Author: Anthony Burton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Book Description
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
A Performer's Guide to Music of the Romantic Period
Author: Anthony Burton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Book Description
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 122
Book Description
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
A Performer's Guide to Music of the Romantic Period
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
A Performer's Guide to Music of the Romantic Period
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
A Performer's Guide to Music of the Romantic Period
Author:
Publisher:
ISBN: 9781786010995
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781786010995
Category :
Languages : en
Pages :
Book Description
A Performer's Guide to Music of the Baroque Period
Author: Associated Board of the Royal Schools of Music (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
Clear, comprehensive and with a CD that complements the text, this book focuses on the music of the Baroque period. It will assist AS/A2 music students, degree students, and also amateur performers and their teachers.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
Clear, comprehensive and with a CD that complements the text, this book focuses on the music of the Baroque period. It will assist AS/A2 music students, degree students, and also amateur performers and their teachers.
Classical and Romantic Performing Practice 1750-1900
Author: Clive Brown
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
Publisher: Oxford University Press
ISBN: 0195347242
Category : Music
Languages : en
Pages : 677
Book Description
The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.
A Performer's Guide to Music of the Classical Period
Author: Anthony Burton
Publisher:
ISBN:
Category : Classicism in music
Languages : en
Pages : 124
Book Description
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
Publisher:
ISBN:
Category : Classicism in music
Languages : en
Pages : 124
Book Description
Helps students and their teachers achieve stylish performances of music of the Baroque, Classical and Romantic periods. These guides include chapters from leading experts on historical background, notation and interpretation, and sources and editions. They are also illustrated with many music examples, facsimiles and pictures.
Reading Musical Interpretation
Author: Julian Hellaby
Publisher: Routledge
ISBN: 1351552198
Category : Music
Languages : en
Pages : 214
Book Description
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. Downloadable resources of the latter are included.
Publisher: Routledge
ISBN: 1351552198
Category : Music
Languages : en
Pages : 214
Book Description
Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. Downloadable resources of the latter are included.
A Performer's Guide to the Music of the Classical Period
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Performer's Guide to Music of the Classical Period
Author: Jane Glover
Publisher:
ISBN: 9781786010988
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781786010988
Category :
Languages : en
Pages :
Book Description