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Author: Marja Warehime
Publisher: Manchester University Press
ISBN: 184779601X
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
Author: Marja Warehime
Publisher: Manchester University Press
ISBN: 184779601X
Category : Performing Arts
Languages : en
Pages : 253
Get Book Here
Book Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
Author:
Publisher: TheBookEdition
ISBN: 2959161408
Category :
Languages : en
Pages : 327
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Book Description
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636366
Category : Reference
Languages : en
Pages : 476
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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Author: Codruţa Morari
Publisher: Berghahn Books
ISBN: 180539424X
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Joe Sheils
Publisher: Council of Europe
ISBN: 9789287115522
Category : Communication
Languages : en
Pages : 324
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Book Description
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 344
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Book Description
Author: Alain Philippon
Publisher:
ISBN: 9782873400675
Category :
Languages : fr
Pages : 0
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Book Description
Author: Douglas Keesey
Publisher: Manchester University Press
ISBN: 1526110660
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other filmmakers and artists in turn. A lively and accessible introduction, this book will appeal to students and researchers, as well as all those with an interest in gender studies, French film and contemporary cinema.
Author: Homer B. Pettey
Publisher: SUNY Press
ISBN: 1438471114
Category : History
Languages : en
Pages : 366
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Book Description
Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genres only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. This exceptional collection offers new ways of looking at these films as films, as well as a fresh approach to British history as a cultural whole. Wheeler Winston Dixon
