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Author: Ronald Brunlees McKerrow
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 98
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Book Description
Author: Ronald Brunlees McKerrow
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 98
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Book Description
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: Philip Butterworth
Publisher: Cambridge University Press
ISBN: 1139991949
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 732
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Author: William Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
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Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 744
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 480
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Author: Peter Happé
Publisher: Rodopi
ISBN: 9042023031
Category : Drama
Languages : en
Pages : 383
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Book Description
The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of a professional theatre, plays of this type quickly became a forum for the presentation and exploration of many contemporary themes. They became a useful means of disseminating a wide variety of opinions and public concerns as well as exhibiting at times the intellectual brilliance of the Renaissance.The essays here are concentrated upon power, particularly in its religious and political aspects, gender and theatricality. The political and religious upheavals of the Reformation under the Tudor monarchy form a background as well as a focus at times. In particular the position of women in sixteenth-century society is examined in essays on several plays. There is also discussion of the development of theatrical techniques as playwrights worked closely with small acting companies to reach a wide audience ranging from the royal court to the common streets. This was achieved, as a number of essays make clear, through a variety of entertaining theatrical devices.ContentsPeter HAPPE: IntroductionJean-Paul DEBAX: Complicity and Hierarchy: A Tentative Definition of the Interlude GenusLynn FOREST-HILL: Maidens and Matrons: The Theatricality of Gender in the Tudor InterludesPeter HAPPE: Skelton's Magnyfycence: Theatre, Poetry, InfluenceMike PINCOMBE: Comic Treatment of Tragic Character in Godly Queen Hester Janette DILLON: Powerful Obedience: Godly Queen Hester and Katherine of AragonBob GODFREY: Feminine Singularity: The Representation of Young Women in Some Early Tudor InterludesDavid MILLS: Wit to Woo: The Wit InterludesDermot CAVANAGH: Reforming Sovereignty: John Bale and Tragic DramaGreg WALKER: Flytyng in the Face of Convention: Protest and Innovation in Lindsay's Satyre of the Thrie EstaitisJohn J. MCGAVIN: Working Towards a Reformed Identity in Lindsay's Satyre of the Thrie EstaitisPaul Whitfield WHITE: The Pammachius Affair at Christ's College, Cambridge, in 1545Roberta MULLINI: Impatient Poverty: The Intertextual Game of SatirePeter THOMSON: Sound City Jests and Country Pretty Jests: Jack Juggler and Gammer Gurton's NeedleAlice HUNT: Legitimacy, Ceremony and Drama: Mary Tudor's Coronation and RespublicaDavid BEVINGTON: Staging the Reformation: Power and Theatricality in the Plays of William Wager
Author: University of Aberdeen. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Book Description
Author: Carl J. Stratman
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
