Welles, Bernardo Bertolucci, Tavianni Brothers] Mary Stephen [Éric Rohmer] Each interview also includes a list of cited and notable films for further study. An online eResource contains additional interviews with editors Sabine Mamou, Agnès Guillemot, and Nino Baragli.
Focus On: 100 Most Popular 21St-century English Actresses
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 876
Book Description
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 876
Book Description
British Television Drama
Author: J. Bignell
Publisher: Springer
ISBN: 1137327588
Category : Social Science
Languages : en
Pages : 245
Book Description
Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
Publisher: Springer
ISBN: 1137327588
Category : Social Science
Languages : en
Pages : 245
Book Description
Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
The English Marriage
Author: Maureen Waller
Publisher: John Murray
ISBN: 1848543913
Category : Political Science
Languages : en
Pages : 500
Book Description
The story of the English marriage is unique and eccentric. Long after the rest of Europe and neighbouring Scotland had reformed their marriage laws, England clung to the chaotic and contradictory laws of the medieval Church, making it all too easy to enter into a marriage but virtually impossible to end an unhappy one. If England was a 'paradise for wives' it could only have been through the feistiness of the women. Married women were placed in the same legal category as lunatics. While Englishmen prided themselves on their devotion to liberty, their wives were no freer than slaves. It was a husband's jealously guarded right to beat his wife, as long as the stick was no bigger than his thumb. Only after 1882 could a married woman even retain her own property. But then marriage was all about property in a society which was both mercenary and violent, where a girl was virtually sold into marriage and a price was put on a wife's chastity. With a cast of hundreds, from loyal and devoted wives in troubled times to those who featured in notorious trials for adultery, from abusive husbands whose excesses were only gradually curbed by the law to the modern phenomenon of the toxic wife, acclaimed historian Maureen Waller draws on intimate letters, diaries, court documents and advice books to trace the evolution of the English marriage. It is social history at its most revealing, astonishing and entertaining.
Publisher: John Murray
ISBN: 1848543913
Category : Political Science
Languages : en
Pages : 500
Book Description
The story of the English marriage is unique and eccentric. Long after the rest of Europe and neighbouring Scotland had reformed their marriage laws, England clung to the chaotic and contradictory laws of the medieval Church, making it all too easy to enter into a marriage but virtually impossible to end an unhappy one. If England was a 'paradise for wives' it could only have been through the feistiness of the women. Married women were placed in the same legal category as lunatics. While Englishmen prided themselves on their devotion to liberty, their wives were no freer than slaves. It was a husband's jealously guarded right to beat his wife, as long as the stick was no bigger than his thumb. Only after 1882 could a married woman even retain her own property. But then marriage was all about property in a society which was both mercenary and violent, where a girl was virtually sold into marriage and a price was put on a wife's chastity. With a cast of hundreds, from loyal and devoted wives in troubled times to those who featured in notorious trials for adultery, from abusive husbands whose excesses were only gradually curbed by the law to the modern phenomenon of the toxic wife, acclaimed historian Maureen Waller draws on intimate letters, diaries, court documents and advice books to trace the evolution of the English marriage. It is social history at its most revealing, astonishing and entertaining.
The New Biographical Dictionary of Film
Author: David Thomson
Publisher: Knopf
ISBN: 0307271749
Category : Biography & Autobiography
Languages : en
Pages : 1090
Book Description
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
Publisher: Knopf
ISBN: 0307271749
Category : Biography & Autobiography
Languages : en
Pages : 1090
Book Description
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.