Author: Ali YedesPublisher:
ISBN:
Category :
Languages : en
Pages : 886
Book Description
A North African Reading of Camus
Author: Ali YedesPublisher:
ISBN:
Category :
Languages : en
Pages : 886
Book Description
The North African Reality in the Work of Albert Camus
Author: Ena Cecilia VulorPublisher:
ISBN:
Category : Africa, North
Languages : en
Pages : 590
Book Description
The North African Reality in the Work of Albert Camus
Author: Ena Cecilia VulorPublisher:
ISBN:
Category :
Languages : en
Pages : 295
Book Description
A Life Worth Living
Author: Robert ZaretskyPublisher: Harvard University Press
ISBN: 0674728378
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
Exploring themes that preoccupied Albert Camus--absurdity, silence, revolt, fidelity, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by the nobler names we assign to our actions, and who pushed himself, and those about him, to challenge the status quo. For Camus, rebellion against injustice is the human condition.
Camus and Sartre
Author: Ronald AronsonPublisher: University of Chicago Press
ISBN: 9780226027968
Category : Biography & Autobiography
Languages : en
Pages : 312
Book Description
Until now it has been impossible to read the full story of the relationship between Albert Camus and Jean-Paul Sartre. Their dramatic rupture at the height of the Cold War, like that conflict itself, demanded those caught in its wake to take sides rather than to appreciate its tragic complexity. Now, using newly available sources, Ronald Aronson offers the first book-length account of the twentieth century's most famous friendship and its end. Albert Camus and Jean-Paul Sartre first met in 1943, during the German occupation of France. The two became fast friends. Intellectual as well as political allies, they grew famous overnight after Paris was liberated. As playwrights, novelists, philosophers, journalists, and editors, the two seemed to be everywhere and in command of every medium in post-war France. East-West tensions would put a strain on their friendship, however, as they evolved in opposing directions and began to disagree over philosophy, the responsibilities of intellectuals, and what sorts of political changes were necessary or possible. As Camus, then Sartre adopted the mantle of public spokesperson for his side, a historic showdown seemed inevitable. Sartre embraced violence as a path to change and Camus sharply opposed it, leading to a bitter and very public falling out in 1952. They never spoke again, although they continued to disagree, in code, until Camus's death in 1960. In a remarkably nuanced and balanced account, Aronson chronicles this riveting story while demonstrating how Camus and Sartre developed first in connection with and then against each other, each keeping the other in his sights long after their break. Combining biography and intellectual history, philosophical and political passion, Camus and Sartre will fascinate anyone interested in these great writers or the world-historical issues that tore them apart.
Albert Camus the Algerian
Author: David CarrollPublisher: Columbia University Press
ISBN: 0231511760
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by both France and the Algerian National Liberation Front (FLN) and supported the creation of a postcolonial, multicultural, and democratic Algeria. His position was rejected by most of his contemporaries on the Left and has, ironically, earned him the title of colonialist sympathizer as well as the scorn of important postcolonial critics. Carroll rescues Camus' work from such criticism by emphasizing the Algerian dimensions of his literary and philosophical texts and by highlighting in his novels and short stories his understanding of both the injustice of colonialism and the tragic nature of Algeria's struggle for independence. By refusing to accept that the sacrifice of innocent human lives can ever be justified, even in the pursuit of noble political goals, and by rejecting simple, ideological binaries (West vs. East, Christian vs. Muslim, "us" vs. "them," good vs. evil), Camus' work offers an alternative to the stark choices that characterized his troubled times and continue to define our own. "What they didn't like, was the Algerian, in him," Camus wrote of his fictional double in The First Man. Not only should "the Algerian" in Camus be "liked," Carroll argues, but the Algerian dimensions of his literary and political texts constitute a crucial part of their continuing interest. Carroll's reading also shows why Camus' critical perspective has much to contribute to contemporary debates stemming from the global "war on terror."
Algerian Chronicles
Author: Albert CamusPublisher: Harvard University Press
ISBN: 0674073800
Category : Literary Collections
Languages : en
Pages : 175
Book Description
More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form. In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.
The Meursault Investigation
Author: Kamel DaoudPublisher: Other Press, LLC
ISBN: 1590517520
Category : Fiction
Languages : en
Pages : 161
Book Description
A New York Times Notable Book of 2015 “A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.
The First Man
Author: Albert CamusPublisher: Vintage
ISBN: 0307827860
Category : Fiction
Languages : en
Pages : 343
Book Description
From the Nobel Prize-winning author comes the story of Jacques Cormery, a boy who lived a life much like his own, with the sights, sounds and textures of a childhood steeped in poverty and a father's death yet redeemed by the beauty of Algeria and the boy's attachment to his mother. "A work of genius." —The New Yorker Published thirty-five years after its discovery amid the wreckage of the car accident that killed Camus, The First Man is the brilliant consummation of the life and work of one of the 20th century's greatest novelists. Translated from the French by David Hapgood. "The First Man is perhaps the most honest book Camus ever wrote, and the most sensual...Camus is...writing at the depth of his powers...It is "Fascinating...The First Man helps put all of Camus's work into a clearer perspective and brings into relief what separates him from the more militant literary personalities of his day...Camus's voice has never been more personal." —The New York Times Book Review
Constructing the Orient
Author: Lamish Abdelaziz HamdyPublisher:
ISBN:
Category : Arabic literature
Languages : en
Pages : 140
Book Description
Abstract: This thesis looks at how the Other is constructed in Western short fiction. Western writers have represented the Orient through the ages, calling on images disseminated by Orientalism. Such representations result in deconstructing the humanity of the Other and denying them a voice, as Edward Said has shown in his works. Focusing on one particular location, North Africa, the thesis examines how two modern Western writers viewed and represented the natives and the Maghreb (Algeria and Morocco). I chose two creative writers who had a first-hand experience with the Other through decades of living in North Africa - the Algerian French Albert Camus and the American expatriate Paul Bowles who situated most of their work in North Africa. In analyzing the themes of their short fiction along with close reading of "La femme adultere" of Camus and "Allal" of Bowles, the thesis concludes that despite their affinity to the place--having either been brought up in it as in the case of Camus or chose to reside in it as in the case of Bowles-they represented the natives negatively. While Camus had the protagonist desire and even merge with the Algerian desert, the Algerian characters themselves were presented as inarticulate and marginal. The ultimate mystical union of the protagonist with the desert indicates the colons' desire to merge with the land but not with its people. Bowles, on the other hand, does represent the Other, but dehumanizes the protagonist by depicting his beastly violence making him act like a reptile. Trapped in the Orientalist framework, Camus's Other remains a shadowy character; for Bowles the Other is depicted in animalistic metaphors.
