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Author:
Publisher:
ISBN:
Category : Painting, Canadian
Languages : en
Pages : 60
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Book Description
Author:
Publisher:
ISBN:
Category : Painting, Canadian
Languages : en
Pages : 60
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Book Description
Author: Charles Pachter
Publisher:
ISBN: 9781897151334
Category : Alphabet books
Languages : en
Pages : 0
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Book Description
One of Canada's leading visual artists, Charles Pachter, adds a Canadian twist to the alphabet book with his M is for Moose, a delightful and unexpected take on a form we thought we knew well. Combining words and images, M is for Moose is both visually stunning and full of fun. It includes images from Pachter's portfolio of famous paintings, including Joy Ride, with the Queen on a moose, and a young Margaret Atwood with flaming red hair. Covering the iconic to the playful, it celebrates our country, history, and culture while offering a spirited lesson in the ABCs. An icon himself, Pachter's work is collected globally. His M is for Moose is destined to become a classic of Canadian children's literature.
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
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Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 786
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Book Description
Author: Karen Schauber
Publisher:
ISBN: 9781772032888
Category :
Languages : en
Pages : 112
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Book Description
A celebration of one hundred years of Canada's most famous group of painters, expertly blending visual artistry with evocative works of short fiction. Founded in 1920, the Group of Seven has been capturing the imaginations of Canadians for nearly a century, helping to shape our national identity with their stunning landscape paintings representing every region of the country. In honour of the one-hundred-year anniversary of the Group's formation, The Group of Seven Reimaginedtakes a fresh look at twenty-one paintings from the Group's vast oeuvre, extracting narrative from landscape and uniting Canada's most beloved works of art with some of its most distinguished names in contemporary literary fiction. This gorgeous full-colour art book includes works by the original Group of Seven--Franklin Carmichael, Lawren Harris, A.Y. Jackson, Frank Johnston, Arthur Lismer, J.E.H. MacDonald, and Frederick H. Varley--as well as later members A.J. Casson, L.L. FitzGerald, and Edwin Holgate, plus their contemporaries Tom Thomson and Emily Carr. Each painting is accompanied by a short narrative--or "flash fiction" piece--written by critically acclaimed, award-winning authors, including Carol Bruneau, Waubgeshig Rice, Tamas Dobozy, and JJ Lee. Rather than analyze or interpret the art, these literary masters look deep inside each painting, crafting new layers of plot, setting, and emotion that feel at once entirely fresh and completely at home alongside these early-twentieth-century works. With a foreword by Sue and Jim Waddington, authors of the popular In the Footsteps of the Group of Seven,this innovative take on the Group of Seven is sure to inspire and delight Canadians from coast to coast.
Author:
Publisher: University of Toronto Press
ISBN: 1442637846
Category : Reference
Languages : en
Pages : 704
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Book Description
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
Author: Rejean Legault
Publisher:
ISBN: 9788874398843
Category : Art
Languages : en
Pages : 184
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Book Description
This book examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to highlight its role as an early example of cultural diplomacy. The book is fully endowed with archive material, such as photographs, drawings, and maps, along with a portfolio created by contemporary photographers (Francesco Barasciutti and Andrea Pertoldeo), showing the building before, during, and after the restoration. The essays of the various contributors to the book analyze the cultural and political context in which the Canada Pavilion committee worked (Cammie McAtee); the concept and construction of the building and the links with the architect Enrico Peressutti and the BBPR partnership (Réjean Legault); the pavilion's role in the postwar Italian cultural context (Serena Maffioletti) and its fortunes from its inauguration in 1958 to the restoration in 2018 (Josée Drouin-Brisebois); the restoration project itself (Susanna Caccia Gherardine), and, lastly, the relationship between the Canada Pavilion and the Biennale Gardens (Franco Panzini).
Author: Joan Murray
Publisher: Dundurn
ISBN: 155488120X
Category : Art
Languages : en
Pages : 273
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Book Description
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
Author: Charles C. Hill
Publisher: Galerie Nationale Du Canada
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Author: Erin Morton
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013283
Category : Art
Languages : en
Pages :
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Book Description
Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
